Ånglish as a Second F_cking Lànguàgå.

Äîñòî÷òèìûé ïðîôåññîð. Ñòåðëèíã Äæîíñîí. È Ó÷åíûé Ñîâåò îáùåïðèçíàííûõ. Ýêñïåðòîâ-ëèíãâèñòîâ. ENGLISH. AS A SECOND. F*CKING LANGUAGE.

Those who know do not speak. Those who speak do not know.

* ÂÂÅÄÅÍÈÅ.

I don’t know what the fuck to say. «Opus Pistorum» Henry Miller

Òå, êòî èçó÷àþò àíãëèéñêèé èç òðàäèöèîííûõ èñòî÷íèêîâ, çà÷àñòóþ òåðÿþòñÿ, êîãäà ñëûøàò ïîäîáíûé äèàëîã:

Âå÷åð â îïåðå[1].

John: Mary, would you like to attend the opera this evening?

Mary: Fucking-A. Should I wear my black dress?

John: Why the fuck not?

Mary: Fucked if I know. Oh, fuck! I just remembered. It got fucked up in the wash.

John: Well, fuck the opera, let’s stay home and fuck.

Mary: Good fucking idea.

Óñëûøàâ ïîäîáíûé îáìåí ñëîâàìè, ãîñòü íàøèõ ïåíàòîâ íå ñìîæåò ñêðûòü íåäîóìåíèå.

«×òî îçíà÷àåò ýòî FUCK?» âåðîÿòíåå âñåãî ñêàæåò îí èëè îíà.

Öåëü ýòîé êíèãè - îáúÿñíèòü íà÷èíàþùèì JUST WHAT THIS FUCK DOES MEAN.

AND WHAT SHIT, PISS, CUNT È ASSHOLE MEAN - âìåñòå ñ ìíîæåñòâîì äðóãèõ òåðìèíîâ, êîòîðûå äîëæíû âõîäèòü â ëåêñèêîí ëþáîé äîñòîéíîé ëè÷íîñòè, êîòîðàÿ õî÷åò ýôôåêòèâíî è ýôôåêòíî îáùàòüñÿ íà àíãëèéñêîì ÿçûêå.

Íàø ìåòîä ïðîñò è êîíêðåòåí. Ìû íå çàíèìàåìñÿ ñëîæíûìè ãðàììàòè÷åñêèìè ïðîáëåìàìè, òàêèìè, êàê íåïðàâèëüíûå ãëàãîëû, ñòðàäàòåëüíûé çàëîã è ñëîæíûå ïðè÷àñòèÿ ïðîøåäøåãî âðåìåíè.

Êîãäà êòî-òî ñêàæåò Âàì: I BUTT-FUCKED A GOAT, áóäåò î÷åâèäíî, ÷òî ãëàãîë, îïðåäåëÿþùèé ñèå äåÿíèå, íåïðàâèëåí ñàì ïî ñåáå. Ïðîñòî èãíîðèðóéòå åãî.

Åñòü êíèãè, êîòîðûå ó÷àò Âàñ, êàê èçáåãàòü áðàííûõ ñëîâ.

Áîëåå òîãî, îíè íàó÷àò Âàñ, êàê èçáåãàòü âïîëíå íåâèííûõ ñëîâ, êîòîðûå ìîãóò áûòü ðàñöåíåíû êàê ìàòåðíûå. Èõ öåëü - óäåðæàòü Âàñ îò ñîçäàíèÿ âóëüãàðíîãî îáðàçà.

Ìû ñêàæåì - FUCK IT!

Âóëüãàðíîñòü íå íàøà öåëü.

Ñìûñë è öåëü èãðû - îáùåíèå.

Íà ïðîòÿæåíèè íàøåãî êóðñà ìû ïðîöèòèðóåì çíà÷èòåëüíîå êîëè÷åñòâî âñåìèðíî ïðèçíàííûõ êëàññèêîâ ïîýçèè. Ïóñòü ýòî Âàñ íå îòïóãí¸ò. Íàøè ïîýòû íå íàõîäÿòñÿ â ïðîñòðàöèè èëè â áðåäó. (Ïðàâäà, åñòü îäíî èñêëþ÷åíèå, è îíî, âåðíåå, îí, êðèñòàëüíî ÷èñòî âèäåí â òåêñòå.).

Ïîñêîëüêó ìû - êîíñèëèóì ïðîôåññèîíàëüíûõ ýêñïåðòîâ, ìû çíàåì, ÷òî äåëàåì è ïî÷åìó äåëàåì ýòî. Ìû ðóãàåìñÿ òîëüêî ïî îäíîé ïðè÷èíå - IT’S THE BEST FUCKING WAY TO COMMUNICATE!

×åòûðå âåêà íàçàä Øåêñïèð - îäèí èç ñàìûõ ëó÷øèõ òâîðöîâ, êîòîðûå âûðàæàëè ñåáÿ íà àíãëèéñêîì ÿçûêå, ïðèëîæèë ñâîþ ïå÷àòü ê ýäèêòó îá îäîáðåíèè ðóãàíè.  «Áóðå» îí ñîçäàë ïåðñîíàæ, êîòîðûé ñêàçàë:

Òû íàó÷èë ìåíÿ ÿçûêó, è ìîÿ âûãîäà îò ýòîãî â òîì, ÷òî ÿ çíàþ, êàê ðóãàòüñÿ.

You taught me language; and my profit on’t Is, I know how to curse.

Ó íåñðàâíåííîãî áàðäà áûëî ìíîãî ÷òî ñêàçàòü ïî ýòîìó ïîâîäó.  Ãåíðèõå V îí ðèñóåò íàì Êàòåðèíó, þíóþ ôðàíöóæåíêó, çà óðîêîì àíãëèéñêîãî. Êîãäà îíà óçíàåò, ÷òî àíãëèéñêèå ñëîâà «FOOT» è «GOWN» çâó÷àò ñõîæå ñ ôðàíöóçñêèìè FOUTRE è CON – «FUCK» è «CUNT» - îíà óäèâëåíà è ïîëüùåíà. Êàòåðèíà ïîâòîðÿåò èõ âíîâü è âíîâü.

Ðàçâå ýòà ãåðîèíÿ Øåêñïèðà äåø¸âêà?

Îòíþäü íåò.

 êîíöå îíà ñòàíîâèòñÿ Êîðîëåâîé Àíãëèè è Ôðàíöèè.

Åñëè ìàò õîðîø äëÿ Øåêñïèðà è äëÿ Êîðîëåâû Àíãëèè è Ôðàíöèè - Âû ìîæåòå ïðîçàëîæèòü ñâîé çàä, ÷òî îí õîðîø è äëÿ íàñ.

È äëÿ Âàñ.

* ÑÅÌÜ ÑÒÎËÏÎÂ.

 íà÷àëå ñåìèäåñÿòûõ êîìèê Äæîðäæ Êàðëèí ïðîöèòèðîâàë ñåìü ñòðàøíûõ ñëîâ, êîòîðûå íèêîãäà íå äîëæíû çâó÷àòü íà îáùåñòâåííîì (óâû, íå ðîññèéñêîì!!!) òåëåâèäåíèè.

Ýòè ñëîâà ÿâëÿþòñÿ êðàåóãîëüíûìè êàìíÿìè â ôóíäàìåíòå ýôôåêòèâíûõ ðóãàòåëüñòâ:

SHIT.

FUCK.

PISS.

CUNT.

ASSHOLE.

MOTHER-FUCKER.

COCK-SUCKER.

Âñå ýòè ñëîâà óæå äàâíî â ýôèðå.  Àìåðèêå îíè îãðàíè÷åíû êàáåëüíûì òåëåâèäåíèåì. À òå, êòî ìîæåò ÷èòàòü ïî ãóáàì, ìîæåò óâèäåòü èõ íà âñåõ ñïîðòèâíûõ òåëåòðàíñëÿöèÿõ.  êîíöå ïÿòèëåòêè èõ áóäóò ñëûøàòü íà áîëåå ÷åì ïÿòèñòàõ êàíàëàõ, äîñòóïíûõ øèðîêîé ïóáëèêå â Ñîåäèí¸ííûõ Øòàòàõ, åù¸ îäèí ïðèìåð ïîçèòèâíîãî âîçäåéñòâèÿ Èíôîðìàöèîííîé Ñóïåðìàãèñòðàëè Áèëëà Ãåéòñà íà îáùåñòâåííîå ñîçíàíèå è îáîãàùåíèå íàøåé êóëüòóðû.

Èíôîðìàöèÿ ê ðàçìûøëåíèþ 1:

 îòëè÷èå îò òàêèõ ñëîâ, êàê PRICK, SCREW, SNATCH, BUNG-HOLE è òàê äàëåå, ýòè ñåìü ñëîâ íå ìîãóò áûòü êîìáèíàòîðíî çàìåíåíû èëè îøèáî÷íî ïðèíÿòû çà äðóãèå.

Èíôîðìàöèÿ ê ðàçìûøëåíèþ 2:

Øåñòü èç óêàçàííûõ òåðìèíîâ ìîãóò áûòü èñïîëüçîâàíû êàê âåðáàëüíîå îðóæèå - òî åñòü êàê îñêîðáëåíèÿ, íàïðàâëåííûå íà òî, ÷òîáû ñïðîâîöèðîâàòü êîãî-ëèáî. Îáû÷íî íà íàñèëèå èëè ïîïûòêó ê íåìó. Åñëè Âû íàçûâàåòå êîãî-ëèáî A SHIT, A FUCK, A CUNT, AN ASSHOLE, A MOTHER-FUCKER, èëè A COCK-SUCKER, Âû ðèñêóåòå.

Íî íàçîâèòå êîãî-ëèáî «À PISS», È Â îòâåò Âû óâèäèòå ëèøü âûìó÷åííóþ óëûáêó.

Âàøà ïðåäïîëàãàåìàÿ æåðòâà ñðàçó îáíàðóæèò, ÷òî Âû íå ÷èòàëè ENGLISH AS A SECOND F*CKING LANGUAGE.

* FUCK.

FUCK - ìàòü âñåõ ñëîâ. Êîðîòêèé è ýôôåêòèâíûé ãëàãîë, îí âîñõîäèò ê êîðíÿì ñîçèäàíèÿ.

Âñå ýâôåìèçìû äëÿ FUCK íåóêëþæè, íåëåïû è ïðèáëèçèòåëüíû. Âîò ïðèìåð, ÿâëÿþùèéñÿ èñ÷åðïûâàþùèì äîêàçàòåëüñòâîì.

Ïðèìåð:

Romeo: I want to engage in sexual intercourse with you.

Juliet: Sorry, I don’t have time. I thought you just wanted to fuck.

Ýòîò Ðîìåî! Êàêèå íåñêëàäíûå ãóáåíêè. Çà âðåìÿ, íåîáõîäèìîå äëÿ ïðîèçíåñåíèÿ «ENGAGE IN SEXUAL INTERCOURSE», Âû ñìîæåòå FUCK ïîëäþæèíû ðàç.

FUCK èíîãäà íàçûâàþò THE F-WORD. Èçáåãàéòå ýòîãî òåðìèíà. Ïðîñòî ñêàæèòå FUCK.

FUCK.

Çíà÷åíèå ýòîãî ñëîâà, êàê ãëàãîëà, òàê è ñóùåñòâèòåëüíîãî, ñåêñóàëüíî è ïîçèòèâíî. Òåì íå ìåíåå, ìíîæåñòâî ïðîèçâîäíûõ è íåñåêñóàëüíûõ çíà÷åíèé ìîãóò áûòü íåãàòèâíûìè.

Ïðèìåð:

Sigmund: How come you’re mad at Carl?

Rudolph: The no-good fuck fucked me out of ten dollars.

FUCK AROUND.

Ýòî îçíà÷àåò âîçëþáèòü êîãî-òî åù¸, êðîìå Âàøåé ïîäðóæêè (äîñëîâíî - îáîãíóâ å¸). Ëèáî áûòü âîâëå÷åííûì â ëåíèâîå è áåñòîëêîâîå âðåìÿïðîâîæäåíèå. Ïðèñòîéíûé ðóññêèé ýêâèâàëåíò ñîçâó÷åí ñëîâó «øàðàõàòüñÿ», à â âàðèàíòå, îáðàçîâàííîì îò íåöåíçóðíîãî îáîçíà÷åíèÿ àêòà - øàðî¸áèòüñÿ.

Ïðèìåð:

Dwight: Phoebe, dear, were you fucking around with anyone while I was at the shoe-clerk convention?

Phoebe: Gosh no, honey. I spent my time fucking around by myself in the garden.

Dwight: Odd. I found a used condom under our bed, and it wasn’t mine.

Phoebe: Huh, where do you suppose it came from?

FUCK IT.

Íåñåêñóàëüíîå çíà÷åíèå, ïîäîáíî «÷¸ðò ñ íèì» - the hell with it. Î÷åíü ïîëåçíîå âûðàæåíèå äëÿ îòñåâà áåñïîëåçíûõ èëè íåíóæíûõ äåë.

Ïðèìåð:

Nadine: Arnold, if we don’t pay this phone bill by noon today, they’ll shut off our service.

Arnold: Fuck it. There’s no one I want to talk to, anyway.

FUCK UP.

Êàê ñóùåñòâèòåëüíîå, FUCK-UP îçíà÷àåò ñèòóàöèþ ñ îñëîæíåíèÿìè èëè íåêîìïåòåíòíîãî ÷åëîâåêà. Êàê ãëàãîë, FUCK UP îòíîñèòñÿ ê äåéñòâèþ, êîòîðîå èõ ñîçäàëî.

Ïðèìåð:

Henry: That job turned out to be a real fuck-up.

Eugene: That’s because that fuck-up Jackson was in charge. He could fuck up a wet dream.

FUCK YOU!

Îäíà èç íàèáîëåå ïîëåçíûõ ôðàç â ëåêñèêîíå ìàòåðùèííèêà è îõàëüíèêà. Îíà óíè÷òîæàåò íåîáõîäèìîñòü ñïîðèòü - äîêàçûâàòü èëè äàæå ðàññóæäàòü ñ ëþäüìè, ÷üè öåëè, èíòåðåñû èëè ìíåíèÿ îòëè÷àþòñÿ îò òâîèõ ñîáñòâåííûõ.

Ïðèìåð:

(Ïðèìå÷àíèå: Ñëîâà Ìàðñåëÿ âûäåëåíû ïðÿìûì äëÿ òîãî, ÷òîáû äàòü Âàì ïîíÿòü, ÷òî îí ñêîðåå èãðàåò èìè, íåæåëè èõ âûãîâàðèâàåò.).

Marcel: Could you spare $5 to support the mime foundation?

Frank: Fuck you!

Ïðèìåð:

Officer: I’m sorry I had to ticket you, but the radar clocked you at five miles over the limit. Have a nice day!

Mort: Fuck you!

ÑÈÍÎÍÈÌÛ È ÝÊÂÈÂÀËÅÍÒÛ FUCK.

Ñóùåñòâóåò ìíîæåñòâî ýêâèâàëåíòîâ äëÿ ñëîâà FUCK è åãî ñèíîíèìîâ. Íàøà êàôåäðà íå âèäèò îñîáîé íåîáõîäèìîñòè â ýòèõ îáîãàùåíèÿõ ñëîâàðíîãî çàïàñà, íî ìû ÷åñòíî äîëæíû Âàñ ïðîèíôîðìèðîâàòü î íàèáîëåå çàáîéíûõ íîâåëëàõ â ñîâðåìåííîé ëèíãâèñòèêå.

ÃËÀÃÎËÛ.

BALL.

Îáðàçîâàíî îò âûðàæåíèÿ «TO HAVE A BALL» - õîðîøî ïðîâîäèòü âðåìÿ.  äàííîì êîíòåêñòå «BALL» îòíîñèòñÿ ê ãàëà-ñîáûòèþ, à íå ïåðâè÷íûì ïîëîâûì ïðèçíàêàì ìóæ÷èíû. Òåì íå ìåíåå, äëÿ òîãî ÷òîáû òî BALL, Âàì íåîáõîäèìî èìåòü â íàëè÷èè A BALL, êàê ïîëîâîé ïðèçíàê. Êàê ìèíèìóì îäíî, õîòÿ íîðìîé ÿâëÿþòñÿ äâà.

Ïðèìåð:

Norm: What happened with the girl you met at the ball last night?

Al: She grabbed my left ball, so we left the ball and I balled her.

BANG.

Èç íàèáîëåå àãðåññèâíûõ ñóáñòèòüþòîâ (çíà÷åíèé-çàìåíèòåëåé) FUCK, ýòîò íàèáîëåå ðàñïðîñòðàí¸í. Äðóãèå ïîïóëÿðíûå âåðñèè - BOFF è THUMP.

Ïðèìåð:

Dexter:

Did I tell you I banged that blonde waitress from the Reno Diner?

Baxter: I thought you said you boffed the redhead.

Dexter: Right. I thumped them both.

Baxter: You sure have a way with the ladies!

DICK.

Ýòîò òåðìèí îáîçíà÷àåò èíñòðóìåíò è ïðîöåññ, äåéñòâî.

Ïðèìåð:

William: When does a gigolo bill his client?

Richard: After he dicks her.

GET IT, ETC.

Ñàìûé ìíîãîçíà÷íûé ãëàãîë àìåðèêàíñêîãî àíãëèéñêîãî. Êîìáèíàöèè ïðåäëîãîâ ñ get, êîòîðûå èìåþò çíà÷åíèå FUCK: GET A LITTLE, GET IN, GET IT, GET IT ON, GET LAID, GET SOME È GET YOUR ASHES HAULED.

HIDE THE WEENIE.

Ñïðÿòàòü ñîñèñêó. Èãðèâûé ñïîñîá ñêàçàòü FUCK. Èçáåãàéòå åãî.

LAY.

Î÷åíü ìÿãêèé òåðìèí äëÿ FUCK, òîòàëüíî ðàñïðîñòðàíåííûé è ýêâèâàëåíòíûé ðóññêîìó «ñïàòü». Îñíîâàí íà ñòðàííîé èäåå, ÷òî ëþäè âñåãäà äîëæíû ñïàòü èëè ëåæàòü, äëÿ òîãî ÷òîáû TO FUCK (ñì. BASKET FUCK â ðàçäåëå ÈÄÈÎÌÛ).

SCREW.

Ââåðíóòü, çàøóðóïèòü.

Çà èñêëþ÷åíèåì A BASKET FUCK (ñì. ðàçäåë ÈÄÈÎÌÛ) â ïðîöåññ íå âîâëå÷åíî íèêàêèõ êðóòÿùèõ äâèæåíèé. Ïîäîáíî FUCK, screw ìîæåò èìåòü îòðèöàòåëüíîå, íåñåêñóàëüíîå çíà÷åíèå.

Ïðèìåð:

Sergio: I screwed up my math test; now I can’t go on the class beach picnic.

Andre: Then you won’t get fucked; it looks like you’re screwed.

ÑÓÙÅÑÒÂÈÒÅËÜÍÛÅ.

LAY.

FUCK.

PIECE OF ASS.

QUICKIE.

* FUCK ÀÍÀËÈÇ.

Âå÷åð â îïåðå.

John: Mary, would you like to attend the opera this evening?

Mary: Fucking-A(1). Should I wear my black dress?

John: Why the fuck(2) not?

Mary: Fucked(3) if I know - Oh, fuck(4)! I just remembered. It got fucked up(5) in the wash.

John: Well, fuck(6) the opera, let’s stay home and fuck(7).

Mary: Good fucking(8) idea.

1 FUCKING-A: Óñèëåííàÿ àôôèðìàöèÿ, ïîäòâåðæäåíèå íàìåðåíèÿ.

2 THE FUCK: Óñèëèòåëüíîå ïðèëàãàòåëüíîå.

3 FUCKED: Ñîêðàùåíèå äëÿ «I’LL BE FUCKED IF I KNOW», ÷òî íå èìååò íè÷åãî îáùåãî ñ ñîâîêóïëåíèåì. Ïðîñòî ýêâèâàëåíò «áóäü ÿ ïðîêëÿò, åñëè ÿ çíàþ!», ÷òî íå èìååò íè÷åãî îáùåãî ñ àíàôåìîé èëè öåðêîâíûì ïðîêëÿòèåì. Äðóãèìè ñëîâàìè, «ÿ íå çíàþ».

4 OH, FUCK! Ýòî ïðåðûâàíèå äèàëîãà. OH - ïðàêòè÷åñêè íå íóæíî; FUCK! Âûïîëíÿåò ôóíêöèþ ìåæäîìåòèÿ èëè ââîäíîãî ñëîâà.

5 FUCKED UP: Ýòî îçíà÷àåò ïîâðåæä¸ííûé.

6 FUCK: Çäåñü FUCK èñïîëüçîâàíî â íåãàòèâíîì ñìûñëå, ïîäîáíî «Ê ÷¸ðòó îïåðó».

7 FUCK: Çäåñü FUCK èñïîëüçîâàíî â ñâî¸ì ïåðâîçäàííîì, ïåðâè÷íîì, èñõîäíîì çíà÷åíèè.

8 FUCKING: Íîâè÷îê â ëèíãâèñòèêå ìîæåò ïîäóìàòü, ÷òî ïðåäïîëàãàåìîå èçíà÷àëüíîå çíà÷åíèå: THIS IS A GOOD IDEA ABOUT FUCKING. Íà ñàìîì äåëå, íèêàêîãî ñåêñóàëüíîãî ïîäòåêñòà íå ñóùåñòâóåò, äàííîå ñëîâî ïðîñòî óñèëèâàåò çíà÷åíèå è ÿâëÿåòñÿ óñèëèòåëåì. AND A FUCKING GOOD ONE AT THAT.

* ÑÎÄÎÌÈÇÌÛ.

Said a jolly old chap from Siam, «For fucking I don’t give a damn. You may think it odd o’ me, But I prefer sodomy; They call me a bugger - I am». Oscar Wilde

Âåñåëü÷àê èç ïîýìû èìååò ÿâíóþ ñêëîííîñòü ê ñîäîìèè. Äëÿ äðóãèõ - ýòî ëèøü òÿãà ê ðàçíîîáðàçèþ, ïîäìåíà FUCKING. Èç-çà òîãî, ÷òî äàííàÿ ïðàêòèêà è îïàñíà è òðóäíà, è, ñîáñòâåííî, àáñîëþòíî íå íàø ìåòîä, íàø êîëëåêòèâ å¸ èçáåãàåò. Îäíà èç îïàñíîñòåé áûëà ïðîöèòèðîâàíà Ñýìþýëåì Òýéëîðîì Êîëðèäæåì [Samuel Taylor Coleridge] â The Return of the Ancient Mariner.  ýòîì ýïè÷åñêîì ïðîèçâåäåíèè ïîýò îïèñûâàåò, ÷òî ïðîèçîøëî ñ êàïèòàíîì - àäåïòîì çàäíèõ ìûñëåé, êîãäà îí ïîïûòàëñÿ ïðåîäîëåòü íåðåøèòåëüíîñòü þíãè è ïîïàë â àíàëüíóþ çàñàäó:

.. then that naughty little nipper, He lined his ass With broken glass And circumcised the skipper.

×òî, ñêàçàíî äîñòàòî÷íî?

Íåîáõîäèìî çíàòü.

ASS-FUCK.

BUGGER.

BUTT-FUCK.

Áëåñíóòü â ðàçãîâîðå.

BUM-FUCK.

CORN-HOLE.

BACK-SCUTTLE.

GREEK.

Çàáóäüòå.

REAR ENTRY.

BACK-DOOR BANDITRY.

* ÏÐÅÄÓÏÐÅÆÄÅÍÈÅ.

ËÀÒÛÍÜ.

Ñîâåðøåííî íåò ñìûñëà äàâàòü íåàíãëèéñêèå èìåíà íàøèì ÷àñòÿì òåëà. Õîòÿ, lingua latina non penis canina, èçáåãàé èõ. Ýòè ñëîâà ÷àùå çàòóìàíèâàþò ñîçíàíèå, ÷åì ïðîÿñíÿþò ñóòü.

Íàïðèìåð, îäíî ëàòèíñêîå ñëîâî èíîãäà èñïîëüçóåòñÿ âìåñòî cunt. Ïå÷àëüíî. Vagina ëåãêî ïåðåïóòàòü ñ Virginia, â îñîáåííîñòè â àááðåâèàòóðå.

Íà âîñòî÷íîì ïîáåðåæüå ÑØÀ «the Commonwealth of Va.» - ýòî øòàò, à íà çàïàäíîì - ýòî äâà êâàðòàëà â ðàéîíå áóëüâàðà Ñàíñåò.

Åù¸ äâà ñóùåñòâèòåëüíûõ, êîòîðûå ñòðàäàþò îò êîíôóçíîé ëàòûíè - uvula è sternum. Íè òî, íè äðóãîå íå ÿâëÿåòñÿ ïîëîâûì îðãàíîì, íî íåâåæåñòâåííàÿ ïóáëèêà íåðåäêî ïðèíèìàåò èõ çà òàêîâûå. Ðåçóëüòàòû êîíôóçíû, íåïðèÿòíû è îïàñíû.

Êàê è âåçäå, åñòü èñêëþ÷åíèÿ. Äëÿ îïðåäåë¸ííûõ ñåêñóàëüíûõ äåéñòâèé, òàêèõ, êàê coginus è fensturbation, íåò àíãëèéñêèõ ýêâèâàëåíòîâ. Îíè äîëæíû îñóùåñòâëÿòüñÿ âäàëè îò ïîñòîðîííèõ ãëàç è ïðîèçíîñèòüñÿ ø¸ïîòîì.

Ïðèìåð:

Camille: Doctor Benway, is coginus painful?

Benway: Yes, if it’s done right.

Ïðèìåð:

Wilma: What’s your pet peeve, Bruce?

Bruce: I hate those Liberals who are always saying fensturbation is normal and natural - until you do it in front of them!

* ÎÍ.

 Äðåâíåì Ðèìå ìóæñêîé îðãàí íàçûâàëè PENIS.  Ðèìå íàø Ó÷¸íûé Ñîâåò äåëàåò òàê, êàê äåëàþò ðèìëÿíå.

Íî ìû íå â Ðèìå.

Ìû íàçûâàåì åãî A COCK, A PRICK èëè A DICK, è ìíîãèìè äðóãèìè ëàñêîâûìè (è íå î÷åíü) èìåíàìè, íî íèêîãäà - A PENIS.

Ìíîæåñòâî èì¸í äëÿ íåãî îáðàçîâàíû îò ìóæñêèõ èì¸í. Âû ìîæåòå íàçûâàòü A PRICK - A DICK, à ìíîãèå, âêëþ÷àÿ âåëèêîãî D.H. Lourence, îáðàùàþòñÿ ê íåìó A CHARLY, À PETER, A WILLY èëè A JOHN THOMAS.

Ýòî çâó÷èò íåìíîæêî ãëóïî, íî èìååò ãîðàçäî áîëüøå ñìûñëà, ÷åì íàçûâàòü åãî A BETTY, A MARY, A JOSEPHINA èëè A LILLIAN.

Íàçâàíèÿ ÷ëåíà âàðüèðóþòñÿ îò ýêñòðåìàëüíûõ äî äåëèêàòíûõ. Èíîãäà îðãàí äàæå íå óïîìèíàåòñÿ.

Ïðèìåð:

Mary: I just saw an old X-rated film with John Holmes. That guy was really big.

Bruce: I suppose he was pretty tall - for an actor.

Mary: No - I mean he was really big.

Bruce: Oh, yes. He was very successful - for a porn star.

Mary: No - you needle-dicked moron! I mean he was really BIG!

Ýòî âîçäåðæàíèå îò óïîìèíàíèÿ èìåíè ìóæñêîãî îðãàíà ñûãðàëî ñâîþ ðîëü è ñïðîâîöèðîâàëî ñåðèþ èíòåðåñíûõ è âåëèêîëåïíûõ ãðàôôèòè, êîòîðóþ íàø Ó÷¸íûé Ñîâåò íàáëþäàë â Áàðå-Áåç-Èìåíè íà Ãóäçîí Ñòðèò â Íüþ-Éîðê Ñèòè. Òàì, â äàë¸êîì øåñòüäåñÿò ïÿòîì, íåèçâåñòíûé îáåññìåðòèë ñåáÿ íà ñòåíå ìóæñêîãî òóàëåòà:

«Ó ìåíÿ äåâÿòü äþéìîâ - Âàì èíòåðåñíî?».

Íèæå ýòîãî äðóãîé íåáîæèòåëü ñëîâà îòâåòèë:

«Èíòåðåñíî? ß çàèíòðèãîâàí! Íî ðàçìåð òâîåãî …?».

Ñîïðîòèâëåíèå ê óïîìèíàíèþ DICK â îôèöèîçå èìååò íåêóþ ïàðàëëåëü ñ èçâåñòíûì âûðàæåíèåì, ãäå òîò ñàìûé DICK óïîìèíàåòñÿ, íî íå íàëè÷åñòâóåò, ò.å., DICKLESS. Ëîãèêà ãîâîðèò íàì, ÷òî ýòî âûðàæåíèå äîëæíî îòíîñèòüñÿ ê æåíùèíàì. Ëîãèêà íåïðàâà. Îíî îòíîñèòñÿ ê ìóæ÷èíàì, êîòîðûì íåäîñòàåò äóõà, õðàáðîñòè, ïðîäóìàííîñòè è ìóäðîñòè. Îíî ÷àñòî èñïîëüçóåòñÿ â êîìáèíàöèè ñ «WONDER».

Ïðèìåð:

Stanley: How come Larry didn’t make our men’s group’s annual whorehouse tour?

Oliver: His wife wouldn’t let him.

Stanley: Jesus! That dickless wonder wouldn’t stand up to a meter maid.

 ïðèðîäå A DICK ñóùåñòâóåò â äâóõ ñîñòîÿíèÿõ. Ïåðâîå âÿëî.  íóæíîå âðåìÿ è â íóæíîì ìåñòå íåò íè÷åãî ïëîõîãî â A LIMP DICK, õîòÿ, åñëè Âû íàçûâàåòå êîãî-ëèáî ýòèì âîêàòèâîì - LIMP DICK, Âû ïðåäïîëàãàåòå, ÷òî ýòîò ÷åëîâåê íåýôôåêòèâåí èëè èìïîòåíò.

Ïðèìåð:

Vernon: Gosh, I’ve got to pee really bad. I wonder if anybody would mind if I left the poker game for a few minutes.

Rocco: No, you limp dick. In fact, we wouldn’t mind if you left permanently.

Êàê è Âåðíîí, âÿëûé DICK ìîæåò áûòü ïðîñòî áåñïîëåçíûì. Ñ äðóãîé ñòîðîíû, îí âíå êîíêóðåíöèè, êîãäà Âàì íóæíî ïðîñòî ïîïèñàòü.

Òåì íå ìåíåå, êîãäà Âû õîòèòå TO BEAT IT èëè FUCK WITH IT, èëè HANG HORSESHOES ON IT, ëó÷øå, ÷òîáû îí áûë òâ¸ðäûì. ×òî ïðèâîäèò íàñ ê:

* HARD TIMES.

Íàðîäíàÿ ìóäðîñòü çàìåòèëà: «À STIFF PRICK HAS NO CONSCIENCE», «ó òâ¸ðäîãî - íåò ñîâåñòè».

Äðóãèå èñòî÷íèêè ôîëüêëîðà ïîäòâåðäèëè ýòî ìíåíèå. ×åëîâåê ñ A STIFF PRICK äóìàåò îá îäíîì, èëè î âàðèàöèÿõ ýòîãî îäíîãî èëè îäíîé. Ñóáñòàíöèÿ, åñòåñòâåííî - FUCKING, âàðèàöèè èëè ïðîèçâîäíûå.

Íàèáîëåå ðàñïðîñòðàí¸ííûé òåðìèí äëÿ îáîçíà÷åíèÿ A STIFF DICK - A HARD-ON. Ìîðôîëîãèÿ è ýòèìîëîãèÿ î÷åâèäíû.

Äðóãèå íàèìåíîâàíèÿ äëÿ A DICK â ýòîì ñîñòîÿíèè âêëþ÷àþò:

BLUE-VEINER.

Ñèíåâåíùèê. Íàñòîëüêî òâ¸ðä, ÷òî ñèíèå âåíû ðåëüåôíî âûñòóïàþò.

Ïðèìåð:

Clem: How did your date with Suzie go?

Jody: Not so good. Every time I looked at her I got such a blue-veiner it drained the blood from my head and I fainted. I never did get laid.

BONER.

Êîñòëÿâûé. Êàæåòñÿ, ÷òî â í¸ì êîñòü. Ñëîâî ìîæåò âûçûâàòü íåêèé êîíôóç, òàê êàê BONER ìîæåò îçíà÷àòü îøèáêó èëè faux pas, ãîâîðÿ âûñîêèì øòèëåì, òî åñòü äóðíûå ìàíåðû èëè ïðîêîë â ýòèêåòå.

Ïðèìåð:

Annie: They tell me Chris committed a real boner by showing up at the nudist-colony dinner with a hard-on.

Ginnie: I was there. What a boner!

DIAMOND-CUTTER.

Äîñòàòî÷íî òâ¸ðä, ÷òîáû ðåçàòü èì àëìàçû. Õîòÿ åãî íàëè÷èå îáû÷íî ïðèâîäèò ê ðàçäà÷å áðèëëèàíòîâ.

Ïðèìåð:

Anita: A diamond is a girl’s best friend.

Marilyn: And a diamond-cutter ain’t exactly her enemy!

RAIL.

Ïîðó÷åíü. Òàê æå RAIL ON. Both refer to a prick that’s straight as a rail. Èçâåñòíûé ïîýò Êàðèì Ðîêà [Kareem Roka] îïèñàë ýòîò âèä HARD-ON ñëåäóþùèì ñëîãîì:

There once was fellow named Waylon, Who stood up in a boat with a rail on. «It’s a mast,» he declared, As his organ he bared, «And it’s perfect for hanging a sail on».

ROD.

Æåçë. Òàê æå ROD ON. È òî, è äðóãîå îòíîñÿòñÿ ê A PRICK, êîòîðûé òâ¸ðä êàê AN IRON ROD. Êîòîðûì ìîæíî óïðàâëÿòü, êàê óêàçàíî â Áèáëèè.

Ïðèìåð:

Nelson: My girlfriend is a hobosexual.

Harold: Do you mean homosexual?

Nelson: No, hobosexual. She likes to ride my rod.

STIFFY.

Ìû íå íàñòîëüêî ïîøëû, ÷òîáû ïîêðîâèòåëüñòâåííûì òîíîì îáúÿñíÿòü Âàì ýòîò òåðìèí.

* BALLS.

«Balls!» cried the queen – «If I had them I’d be king!». Rudyard Kipling, Queen Victoria’s Lament

Âåëèêèé Ðåäüÿðä Êèïëèíã íå íóæäàåòñÿ â êîììåíòàðèÿõ. «Êíèãà Äæóíãëåé», âîåííàÿ ðîìàíèñòèêà, ÷óâñòâî ðèôìû è ðàçìåðà îò Áîãà - ñêîëüêî ïîêîëåíèé ó÷èëèñü ó íåãî ñòèëþ è èçÿùåñòâó.

Ñëîâî «òåñòèêóëû» (TESTICLES ïî ëàòûíè) îçíà÷àåò âñåãî ëèøü ìàëåíüêèõ ñâèäåòåëåé - LITTLE WITNESSES. Ïîýòîìó ìþáîé ìóæèê, êîòîðûé íàçûâàåò ñâîè BALLS òàêèì îáðàçîì, äîëæåí áûòü êàñòðèðîâàí. Íå âûêàáëó÷èâàéòåñü, íàçûâàéòå èõ YOUR BALLS èëè YOUR NUTS.

COD.

Ýòî ñòàðîå äîáðîå ñëîâî â åäèíñòâåííîì ÷èñëå îáîçíà÷àåò ìîøîíêó [SCROTUM] - ìåøî÷åê, êîòîðûé ñîäåðæèò ìóæñêèå BALLS. Âî ìíîæåñòâåííîì ÷èñëå îíî èñïîëüçóåòñÿ äëÿ ñîáñòâåííî BALLS. Ñëîâî ïîëó÷èëî èçâåñòíîñòü, áóäó÷è èñïîëüçîâàííûì â âûðàæåíèè COD PIECE, - äåêîðàòèâíûé êàðìàí, êîòîðûì äåíäè Åëèçàâåòèíñêèõ âðåì¸í ìîäåðíèçèðîâàëè ñâîè øòàíû. Ñåãîäíÿ çâåçäû ðîê-í-ðîëëà BEEF UP THEIR MEAT WITH COD PIECES â äîïîëíåíèå ê òàêèì íàáèâî÷íûì ìàòåðèàëàì äëÿ áðþê, êàê êàðòîôåëü, öóêêèíè è ñâåðíóòûå â êëóáîê çèìíèå íîñêè.

FAMILY JEWELS.

Ñåìåéíûå äðàãîöåííîñòè. BALLS îöåíèâàþòñÿ êàê äðàãîöåííûå êàìíè è îïðåäåë¸ííî îòíîñÿòñÿ ê ñåìåéíûì äåëàì. Ðàçâå áåç íèõ áûëè áû ñåìüè?

NUTS.

Îðåõè. Íàñòîëüêî æå øèðîêî èñïîëüçóåìîå ñóùåñòâèòåëüíîå, êàê è BALLS. Îäíàêî òåðìèí NUTS òàêæå îïèñûâàåò êîãî-ëèáî, êòî ïðîñòî áåçóìåí, ãëóï, îòìîðîæåí. Íî ñìîòðè, Êóòóçîâ, íå ïåðåïóòàé.

Ïðèìåð:

Hector: Sigmund is crazy. He stood there on the podium in front of the TV cameras scratching his nuts.

Andre: His nuts?

Hector: His nuts!

Andre: He’s nuts!

NADS.

Ìû ñòîèì íàñìåðòü ïðîòèâ èñïîëüçîâàíèÿ òàêèõ íàó÷íûõ òåðìèíîâ êàê GONADS, íî ýòà êðàòêàÿ ôîðìà ìîæåò áûòü ïðèåìëåìûì ñèíîíèìîì, åñëè íå çëîóïîòðåáëÿòü ÷àñòûì èñïîëüçîâàíèåì.

Ïðèìåð:

Placido: My, Luciano, your voice certainly seemed big during Don Giovanni last night.

Luciano: Yours would be too, if you’d been kicked in the nads by a 260-pound soprano!

ROCKS.

Îáû÷íî èñïîëüçóåòñÿ â âûðàæåíèè GET ONE’S ROCKS OFF, îçíà÷àþùåå «äîñòèãíóòü îðãàçìà» - TO COME. ROCKS òàêæå ìîãóò îçíà÷àòü õðàáðîñòü, äóõ, ìóæåñòâî.

Ïðèìåð:

Artie: Sam was screwing Louie’s girl when Louie walked into the bedroom with a straight razor in his hand. Sam didn’t pay any attention; he just kept going until he got his rocks off.

Jerome: Boy, Sam’s sure got rocks!

Artie: Not any more he doesn’t.

SACK.

Ìåøî÷åê, â êîòîðîì íàõîäÿòñÿ BALLS. Èíîãäà åãî íàçûâàþò NUT SACK.

Íåîáõîäèìî çíàòü.

BALLS.

COCK.

DICK.

HARD-ON.

NUTS.

PRICK.

Áëåñíóòü â ðàçãîâîðå.

COD.

JOHNSON.

LOVE LUGER.

ONE-EYED MONSTER.

PECKER.

PETER.

PUTZ.

ROD.

SCHLONG.

SCHMUCK.

SKIN FLUTE.

TROUSER TROUT.

Çàáóäüòå.

BANANA.

PEE-PEE TAIL.

PENIS.

WIENER.

WEENIE.

*ÎÍÀ.

Pardon, Madam, but I must be blunt – I have to say I much admire your cunt. Edward de Vere (1550-1604)

Ýäâàðä äå Âåð áûë äæåíòëüìåíîì ñòàðîé øêîëû. Äà, îí ãîâîðèë èçëèøíå óïðîù¸ííî, ïðÿìîëèíåéíî, íî âñåãäà ïî äåëó. Îí ìîã áû íàçâàòü å¸ «Ñëàäêèé êîë÷àí ëþáâè», «äåëüòà Âåíåðû», «ãðîò ëþáâè, âûëîæåííûé ø¸ëêîì» èëè åù¸ êàêèì-íèáóäü ïîýòè÷íûì ýïèòåòîì. Âèò WHY PUSSY-FOOT AROUND?

À âîò Ðîáåðò Á¸ðíñ - ëèðèê, ðîìàíòèê, ïîýò, ãåíèé êîòîðîãî ïðèçíàëè äàæå ñóðîâûå ãîðöû Øîòëàíäèè, åãî ñîîòå÷åñòâåííèêè:

A CUNT’S A CUNT FOR A’ THAT.

CUNT.

Ñëîâî CUNT ñïåöèôè÷íî - ÷óäî ÿñíîñòè è ÷¸òêîñòè. Ëàòèíñêèé òåðìèí vagina íåïîíÿòåí è ïðîòèâîðå÷èâ. (ñì. ðàçäåë ÏÐÅÄÓÏÐÅÆÄÅÍÈß). CUNT - ñòàðîå äîáðîå ñëîâî, êîíêðåòíîå ñëîâî, õîðîøåå ñëîâî. Èñïîëüçóé åãî.

BEAVER.

Ïîñêîëüêó æåíñêèå âîëîñû äëÿ íåêîòîðûõ ïîõîæè íà áîáðîâûé ìåõ (îäíîçíà÷íî è î÷åâèäíî äëÿ ÷ëåíîâ íàøåãî ó÷¸íîãî Ñîâåòà), âèäèìàÿ ÷àñòü OF THE CUNT íàçûâàåòñÿ A BEAVER. (ñì. SHOOTING BEAVER â ðàçäåëå ÈÄÈÎÌÛ.)ú.

BOX.

Íàçâàíî òàê, ïîòîìó ÷òî ÿâëÿåòñÿ êîíòåéíåðîì äëÿ À PRICK. (ñì. BOX LUNCH AT THE Y â ðàçäåëå ÈÄÈÎÌÛ.) SEVENTIES’ BOX - çàáàâíîå îáîçíà÷åíèå ìîõíàòîé PUSSY, îòðàæàþùåå äóõ è ìîäó ñåìèäåñÿòûõ.

BUSH.

Åñëè íå äåïèëèðîâàííî-ëûñû, âñå CUNTS - êóñòû.

COOZY.

Âîçìîæíî, ýòèìîëîãèÿ âîñõîäèò ê ñëîâó «óþòíûé» - COZY. ×àñòî ñîêðàùàåòñÿ äî COOZE.

CRACK.

 ïðèíöèïå, ýòî è âûãëÿäèò ðàñùåëèíîé äëÿ íåòðåíèðîâàííîãî ãëàçà.

DOWN THERE.

Ýòî óñòàðåâøåå ñëîâîñî÷åòàíèå èñïîëüçóåòñÿ â öåðêîâíî-ïðèõîäñêîé øêîëå øêîëüíèöàìè, êîòîðûå âûó÷èëè åãî îò ìîíàøåê. Íå ïåðåïóòàéòå ñ Àâñòðàëèåé, êîòîðóþ íàçûâàþò DOWN UNDER.

Ïðèìåð:

Eve: G’day, mate. Would you like to touch me down there?

Adam: In Australia?

Eve: Not in the continent, you silly wanker! In the cunt!

HAIR PIE.

Âûãëÿäèò ñêîðåå êëèíîîáðàçíûì êóñêîì ïèðîãà, íåæåëè öåëûì ïèðîãîì. Íî íåò íóæäû ñïîðèòü, ïðîñòî íàñëàæäàéòåñü òåì êóñêîì, êîòîðûé èìååòå.

MUFF.

Åñëè Âû êîãäà-ëèáî çàïóñêàëè ñâîþ ðóêó â ò¸ïëûé óþò ìóôòû, òî ïîéìåòå ýòèìîëîãèþ. À åñëè íåò, ïîâåðüòå íàì íà ñëîâî: MUFF - õîðîøèé ñèíîíèì äëÿ CUNT. Ýêñêëþçèâíî èñïîëüçóåòñÿ â êîìáèíàöèè ñ DIVE. (ñì. MUFF-DIVING â ðàçäåëå ÄÅËÀ ÂÊÓÑÀ).

NOOKY.

Ìîæåò èñïîëüçîâàòüñÿ äëÿ îïèñàíèÿ èíäèâèäóàëüíî îïðåäåë¸ííîé CUNT, õîòÿ îáû÷íî õàðàêòåðèçóåò öåëûé êëàññ.

Ïðèìåð:

Jan: You getting much nooky lately?

Dean: No.

PINK.

Òåðìèí èñõîäèò îò öâåòà èíòåðüåðà. Âîø¸ë â ìîäó ïîñëå òîãî, êàê ïîÿâèëèñü ðàñêðåïîù¸ííûå öâåòíûå æóðíàëû.

Ïðèìåð:

Bradley: Have you seen the wonderful new Ansel Adams exhibit at the National Gallery?

Jeffrey: No. I lost interest in black and white photography after Vogue magazine started showing pink.

POONTANG.

Ñëîâà CUNT, PUSSY, SNATCH, TWAT è QUIM ìîãóò èñïîëüçîâàòüñÿ â ñîáèðàòåëüíîì è èíäèâèäóàëüíîì ñìûñëå. POONTANG èñïîëüçóåòñÿ òîëüêî êàê ñîáèðàòåëüíîå ñóùåñòâèòåëüíîå. Êàê Âîâî÷êà: «À ÿ î íåé âñåãäà äóìàþ!».

Ïðèìåð:

Marie: You look so pensive Louis, standing there in the twilight, surveying the gardens below. What are you thinking about?

Louis: Poontang.

PUSSY.

Ìîõíàòîå, ìÿãêîå è ò¸ïëîå ñóùåñòâî, ïî÷òè êîò¸íîê, íî íå õîäèò è íå ãîâîðèò «Ìÿó» - MEOW. Ïî êðàéíåé ìåðå, íè îäèí èç ÷ëåíîâ íàøåãî Ó÷¸íîãî Ñîâåòà òàêîãî íå íàáëþäàë.

QUIM.

Ñòàðîå äîáðîå ñëîâî. Êàê è ó TWAT, åãî ýòèìîëîãèÿ øèðîêà è îáøèðíà. Êàê è äëÿ TWAT, åãî ïðÿìîå çíà÷åíèå - CUNT.

SNATCH.

Òàê íàçûâàåòñÿ, âåðîÿòíî, ïîòîìó ÷òî PRICKS SEEM ÒÎ BE SNATCHED â å¸ çàñòåíêè.

TEXAS SNAPPING TURTLE.

Âûñîêîòåõíîëîãè÷íî ðàçâèòàÿ äî óðîâíÿ ðîáîòà-÷åðåïàõè (êèáåð-ñîáàêè îò Sony íå âûäåðæèâàþò êîíêóðåíöèè íà ýòîì ðûíêå) SNATCH.

Ïðèìåð:

Cody: Dang, Festus, your sister has got herself a mighty talented snatch.

Festus: Snatch? Hell, she’s got herself a regular Texas snapping turtle!

TWAT.

Ñì. QUIM.

Ïðèìåð:

Stewardess: Would you like some of our TWA coffee?

Passenger: No thanks, but I’d love some of your TWA tea.

VAGINA.

Òåõíè÷åñêèé, ìåäèöèíñêèé, ëàòèíñêèé, ëîõîâñêîé òåðìèí äëÿ îáîçíà÷åíèÿ CUNT. Èçáåãàéòå åãî. Îí õîðîø òîëüêî â ëàòûíè «Femina in vino ïîï curator vagina».

VERTICAL SMILE.

Íåìíîãî ïîýòè÷íî äëÿ åæåäíåâíîãî èñïîëüçîâàíèÿ, íî êîíöåïöèÿ ïðîñòî îøåëîìëÿåò ñâîèì ïðèÿòíûì çâó÷àíèåì.

Íåîáõîäèìî çíàòü.

CUNT.

MUFF.

PUSSY.

SNATCH.

TWAT.

Áëåñíóòü â ðàçãîâîðå.

BEAVER.

ÂÎÕ.

BUSH.

COOZE.

COOZY.

CRACK.

HAIR PIE.

PINK.

POONTANG.

QUIM.

TEXAS SNAPPING TURTLE.

VERTICAL SMILE.

WHISKER BISCUIT.

Çàáóäüòå.

DOWN THERE.

PEE-HOLE.

VAGINA.

*TITS.

Stop where the truck drivers stop, and you’ll always find a waitress with big tits. Àìåðèêàíñêàÿ íàðîäíàÿ ìóäðîñòü.

 åäèíñòâåííîì ÷èñëå - TIT, õîòÿ îáû÷íî TITS îáñóæäàþò ïàðàìè. THE TIT ñîñòîèò èç äâóõ ÷àñòåé: 1) THE NIPPLE, 2) THE REST OF THE TIT.

TITS.

×àñòü ÷åëîâå÷åñêîãî òåëà ñ ñîñêàìè - NIPPLES íà êîíöå. Èñòèíà â ïîñëåäíåé èíñòàíöèè, ÷òî ëþáàÿ ðàçóìíàÿ äèñêóññèÿ â îòíîøåíèè TITS îòíîñèòñÿ ê æåíùèíå. Åñòü ó ìóæ÷èí, íî èõ ïîëåçíîñòü ðàâíà ïîëåçíîñòè îò äâóõ äîïîëíèòåëüíûõ àïïåíäèöèòîâ.

BALLOONS.

Äàííîå âûðàæåíèå îñíîâàíî íà ñõîäñòâå TITS è âîçäóøíûõ øàðîâ. Ñëèøêîì ïî-äåòñêè ïîýòè÷íî. Èçáåãàéòå åãî.

BAZONGAS.

Î÷åíü áîëüøèå. Íîìåð ïÿòü ìèíèìóì. È îäíîçíà÷íî áîëüøå, ÷åì JUGS èëè KNOCKERS.

Ïðèìåð:

Rocky: Look at the bazongas on that dame!

Ernie: Va-va-voom! She’s a walking dairy!

BOOB.

Ýòîò ñèíîíèì øèðîêî ðàñïðîñòðàí¸í, íî ìîæåò ïðèâåñòè Âàñ ê íåäîðàçóìåíèþ, òàê êàê BOOB îáîçíà÷àåò òàêæå âÿëîãî èëè îáãàøåííîãî ïðèäóðêà.

Ïðèìåð:

Ben: Look at the boobs on those dopey women!

Daniel: Yeah, those boobs sure have nice tits!

HOOTERS.

Çàðåçåðâèðóéòå ýòî ñëîâî äëÿ îïèñàíèÿ ñîâ èëè ñû÷åé.

JUGS.

Áîëüøèå ãðóäè.

KNOCKERS.

Èäåíòè÷íî JUGS.

NIPPLE LEATHER.

Ýòîò òåðìèí îáû÷íî èñïîëüçóåòñÿ â äèñêóññèÿõ íà òåìó ïðîôèëÿ TITS. (Òàêæå ôàñà, àíôàñà è âèäà ñíèçó).

Ïðèìåð:

Lydia: How do you like my wedding gown?

Sean: Too conservative. It doesn’t show any nipple leather.

PAIR.

Êîãäà îáñóæäàþòñÿ àòðèáóòû æåíùèíû, PAIR èìïåðàòèâíî îçíà÷àåò PAIR OF TITS, à íå ïàðó ãëàç, íîã, óøåé. (ñì. SET.).

SET.

Ïîñêîëüêó ìû ãîâîðèì î TITS, A SET îçíà÷àåò A PAIR. Êàê è â PAIR, ñëîâî ãîâîðèò ñàìî çà ñåáÿ è íå íóæäàåòñÿ â ðàñøèôðîâêå.

Ïðèìåð:

Skip: Maureen sure has a nice pair.

Buzz: Yeah, a nice set.

Íåîáõîäèìî çíàòü.

BOOB.

TIT.

PAIR.

SET.

Áëåñíóòü â ðàçãîâîðå.

ÂÀZÎNGÀS.

JUGS.

KNOCKERS.

NIPPLE LEATHER.

Çàáóäüòå.

BALLOONS.

HOOTERS.

LUNGS.

MAMMARY GLANDS.

TITTIES.

* Ó ÂÑÅÕ.

«Opinions are like assholes, everybody’s got one». «Ìíåíèÿ, êàê çàäíèöû; åñòü ó êàæäîãî». Àìåðèêàíñêàÿ íàðîäíàÿ ìóäðîñòü.

ASS.

Åñòü äâà ïðèåìëåìûõ òåðìèíà äëÿ ýòîé ÷àñòè òåëà:

ASS.

BUTT.

Èç äâóõ äàííûõ, ASS ïðåäïî÷òèòåëüíåå.

THE ASS - ýòî òî, íà ÷¸ì Âû ñèäèòå, è ñîñòîèò èç äâóõ ÷àñòåé:

THE CHEEKS;

THE ASSHOLE.

CHEEKS.

THE CHEEKS êîíñòðóèðóþò ìàññèâ THE ASS. Èõ èíîãäà íàçûâàþò BUNS èëè CHIPS.

Ïðèìåð:

Chuck: Hey, check out Betty’s buns!

Pete: Sweet cheeks!

Chuck: Choice chips!

ASSHOLE.

THE ASSHOLE - ì¸ðòâàÿ òî÷êà â ñåðåäèíå THE ASS. Ïðè ôîòîãðàôèðîâàíèè ñî ñïóòíèêà-øïèîíà íàïîìèíàåò àñòåðèñê - çâåçäî÷êó - *. Ïîëåçíà íàñòîëüêî æå, êàê è ñîáñòâåííî THE ASS, íî íå óâàæàåìà øèðîêîé ïóáëèêîé. ×àñòî ÿâëÿåòñÿ îñíîâîé è îñíîâàíèåì äëÿ îñêîðáëåíèé è âûòåêàþùèõ èç íèõ ïîñëåäñòâèé.

ÀSS EYES.

Ïðåçðèòåëüíûé òåðìèí. Íàø Ó÷¸íûé Ñîâåò ïðèñóäèë ýòîìó ëèäåðó ïåðâîå ìåñòî â êàòåãîðèè ïðîâîöèðóþùèõ îñêîðáëåíèé, ãëàâíûì îáðàçîì, èç-çà îøåëîìëÿþùèõ âèçóàëüíûõ îáðàçîâ.

Ïðèìåð:

Stella: If you ask me, Stanley, you spend too much time watching professional wrestling on TV.

Stanley: Nobody asked you anything, ass eyes.

ASSHOLE.

Ýòîò òåðìèí ñ äîñàäîé, ðàçäðàæåíèåì è îñêîðáèòåëüíîñòüþ îïèñûâàåò íåâåæåñòâåííîãî, ñàìîâëþáëåííîãî èëè ýãîèñòè÷íîãî ïðèäóðêà.

Ïðèìåð:

Conrad: I wear mó Mensa pin so people won’t think I’m just some dumb asshole.

Vickie: Right. They’ll realize you’re some smart asshole.

ASS KISSER.

Ëèöî, êîòîðîå çàèñêèâàåò èëè ïîäëèçûâàåòñÿ.

Ïðèìåð:

Brendan: When I heard the boss was in the hospital, I rushed out to get him a dozen red roses, but all they had left was a bouquet of daisies.

Marge: It’s the thought that counts, Brendan - you scheming little ass kisser.

ASS-WIPE.

Ãîðíûé ïåðåâàë îò AN ASSHOLE ê A DIP SHIT.

Ïðèìåð:

Derek: Hey, how come everyone’s leaving the theater?

Clark: Because the movie’s over, ass-wipe.

KISS MY ASS.

Ïðàêòè÷åñêè èäåíòè÷íî UP YOUR ASS, íî ìåíåå àãðåññèâíî è èìååò áîëåå ëè÷íûé îòòåíîê. ×àñòî ïðèíèìàåò ôîðìó: YOU CAN KISS MY ASS!

Ïðèìåð:

Steve: Can you give me the names of any babes in the Niagara Falls area who know how to show a guy a good time?

Marty: Kiss my ass, Steve. It’s my sister you’re marrying today, remember?

PAIN IN THE ASS.

Îáîçíà÷àåò çàíóäíóþ èëè ìåðçêóþ ëè÷íîñòü (îáû÷íî â îòâåò íà äåìîíñòðàöèþ ñðåäíåãî ïàëüöà).

Ïðèìåð:

Harold: Bruno’s acting like a pain in the ass today.

Maude: I think his hemorrhoids are acting up.

Harold: That explains it. They can be a real pain in the ass.

UP YOUR ASS.

Êðàòêàÿ ôîðìà îò STICK IT UP YOUR ASS! Èíîãäà óñåêàåòñÿ äî UP YOURS! Âûðàæåíèå èñïîëüçóåòñÿ äëÿ âûðàæåíèÿ íåîäîáðåíèÿ èëè íåñîãëàñèÿ.

Ïðèìåð:

Melvin: Belva, I seem to be a bit short of cash today. Would you mind picking up the check?

Belva: Up your ass, Melvin. You tried that stunt last week.

Íåîáõîäèìî çíàòü.

ASS.

ASS EYES.

ASSHOLE.

ASS KISSER.

BUNS.

CHEEKS.

KISS MY ASS.

UP YOUR ASS.

Áëåñíóòü â ðàçãîâîðå.

BUTT.

BUTT HOLE.

CHIPS.

Çàáóäüòå.

BOTTOM.

DÅRRIÅRÅ.

HEINIE.

REAR END.

POSTERIOR.

* ÏÎÄÑÊÀÇÊÈ È ÇÀÏÀÄÍÈ.

ÂÛÐÀÆÀßÑÜ ÍÅÏÐÀÂÈËÜÍÎ.

Âàðèàíò A: «Bastard to you, you big hell!».

Ïîäîáíûå ñåíòåíöèè ñ ãîëîâîé âûäàþò Âàñ êàê íîâè÷êà-ìàòåðùèííèêà. Ïëîõàÿ èìïðîâèçàöèÿ õóæå îòñóòñòâèÿ ðóãàíè. Ìíîãîêðàòíî òðåíèðóéòåñü ñ âûðàæåíèÿìè, äàííûìè â ýòîé êíèãå, äî òåõ ïîð, ïîêà Âàøè ðóãàòåëüñòâà íå ñòàíóò ëåãêè è èçÿùíû. Òîëüêî òîãäà Âû ñìîæåòå ïðîäåìîíñòðèðîâàòü îðèãèíàëüíîñòü, íå íàïîìèíàÿ ñîáîé áàíàëüíîãî ïðèäóðêà.

Âàðèàíò Â: «This gosh dam mother-fucker isn’t working right».

Êàê ìíîãî óùåðáà ýêñïðåññèè íàíîñèòñÿ ïîïûòêàìè ñìÿã÷èòü âûðàæåíèå ñìåøåíèåì ìÿãêèõ ýâôåìèçìîâ è ãðóáûõ ðóãàòåëüñòâ. Ñîáðàëèñü ðóãàòüñÿ, ðàçðÿæàéòå îáà ñòâîëà äóïëåòîì. Ïåðåçàðÿæàéòå è ëóïèòå äàëüøå. È íåìåäëåííî ïåðåõîäèòå íà ïîìïîâîå ðóæü¸ è ïóëåì¸ò.

ÒÎÍÊÎÑÒÈ.

Æåíà Ñýìþýëÿ Êëåìåíñà, èçâåñòíîãî êàê Ìàðê Òâåí, îäíàæäû ïîïûòàëàñü èçëå÷èòü åãî îò ðóãàíè. ×òîáû ïîêàçàòü åìó, êàê óæàñíà ìàòåðùèíà, îíà ðàçðàçèëàñü äëèííîé òèðàäîé èç ÷åòûðåõáóêâåííûõ âîêàòèâîâ.

Êîãäà îíà çàêîí÷èëà, Òâåí îòïóñòèë ñëåäóþùèé êîììåíòàðèé: «Âàøè ñëîâà íå ñîçäàþò ìóçûêè, äîðîãàÿ».

Èñòèíà â ïîñëåäíåé èíñòàíöèè.

Äëÿ òîãî ÷òîáû ýôôåêòèâíî ðóãàòüñÿ, Âû äîëæíû îáðàòèòü âíèìàíèå íà èíòîíàöèþ.

Íàïðèìåð, íåïðàâèëüíî èñïîëüçîâàòü âîñõîäÿùèé òîí âîïðîñèòåëüíîé êîíñòðóêöèè:

Why don’t you go fuck yourself?

Çàáóäüòå î âîïðîñèòåëüíîì çíàêå. Ñêàæèòå.

Why don’t you go fuck yourself!

Âû íå ñòðîèòå âîïðîñ. Âû âûðàæàåòåñü! À âûðàæåíèå - ýòî ðåçóëüòàò èíòîíàöèè. Îðèãèíàëüíîñòü íå ÿâëÿåòñÿ êâèíòýññåíöèåé ýôôåêòèâíîé ðóãàíè. Ðàâíî êàê è îáøèðíûé ñëîâàðíûé çàïàñ. Òåì íå ìåíåå, ïî ìåðå ðàçâèòèÿ Âàøèõ íàâûêîâ âû ïîçíàåòå òîíêîñòè è íþàíñû.

Íîâè÷îê: «Íåó, asshole, get out of here».

Ìàñòåð: «Íåó, ass eyes, get out of here».

Íàçâàòü êîãî-ëèáî AN ASSHOLE äëÿ äåìîíñòðàöèè ïðåçðåíèÿ ê íåìó àáñîëþòíî ïðèåìëåìî. Ýòî äîíîñèò äî ÷åëîâåêà íèçêèé óðîâåíü âàøåãî óâàæåíèÿ.

Íî ãîðàçäî ýëåãàíòíåå íàçâàòü åãî ASS EYES. Âû äîíåñ¸òå òîò æå ñìûñë, íî óëó÷øåííûé ãðàôè÷åñêèì óñêîðèòåëåì èç íàâåèâàåìîãî îáðàçà, ñîçäàâ, òàêèì îáðàçîì, ÿðêóþ è íåçàáûâàåìóþ êàðòèíó.

ÀÍÅÊÄÎÒÛ.

Åñëè Âû ðàññêàçûâàåòå àíåêäîòû ïî-àíãëèéñêè, îíè äîëæíû áûòü ãðÿçíûìè, ïîøëûìè, ìåðçêèìè è ñàëüíûìè. Ãðÿçíûå àíåêäîòû ãîðàçäî ñìåøíåå, ÷åì îáûêíîâåííûå. Âîò ïðèìåð, êîòîðûé ëåãêî äîêàçûâàåò äàííîå óòâåðæäåíèå.

Íåâèííûé àíåêäîò:

Q: Why did the chicken cross the road?

A: To get to the other side.

Ãðÿçíûé àíåêäîò:

Wally: Hey, honey, what do you say to a little fuck?

Beth: Hi - you little fuck!

Ïî÷óâñòâóéòå ðàçíèöó.

* ÏÎ ÍÎÌÅÐÀÌ.

PISSING è SHITTING èíîãäà èçâåñòíû êàê ïðîíóìåðîâàííûå ôóíêöèè îðãàíèçìà. Ñîîòâåòñòâåííî, #1 è #2. Íàø Ó÷¸íûé Ñîâåò ñ÷èòàåò, ÷òî ýòî ëèøü äàíü âåæëèâîñòè àëôàâèòíîãî ïîðÿäêà, òàê êàê îáå ôóíêöèè èìåþò ðàâíóþ öåííîñòü.

Íåêîòîðûå ýêñïåðòû äóìàþò, ÷òî îíè ïðîíóìåðîâàíû äëÿ òîãî, ÷òîáû ëþäè íå óïîìèíàëè îáúåêòèâíûé ìàòåðèàë, ýêñòðàãèðóåìûé èç òåëà, à ïîèìåííî: PISS è SHIT.

Íàø Ó÷¸íûé Ñîâåò îòâåðãàåò ýòó òåîðèþ. Ìû íå íóìåðóåì ïðîöåññû, êîòîðûå ïîçâîëÿþò íàì èçáåãàòü óïîìèíàíèÿ ñóáñòàíöèé, îáðàçîâàííûõ ñìîðêàíèåì, ðûãàíèåì èëè êîâûðÿíèåì â óøàõ. Çà÷åì îòäàâàòü ïðåäïî÷òåíèå PISS è SHIT?

* PISS.

Íåêîòîðûå ãîâîðÿò, ÷òî PISS ïîëó÷èëî ñâîå èìÿ îò ïðîèçâîäèìîãî çâóêà. Ýòî âîçìóòèòåëüíî. PISSING - ìîë÷àëèâàÿ ôóíêöèÿ. Ëþáîé çâóê, ïðîèçâîäèìûé PISSING, ñîçäàåòñÿ, òîëüêî êîãäà PISS óäàðÿåòñÿ î ïðåïÿòñòâèå.

Åñëè PISS óäàðÿåòñÿ î âîäó, îíà ïðîèçâîäèò A GURGLY SOUND, íî ìû æå íå ãîâîðèì, ÷òî ñîáèðàåìñÿ òî TAKE À GURGLY.

Åñëè PISS óäàðÿåòñÿ î öèìáàëû, îíà ïðîèçâîäèò A TINGLY SOUND - êàê ìîæåò ñêàçàòü ëþáîé, êòî õîòü ðàç â ñâîåé æèçíè áûë íà êîíöåðòå GRATEFUL DEAD, íî ìû æå íå ãîâîðèì, ÷òî ñîáèðàåìñÿ òî TAKE A TINGLY. Ïîýòîìó ýòî íàçûâàåòñÿ PISS ïîòîìó, ÷òî òàê îíî íàçûâàåòñÿ.

PISS.

 êà÷åñòâå ãëàãîëà ñëîâî îçíà÷àåò îïóñòîøåíèå ìî÷åâîãî ïóçûðÿ. Ìîæåò èñïîëüçîâàòüñÿ êàê åäèíè÷íî, òàê è ïðèíèìàòü êîìïëåêñíóþ ôîðìó TAKE A PISS.

Ïðèìåð:

Vern: I’m going to take a piss.

Eugene: Me too. I’ve got to piss so bad my teeth are floating.

PISS.

Ñóùåñòâèòåëüíîå, îáîçíà÷àþùåå æèäêîñòü, âûïóñêàåìóþ èç ìî÷åâîãî ïóçûðÿ.

Ïðèìåð:

Bob: I’ve been thinking of saving my piss in gallon jugs.

Ted: Why?

Bob: I dunno. Just an idea.

Êàê ñóùåñòâèòåëüíîå è ãëàãîë, à òàêæå â ñî÷åòàíèè ñ äðóãèìè ÷àñòÿìè ðå÷è, PISS èìååò ìíîæåñòâî çíà÷åíèé.

PISS OFF.

Ñåðäèòü(ñÿ); îãîð÷àòü(ñÿ), ðàçäðàæàòü(ñÿ).

Ïðèìåð:

Luther: You piss me off, Marvin.

Marvin: How come?

Luther: Because you keep pissing off my balcony into my geraniums.

PISS OFF.

Îáîçíà÷àåò êîìàíäó «Ñâàëè», «Èñ÷åçíè» èëè «Ñäåëàé òàê, ÷òîá ÿ òåáÿ èñêàë» - GET OUT OF HERE! GET LOST!

Ïðèìåð:

«Piss off! Can’t you see I’m busy?».

PISSED.

Ñõîæå c PISSED OFF.

Ïðèìåð:

«I was really pissed when they repossessed my car».

(Ïðèìå÷àíèå: Âû ìîæåòå ñêàçàòü «They pissed me off», íî íå «They pissed me».).

PISSED.

 ñîñòîÿíèè èíòîêñèêàöèè.

Ïðèìåð:

«I was so pissed from drinking home brew I couldn’t walk».

PISS AWAY.

Ïîòåðÿòü, íàïðèìåð, âðåìÿ èëè äåíüãè.

Ïðèìåðû:

Herman pissed away his inheritance on slow horses and fast women.

Adele and Louise pissed away the afternoon talking about Herman.

PISS.

Êàê ñóùåñòâèòåëüíîå, PISS ìîæåò áûòü èñïîëüçîâàíî äëÿ îïèñàíèÿ ïîñðåäñòâåííîãî ïèâà èëè ëþáîãî äðóãîãî íàïèòêà.

Ïðèìåð:

Kurt: Care for a nice glass of lite beer?

Virgil: No thanks. I can’t drink that piss. I’ll have a Jack Daniels on the rocks.

Íåîáõîäèìî çíàòü.

PISS.

PEE.

Áëåñíóòü â ðàçãîâîðå.

BLEED THE LIZARD.

DRAIN THE DRAGON.

DRAIN THE MONSTER.

TAKE A WHIZ.

Çàáóäüòå.

GO #1.

GO SEE A MAN ABOUT A DOG.

TINKLE.

WEE-WEE.

MAKE WATER.

* SHIT.

Õîðîøåå è ïðîñòîå ñëîâî, êîòîðîå âñåãäà ïî äåëó. ÒÎ SHIT - ïðîñòî îïóñòîøèòü ñâîé êèøå÷íèê. Âñå äåëàþò ýòî, è âñå çíàþò, ÷òî ýòî çíà÷èò. Ñòðàííî, ïî÷åìó òàê ìíîãî ëþäåé ïûòàåòñÿ çàâóàëèðîâàòü ïðîáëåìó?

Åñëè íà ñàìîì äåëå åñòü ïðîáëåìà ñ ýòèì âûðàæåíèåì - îíà â ïðîøåäøåì âðåìåíè (êñòàòè î íåïðàâèëüíûõ ãëàãîëàõ). Ýòî âîïðîñ, êîòîðûé ñòîëü ÷àñòî çàäàþò íàøåìó Ó÷¸íîìó Ñîâåòó. Âîò òèïè÷íûé âîïðîñ îò òèïè÷íîãî ÷èòàòåëÿ:

Q: Dear Panel: Should I say «I shit yesterday», «I shat yesterday», or «I shitted yesterday»?

A: Dear Reader: If you really wish to discuss past bowel movements with others, you may say either «I shit yesterday», or «I shat yesterday».

SHIT.

Êàê ãëàãîë îçíà÷àåò TO EMPTY ONE’S BOWELS - îïóñòîøèòü êèøå÷íèê. Êàê ñóùåñòâèòåëüíîå (ñì. íèæå) îòíîñèòñÿ ê ñóáñòàíöèè, êîòîðàÿ áûëà èçâåðãíóòà, à èìåííî: SHIT.

Ïðèìåð:

Reader: I shit yesterday.

Panel: You said that already. Quite frankly, we don’t care when you shat, or if you ever shit again!

SHIT ìîæåò áûòü òàê æå èñïîëüçîâàíî êàê ïåðåõîäíûé ãëàãîë èëè ãåðóíäèé; ýòî îáîçíà÷àåò òîò æå ñàìûé ïðîöåññ, åñëè îí ñòàíîâèòñÿ äëèòåëüíûì èëè íåîáû÷íûì, ïëàâíî ïåðåâîäÿ â ñëýíã.

Ïðèìåð:

«I shit a brick» (èùèòå â ðàçäåëå ÈÄÈÎÌÛ);

«I shit a porcupine» (èùèòå õîðîøåãî ïðîêòîëîãà).

 áîëüøèíñòâå ñèòóàöèé äîñòàòî÷íî ïðîñòî è áåç çàòåé ñêàçàòü: I SHIT.

Ïðèìå÷àíèå: Íè ïðè êàêèõ îáñòîÿòåëüñòâàõ Âû íå äîëæíû ãîâîðèòü I SHIT A SHIT. Ýòî èçëèøåñòâî, êîòîðîå çàñòàâëÿåò Âàñ çâó÷àòü êàê íåâåæåñòâåííîå SHIT.

SHIT.

Êàê ñóùåñòâèòåëüíîå, SHIT äåéñòâèòåëüíî æèâ¸ò ñâîåé æèçíüþ. Êàê è ñëîâî STUFF, îíî ìîæåò îáîçíà÷àòü ïðàêòè÷åñêè ÷òî óãîäíî. Óäèâèòåëüíî, îíî ìîæåò áûòü èñïîëüçîâàíî â ïîçèòèâíûõ è íåãàòèâíûõ êîííîòàöèÿõ è êîíòåêñòàõ.

Ïðèìåð:

Elgin: That new venereal disease going around is really bad shit.

Roy: That’s why I always carry a jar of penicillin with me - it’s really good shit.

BULLSHIT.

Êàê ñóùåñòâèòåëüíîå, BULLSHIT îçíà÷àåò áðåä èëè ïîääåëêó. Êàê ãëàãîë - îíî îçíà÷àåò ïîïûòêó èñïîëüçîâàòü, îáìàíóòü èëè øâàðêíóòü êîãî-ëèáî ïîñðåäñòâîì BULLSHIT. Êàê îáîñîáëåííîå ñóùåñòâèòåëüíîå - ñàìîå ýôôåêòèâíîå îïðîâåðæåíèå è ñðåäñòâî îò òàêîãî BULLSHITTING.

Ïðèìåð:

Jason: I’ll have that money for your first thing tomorrow, and that’s no bullshit.

Fred: Bullshit! That’s what you said yesterday. Don’t try to bullshit an old bullshitter.

DIP SHIT.

Ãëóïåö èëè íàèâíûé áåççàáîòíûé ìå÷òàòåëü.

Ïðèìåð:

Lenny: Gee, Nancy sure acted cold to me at the supermarket.

Fred: Not surprising, dip shit. You were supposed to marry her last Saturday but you left her standing at the altar.

Lenny: Oh, yeah. I forgot.

CHEAP SHIT.

Îòíîñèòñÿ ê áåñïîëåçíûì ñîâåòàì èëè íåæåëàòåëüíûì êîììåíòàðèÿì.

Ïðèìåð:

Margo: Purvis, don’t you think it’s about time you shaved, showered, and changed those socks?

Purvis: Margo, when I want a ration of cheap shit from you, I’ll squeeze your head. Now step out of the way - this is an important game I’m watching.

TOUGH SHIT.

Òðóäíîå ñîñòîÿíèå äåë. Èíîãäà èñïîëüçóåòñÿ êàê àááðåâèàòóðà: T.S. Îáû÷íî äëÿ ïðèäàíèÿ îòâåòó îñîáîãî öèíèçìà.

Ïðèìåð:

Allen: We’ve got to read all of T.S. Eliot’s poetry for our midterm exam.

Lionel: Tough shit. You only have to read it. He had to write it - the poor bastard.

SHIT-HEAD.

Îòíîñèòñÿ ê ëè÷íîñòè. Ãîëîâà òàêîé ëè÷íîñòè îáû÷íî íå íàáèòà SHIT, íî ñ áîëüøîé âåðîÿòíîñòüþ ìîæåò áûòü. A SHIT-HEAD - ýòî áåñïîëåçíûé íåóäà÷íèê, çëîáíîâàòûé ïðèäóðîê, ëèöî, íà êîòîðîå Âû íå õîòèòå òðàòèòü âðåìÿ.

Ïðèìåð:

Velma: My brother Earl talked those orphans into signing their inheritance over to him.

Arnold: Your brother Earl is a shit-head.

Íåîáõîäèìî çíàòü.

SHIT.

CRAP.

TAKE A SHIT.

TAKE A CRAP.

* FARTS.

Q: Why do farts smell? A: So deaf people can enjoy them too.

Ýòî âîñõîäèò ê ñóòè FART. Ýòî ñëîâî - äâîéñòâåííûé ôåíîìåí. Çàìåòüòå, îäíàêî, ÷òî ïðè âñåé äâîéñòâåííîñòè, äëÿ îïèñàíèÿ ýòîãî ôåíîìåíà åñòü òîëüêî îäíî ñëîâî: FART.

Íåêîòîðûå ëþäè íàçûâàþò èñïóñêàíèå ãàçîâ èç êèøå÷íèêà FLATULENCE. Îñòàâü äëÿ ñåáÿ ëèøü FART. Ñóùåñòâèòåëüíîå èëè ãëàãîë, îíî âíå êîíêóðåíöèè. Ïîïûòêè ïîäûñêàòü áîëåå áëàãîðîäíûé ñèíîíèì ëèøü ïîðîæäàþò ïðîáëåìû è ñîçäàþò ïóòàíèöó.

Íàïðèìåð, îáùèé òåðìèí, îáîçíà÷àþùèé àêò OF FARTING - BREAKING WIND.

A WINDBREAKER, òåì íå ìåíåå, íå ïåðäóí, WHO FARTS, íî âñåãî ëèøü âåòðîâêà.

Ïðåäñòàâüòå ñåáå ñèòóàöèþ, â êîòîðóþ ìîæíî ïîïàñòü, åñëè íîâûé ïðîäàâåö â êóòþðíîì ìàãàçèíå BARNEY’S â Íüþ-Éîðêå íå çíàêîì ñ ïðåäìåòîì è íå ÷èòàë ýòîé êíèãè.

Customer: I’d like a windbreaker, please. Something tasteful, you know - nothing too loud.

Clerk: You have obviously come to the wrong place. I suggest you try Barney’s Beanery in Los Angeles.

Ðåçóëüòàò: ìàãàçèí òåðÿåò êëèåíòà, è, åñëè áîññ ïðîèíôîðìèðîâàí, ïðîäàâåö òåðÿåò ðàáîòó.

Åù¸ îäèí ñèíîíèì äëÿ FARTING - PASSING GAS. Îí òîæå ïðèâîäèò ê íåäîðàçóìåíèþ. Ïðåäñòàâüòå ñåáå:

Ðåäæè è Èâîííà ïðîåçæàþò ÷åðåç ëóèçèàíñêèå áàéþ [ñóáòðîïè÷åñêèå áîëîòà], ÷òîáû ïîòóñîâàòüñÿ â Íîâîì Îðëåàíå. Ó íèõ çàêàí÷èâàåòñÿ áåíçèí. Ðåäæè îãëÿäûâàåòñÿ íàëåâî, ïûòàÿñü ðàññìîòðåòü òî, ÷òî êàæåòñÿ èñòîøíî îáàëîâûâàþùèì ñàìêó àèñòîì, èëè ïàðî÷êîé ðàçìíîæàþùèõñÿ àëëèãàòîðîâ. Îòâëåêøèñü è óòîïèâ ïåäàëü â ïîë, îí ïðîñêàêèâàåò ðàçâÿçêó ñî çíàêîì GAS. Èâîííà â ïàíèêå.

Yvonne: Reggie! You passed «Gas»!

Reggie: I did not! That’s just swamp vapors.

Âû ìîæåòå ïîíÿòü, êóäà çàéäåò ýòîò ðàçãîâîð. Óèêåíä? Òóñîâêà? Çàáóäüòå.

Äàëüíåéøèå ïðèìåðû èçëèøíè. Ñëîâî - FART, è ýòî õîðîøåå ñëîâî.

FART.

Êàê ãëàãîë îçíà÷àåò ýìèññèþ ãàçà èç êèøå÷íèêà. Êàê ñóùåñòâèòåëüíîå - ñàìó ýìèññèþ.

CUT A FART.

Ïðîèçâåñòè FART.

CUT THE CHEESE.

«Ðàçðåçàòü ñûð», TO FART, îñîáåííî TO LET RIP AN SBD (ñì. íèæå).

LET A FART.

TO FART [ïóêàòü, ïåðäåòü].

LET ONE RIP.

TO FART.

OLD FART.

Ñòàðûé äóðàê, ñòàðïåð, êîíñåðâàòîð, a FUDDY-DUDDY, îòñòàëûé èëè íåïðîäâèíóòûé ÷åëîâåê, ÷àñòî çíàê âûðàæåíèÿ ïðèâÿçàííîñòè.

FART AROUND.

Øàðàõàòüñÿ áåç äåëà. Áûòü âîâëå÷åííûì â áåñöåëüíóþ è íåïðîèçâîäèòåëüíóþ äåÿòåëüíîñòü. Òî GOOF OFF - ïðèêàëûâàòüñÿ èëè äóðà÷èòüñÿ.

Ïðèìåð:

Teacher: Albert, the correct answer to today’s problem is «Six yards of silk at $6.57 per yard». What in the heck is «E=mc2» supposed to mean?

Student: Please forgive me, Mein Herr, I vas just farting around.

SBD.

SILENT BUT DEADLY: ÒÍÑ. Òèõî, íî ñìåðòåëüíî. Ýòîò ïîäâèä FART ïîäíèìàåò ãëóõèõ íà îäèí óðîâåíü ñî âñåì îñòàëüíûì ÷åëîâå÷åñòâîì.

LBH.

LOUD BUT HARMLESS: ÃÍÁ - Ãðîìêî, íî áåçîáèäíî. Ýòîò ïîäâèä FART êîíôóçåí òîëüêî íà ïÿòüäåñÿò ïðîöåíòîâ îò îáùåãî ïîòåíöèàëà.

ÈÇÓÌÈÒÅËÜÍÛÉ ÌÎÄÈÔÈÊÀÒÎÐ.

Ñëîâî OLD - «ñòàðûé» - ÷àñòî èñïîëüçóåòñÿ äëÿ èçìåíåíèÿ çíà÷åíèÿ ðóãàòåëüñòâ ïîñðåäñòâîì ââåäåíèÿ åãî â êîíñòðóêöèþ. Òî, ÷òî áûëî ñìåðòåëüíûì îñêîðáëåíèåì, ñòàíîâèòñÿ äîáðîñåðäå÷íûì ïðèêîëîì èëè âûðàæåíèåì òåïëîòû ÷óâñòâ.

Ïðèìåð:

Angus: I’m sick and tired of all these young people running around naked, taking drugs, and listening to rock and roll music.

Vivian: Oh hush up, you old fart.

Èëè:

Gene: Duke, you old son of a bitch, how do you feel today?

Duke: Just fine, Gene, you old bastard, how ‘bout yourself?

Îñòîðîæíî! Ñëîâî, êîòîðîå íå ìîäèôèöèðóåòñÿ è íå ñìÿã÷àåòñÿ ñëîâîì OLD - BITCH. Îíî íå ñòàíåò íè øóòêîé, íè âûðàæåíèåì òåïëîòû.

Ïðèìåð:

Nephew: Aunt Sarah, you old bitch, how do you feel today?

Aunt: Since you ask, Jason, I feel like disinheriting a certain nephew of mine. And how do you feel today, you vulgar little cocksucker?

* ÁÎÃÎÕÓËÜÑÒÂÎ.

Áîãîõóëüñòâî ñåé÷àñ íå òî, ÷òî áûëî ðàíüøå, ïî êðàéíåé ìåðå, â àíãëîãîâîðÿùåì ìèðå. Êàíóëè â ëåòó òå äíè, êîãäà òàêèå ïðîêëÿòüÿ, êàê GOD’S WOUNDS! (÷àñòî ñîêðàùàåìîå äî ZOUNDS!) âûçûâàëè ïîäíÿòèå áðîâåé.

 äðóãèõ ÷àñòÿõ ìèðà çà áîãîõóëüñòâî Âàì ìîãóò îòðåçàòü ãîëîâó. Èëè åù¸ õóæå - Âàøè ÿéöà. Ïî ýòîé ïðè÷èíå íàø Ó÷¸íûé Ñîâåò èçáåãàåò äðóãèõ ÷àñòåé ìèðà. Ïîýòîìó, åñëè õîòèòå ïîáîãîõóëüíè÷àòü, äåëàéòå ýòî íà àíãëèéñêîì è ïðîñòî. Äåðæèòåñü ñëåäóþùèõ òåðìèíîâ, îíè - ýòî âñ¸, ÷òî Âàì íóæíî.

DAMN.

Îáîñîáëåííîå ìåæäîìåòèå, êàê â «DAMN! THAT’S GOOD CHICKEN».

DAMN YOU.

Ñì. GODDAMN YOU.

DAMN ÈËÈ DAMNED.

Óñèëèòåëü çíà÷åíèÿ. «THAT’S DAMN GOOD CHICKEN».

GODDAM, GODDAMN ÈËÈ GODDAMNED.

Èñïîëüçóåòñÿ â òîì æå ñìûñëå, ÷òî è DAMN. «THAT’S GODDAMNED GOOD CHICKEN!».

GODDAMN IT.

Ýêñïëåòèâ èëè ââîäíîå ñëîâîñî÷åòàíèå, îáû÷íî èñïîëüçóåìîå äëÿ âûðàæåíèÿ íåóäîâîëüñòâèÿ: «GODDAMN IT! LEAVE MY CHICKEN ALONE!».

GODDAMN YOU.

Î÷åíü ñòàðàÿ êîíñòðóêöèÿ. Äîñëîâíî, ýòî ìîäèôèöèðîâàííàÿ ìîëèòâà ñ ïðîñüáîé ê Áîãó îòïðàâèòü êîãî-ëèáî ëè÷íî èëè åãî äóøó ïðîâåñòè âå÷íîñòü â àäó (ñì. íèæå). Õîòÿ çâó÷èò ñèëüíî, â íàøå âðåìÿ ñ÷èòàåòñÿ ìÿãêèì óïðåêîì.

Ïðèìåð:

«Goddamn you, Wilbur, stop picking your nose in church».

HELL.

Ìåñòî ïðåäïîëîæèòåëüíîé òóñîâêè ïëîõèõ ëþäåé ïîñëå ñìåðòè. Êëèìàòè÷åñêèå óñëîâèÿ âàðüèðóþòñÿ îò ðåëèãèè ê ðåëèãèè.  îäíèõ ðåëèãèÿõ æàðêî, êàê â ïóñòûíå, â äðóãèõ ñíåæíî è õîëîäíî. À ÷òîáû îêîí÷àòåëüíî âñ¸ èñïîðòèòü, îðãàíèçîâàííûå ãðóïïèðîâêè äüÿâîëîâ, äåìîíîâ è ÷åðòåé øàðàõàþòñÿ ïî îêðóãå. HELL íåïðèÿòåí è áåñêîíå÷åí, íî ýòî òî, ÷òî çàñëóæèâàþò ïëîõèå ëþäè (êàê Âû äîãàäàëèñü, íàøè âðàãè).

HELL.

Ìÿãêîå âûðàæåíèå äîñàäû, ãíåâà, íåäîâîëüñòâà èëè óòîìë¸ííîñòè êîíêðåòíûì ëèöîì.

Ïðèìåð:

«Ah, hell, Leroy, stop pestering your sister».

Èñïîëüçóåòñÿ ñ ïðåäëîãàìè in èëè the äëÿ óñèëåíèÿ âîïðîñèòåëüíîé êîíñòðóêöèè.

Ïðèìåðû:

«What in hell are you cooking, Emma?».

«Where the hell are my socks?».

«Why in hell does this soup taste so funny?».

«Who the hell put my socks in the kettle?».

Òàêæå èñïîëüçóåòñÿ ñ OF À äëÿ òîãî, ÷òîáû ïðîäåìîíñòðèðîâàòü, ÷òî ÷òî-òî ÿâëÿåòñÿ õîðîøèì èëè ïëîõèì. Çíà÷åíèå çàâèñèò îò êîíòåêñòà.

Ïðèìåðû:

Dad: Putting socks in the soup was a hell of an idea, Tommy.

Tommy: (smiling) A hell of a good one, Dad?

Dad: (swatting Tommy) A hell of a bad one.

JESUS, CHRIST, JESUS CHRIST, JESUS CHRIST ALMIGHTY.

Îáû÷íî îáîñîáëåííîå ââîäíîå ñëîâî, êàê âî ôðàçå: «JESUS CHRIST ALMIGHTY! WILL YOU STOP TALKING ABOUT THAT GODDAMN CHICKEN!».

* ÄÅËÀ ÑÅÌÅÉÍÛÅ.

Who’s that coming down the track, Prick and balls slung o’er his back? Well, strike me dead! It’s Foreskin Ned - The Bastard from the Bush! Àâñòðàëèéñêàÿ íàðîäíàÿ áàëëàäà.

Òåõíè÷åñêè âûðàæàÿñü, A BASTARD ýòî âñåãî ëèøü ðåá¸íîê âíå áðàêà, a A SON OF A BITCH èìååò ìàìó-ñîáàêó.

Íî ìû íå âûðàæàåìñÿ òåõíè÷åñêè, ìû îáùàåìñÿ. Ñåãîäíÿ ñòèãìà âíåáðà÷íûõ äåòåé êàíóëà â íåáûòèå. À â íåêîòîðûõ ñåëüñêèõ ìåñòíîñòÿõ Ñîåäèí¸ííûõ Øòàòîâ - è ïðîêëÿòèå äåòåé æèâîòíûõ.

À äâà ýòèõ ñëîâà æèâóò ñâîåé æèçíüþ.

BASTARD.

Êîãäà Âû íàçûâàåòå êîãî-ëèáî óáëþäêîì, A BASTARD, îñòàâüòå â ïîêîå åãî ðîäèòåëåé. Âû ëèøü óêàçûâàåòå íà çëîáíîâàòîñòü è ìåëî÷íîñòü åãî äóøè.

Ïðèìåð:

James: That bastard Jones fired me for sticking my dick in the potato peeler.

Rick: The potato peeler?

James: Yeah, Bridget, the redhead. And the son of a bitch fired her too.

SON OF A BITCH.

Êàê è â îòíîøåíèè BASTARD, ôàêò ìàòåðèíñòâà - íå òåìà äëÿ îñêîðáëåíèÿ. A SON OF A BITCH ïðîñòî îçíà÷àåò ìåðçêóþ èëè ïðåçðåííî-æàëêóþ ëè÷íîñòü.

Ïðèìåð:

Paddy: That son of a bitch Jones fired my girlfriend, Bridget.

Seamus: Did she get into something she wasn’t supposed to?

Paddy: Vice versa.

Ïðèìå÷àíèå: Óêàçàííîå ñëîâî îòíîñèòñÿ òîëüêî ê ìóæ÷èíàì. Æåíùèíó, êîòîðàÿ äîñòîéíà áûòü íàçâàííîé A SON OF A BITCH èëè A BASTARD, ñòîèò êîððåêòíî íàçûâàòü A BITCH.

SON OF A BITCH èíîãäà èñïîëüçóåòñÿ â êà÷åñòâå ìåæäîìåòèÿ, âûðàæàþùåãî èçóìëåíèå èëè óäîâîëüñòâèå. Ýòî çíà÷åíèå î÷åíü áëèçêî ê ãðå÷åñêîìó âûðàæåíèþ EUREKA! - «Ýâðèêà!».

Ïðèìåð:

Socrates: I think you’ll like this. It’s a mix of gin and vermouth with an olive dropped in for decoration.

Archimedes: Son of a bitch! It’s delicious. You’ve finally come up with a good idea.

* ÐÓ×ÍÀß ÐÀÁÎÒÀ.

Under the spreading chestnut tree. The village blacksmith sat. Amusing himself. By abusing himself. And coming off in his hat.[2]. Henry Wadsworth Longfellow

Áîëüøèíñòâî àìåðèêàíñêèõ øêîëüíèêîâ ó÷àò ýòî ñòèõîòâîðåíèå êàê ðàç â òî âðåìÿ, êîãäà îíè ó÷àòñÿ ìàñòóðáèðîâàòü. Òå, êòî ôàðèñåéñêè íå ïðèçíà¸òñÿ â ìàñòóðáàöèè, èíîãäà íàçûâàþò å¸ ñàìîïîìó÷èâàíèåì èëè ñàìîèñòÿçàíèåì [SELF-ABUSE]. Íå ñóùåñòâóåò îôèöèàëüíîé ñòàòèñòèêè ìàñòóðáàòîðîâ è ìàñòóðáàöèè. Íî, îñíîâûâàÿñü íà íàøåì ñîáñòâåííîì îïûòå, íàø Ó÷¸íûé Ñîâåò îöåíèâàåò âîâëå÷åíèå â ïðîöåññ êàê 100% îò îáùåãî êîëè÷åñòâà íàñåëåíèÿ. Ýòî íå íîâîðîæä¸ííàÿ è íå òåíäåíöèîçíàÿ êîíöåïöèÿ.

Ìàðê Òâåí çàìåòèë, ÷òî ÿðûìè àäåïòàìè ìàñòóðáàöèè áûëè òàêèå âåëèêèå õóäîæíèêè ïðîøëîãî, êàê Ìèêåëàíäæåëî, Äà Âèí÷è, Ðóáåíñ è Ðåìáðàíäò. Òåðìèí «Ñòàðûå Ìàñòåðà», çàìå÷àë îí, áûë ëèøü ïñåâäîíèìîì.

Ñàìûå ðàñïðîñòðàí¸ííûå ñëîâà, îòíîñÿùèåñÿ ê ýòîìó îäèíîêîìó äåéñòâó:

BEAT THE DUMMY.

Äâèæåíèå ðóêè ãîâîðèò ñàìî çà ñåáÿ. Íî íàøåìó Ó÷¸íîìó Ñîâåòó îñêîðáèòåëüíî íàçûâàòü åãî òàêèì ñëîâîì, êàê À DUMMY. Êàê-íèêàê, ýòî òî ìåñòî, ãäå ó âñåõ ìóæ÷èí íàõîäÿòñÿ ìîçãè.

BEAT THE MEAT.

Åñëè Âàì íóæíî ðàñøèôðîâûâàòü ýòî ñëîâîñî÷åòàíèå - Âû áåçíà䏿íû.

CHOKE THE CHICKEN.

Ïðîèñõîæäåíèå - òàéíà, ïîêðûòàÿ ìðàêîì. Íàø Ó÷¸íûé Ñîâåò ÷óâñòâóåò íåîáõîäèìîñòü ïåðåðàáîòàòü ïîñëîâèöó: A BIRD IN THE HAND IS WORTH TWO IN THE BUSH.

FLOG THE DOG.

Ýòî åäèíñòâåííûé ñëó÷àé â èñòîðèè àíãëèéñêîé ëèíãâèñòèêè, êîãäà íàø Ó÷¸íûé Ñîâåò óâèäåë, ÷òî A DICK íàçûâàþò A DOG. Êðîìå äåø¸âîé òÿãè ê ðèôìîïëåòñòâó íåò íèêàêèõ ïðè÷èí äëÿ ýòîãî: FLOG-DOG. Ñìûñëà ïðèìåðíî ñòîëüêî æå, êàê è â FESTOON - THE BALLOON. Åñëè Âû ëþáèòå ðèôìó è íàñòàèâàåòå íà å¸ èñïîëüçîâàíèè, ÷òî-òî òèïà JOSTLE THE THROSTLE áóäåò çâó÷àòü ñ áîëüøèì ñìûñëîì. Ìû æå ðåêîìåíäóåì òåðìèí JERKING OFF.

HAM-BONING.

Êîãäà ðóêà îáõâàòûâàåò THE DICK òàê æå êðåïêî è ëèïêî, êàê ïîäæàðèâàåìàÿ âåò÷èíà ïðèæèìàåòñÿ ê áåäðåííîé êîñòè, Âû îñâîèëè èñêóññòâî OF HAM-BONING.

Ïðèìåð:

Luther: Doctor, I’ve sustained a repetitive-stress injury in my wrist from constantly ham-boning off. Can you help me?

Doctor: First, I’ll help you with your grammar. Just say «ham-boning». The «off» isn’t necessary. You wouldn’t say jerking off-off. Don’t say «ham-boning off»!

Luther: Thank you doctor. And what about my wrist?

Doctor: That depends. Do you have medical insurance?

JERK OFF.

Ýòèìîëîãèÿ âîñõîäèò ê ïðèìåíÿåìîìó äâèæåíèþ (THE JERKING MOTION). Íàçûâàÿ êîãî-ëèáî A JERK, âû ïðåäïîëàãàåòå, ÷òî îí ïðîâîäèò çà JERKING OFF ñëèøêîì ìíîãî âðåìåíè. Ïîýò Àëãåðíîí ×àðëüç Ñâàéíáîðí (Algernon Charles Swineburne) çàâîðàæèâàþùå è äèíàìè÷íî (â äâèæåíèè!!!) îïèñàë ýòîò êëàññ ñèòóàöèé.

There once was a fellow named Merkin, Who always was jerkin’ his gherkin. Said his girlfriend, «Hey, Merkin, Stop jerkin’ your gherkin, Your gherkin’s for ferkin’ not jerkin’.

Èíîãäà, îòêëîíÿÿñü îò òåìû, äàííîå âûðàæåíèå èñïîëüçóåòñÿ â çíà÷åíèè PATRONIZE.

Ïðèìåð:

DeWitt: My boss jerked me off for a while, telling me what a good worker I’d been. Then he fired me.

Clinton: What for?

DeWitt: He caught me jerking off at my desk.

JACK OFF.

Âàðèàöèÿ íà òåìó JERK OFF. Äåòèøêè ñ äèêîé ðàäîñòüþ äâóñìûñëåííî êðè÷àò: «STOP THE BUS AND LET MY BROTHER JACK OFF!».

KNOW THYSELF.

Ïîçíàé ñåáÿ. Ëþáèìàÿ ôðàçà âñåõ ôèëîñîôîâ - îò Ëàî-Öçû äî Ïëàòîíà. Ïëàòîí èñïîëüçóåò ñëîâî ïîçíàòü - TO KNOW â áèáëåéñêîì ñìûñëå - TO HAVE SEXUAL INTERCOURSE WITH - èëè, ïî-àíãëèéñêè, TO FUCK. Òàêèì îáðàçîì: FUCK THYSELF.

POUND OFF.

Îñíîâàí íà âîçâðàòíî-ïîñòóïàòåëüíîì äâèæåíèè.

POUND THE PUDDING.

POUND èìååò ñìûñë, êàê âèäíî èç ïðåäûäóùåé ñòàòüè, íî ïðè÷åì çäåñü PUDDING? Íåêîòîðûå ó÷¸íûå ìóæè è äàæå àêàäåìèêè ãîâîðÿò, ÷òî îí âîñõîäèò èç ëàòèíñêîãî PUDENDUS «÷òî-òî, ÷åãî ìîæíî ñòûäèòüñÿ». Äðóãèå àâòîðèòåòû ãîâîðÿò, ÷òî ýòî âûòåêàåò èç øîòëàíäñêîãî îáîçíà÷åíèÿ ñîñèñêè. Íàø Ó÷¸íûé Ñîâåò ïîääåðæèâàåò âòîðóþ òåîðèþ. Ìû íå äóìàåì, ÷òî êòî-òî äîëæåí ñòûäèòüñÿ ñâîåé ñîñèñêè.

PRACTICE SELF ABUSE.

Ïðàêòèêîâàòü ñàìîïîìó÷èâàíèå. Ãëóïîå âûðàæåíèå. Íåò íè÷åãî ìó÷èòåëüíîãî â JERKING OFF, è ïðîôåññèîíàëèçì íå òðåáóåò íèêàêîé ïðàêòèêè. Êîãäà âû PRACTICE JERKING OFF, íà ñàìîì äåëå Âû JERKING OFF.

Òåì íå ìåíåå, ýòî î÷åíü ïîëåçíîå ñëîâî, òàê êàê íàâåèâàåò íàì ìûñëè î òâîð÷åñòâå Ãåíðè Óîäñâîðòà Ëîíãôåëëîó è ïîìîãàåò íàì ïîíÿòü õîä åãî ìûñëåé.

PULL OFF.

Åù¸ îäèí òåðìèí, îáðàçîâàííûé íà îñíîâå ôèçèêè êàê òî÷íîé íàóêè. Îïÿòü ïðèìåíÿåìîå äâèæåíèå. Ìîæåò âûçâàòü êîíôóç, êàê â ñëó÷àå ñ íåòåðïåëèâûì æåíèõîì, êîòîðûé ïî äîðîãå íà ñîáñòâåííóþ ñâàäüáó PULLED OFF ON THE SIDE OF THE ROAD.

PULL THE PUD.

PUD - ñîêðàùåíèå äëÿ PUDDING, íî, âèäèìî, ïðîèçíîñèòñÿ, ÷òîáû ðèôìîâàëîñü ñ MUD.

PEEL THE EEL.

Êàíàäñêàÿ èäèîìà, òåððèòîðèàëüíî îãðàíè÷åííàÿ â ïðèìåíåíèè ðóáåæàìè Ìîðñêèõ Ïðîâèíöèé è îñòðîâà Âàíêóâåð.

STROKE OFF.

Ñàìîîáúÿñíÿþùèéñÿ òåðìèí. Ìóæ÷èíû è ìàëü÷èêè èíîãäà STROKE OFF, ðàññìàòðèâàÿ ôîòîãðàôèè îáíàæ¸ííûõ æåíùèí. Æóðíàëû, ñîäåðæàùèå ïîäîáíûå êàðòèíêè, íàçûâàþò STROKE BOOKS, èëè - ïî î÷åâèäíûì ïðè÷èíàì - ONE-HANDERS.

WHACK OFF.

Îïÿòü è ñíîâà, äâèæåíèå ðóêè îïðåäåëÿåò ñîçíàíèå. Èç îïðåäåë¸ííîãî ñîçíàíèÿ ê ñëîâó.

* Ñ×ÀÑÒËÈÂÛÉ ÈÑÕÎÄ.

Ó ñàìöîâ êîíå÷íûé ïðîäóêò ìàñòóðáàöèè - SEMEN, æèçíåííî âàæíàÿ è æèçíåîáðàçóþùàÿ æèäêîñòü. Ýòî ÷óäî ïðèðîäû - èñòî÷íèê ÷åëîâå÷åñêîãî áûòèÿ, êîòîðûé íåâîçìîæíî óäàëèòü ñ çàìøè.

SEMEN, êàê è áîëüøèíñòâî íàó÷íûõ òåðìèíîâ, âñåãäà ïîäâåðãàåò íàñ îïàñíîñòè âîéòè â çàáëóæäåíèå, îñîáåííî â óñòíîì óïîòðåáëåíèè. Íàïðèìåð:

A MERCHANT SEAMAN HANGS OUT ON FREIGHTERS.

A SEMEN MERCHANT HANGS IT OUT AT SPERM BANKS.

Èçáåãàéòå êîíôóçà. Äåðæèòåñü ñëåäóþùèõ òåðìèíîâ.

ÑÓÙÅÑÒÂÈÒÅËÜÍÎÅ:

ÑÎÌÅ.

Äåðèâàò îò COMING OFF. Èíîãäà ïèøåòñÿ êàê CUM.

Ïðèìåð:

Elvis: Dang! What the heck’s that on my footwear?

Parker: Looks like cum spots to me, son. I warned you to lay off of them blue suede shoes.

JISM.

Ñóùåñòâóåò ìíîæåñòâî âàðèàíòîâ ñïåëëèíãà äàííîãî òåðìèíà. Ñðåäè íèõ: GIZM, JIZZUM è JISSOM. Åñòü ñîêðàù¸ííûå ôîðìû: GIZ èëè JIZZ. Íèêòî íå çíàåò êîðíåé ìîðôîëîãèè ñëîâà. Îäèí èç Äåéñòâèòåëüíûõ ×ëåíîâ íàøåãî Ó÷¸íîãî Ñîâåòà çàìåòèë, ÷òî îíî ðèôìóåòñÿ ñî ñëîâîì PRISM. Îñòàëüíûå ñêàçàëè: «Íó è ÷òî?».

WAD.

Îáú¸ì OF CUM, âûäåëÿåìîé â îðãàçìè÷åñêîé òðàíñàêöèè. Îáû÷íî èñïîëüçóåòñÿ â âûðàæåíèè SHOOT ONE’S WAD.

Ïðèìåð:

Fifi: Hey, Marvin, why are you stopping?

Marvin: I’ve shot my wad. It’s time to get home to the wife and family.

DUCK BUTTER.

Íèêòî èç ×ëåíîâ íàøåãî Ó÷¸íîãî Ñîâåòà íèêîãäà íå ñëûøàë, ÷òîáû äàííîå ñëîâî êòî-ëèáî èñïîëüçîâàë.

ÃËÀÃÎË:

ÑÎÌÅ.

Íàèáîëåå ÷àñòî èñïîëüçóåìûé òåðìèí äëÿ îáîçíà÷åíèÿ äîñòèæåíèÿ îðãàçìà. Ñîêðàù¸ííàÿ ôîðìà äëÿ COME OFF. ×òîáû èçáåæàòü ñìåøåíèÿ ñ íåâèííûì ãëàãîëîì, ÷àñòî ïèøåòñÿ êàê CUM. Ê ñîæàëåíèþ, â óñòíîé ðå÷è ýòî ñìåøåíèå ñ òðåìÿ äåñÿòêàìè ðàçíûõ çíà÷åíèé ÑÎÌÅ íåèçáåæíî ïðîèñõîäèò.

Ïðèìåðû:

Q: What’s gray and comes in quarts?

A: An elephant.

Èëè:

Mother: You’ve been in that bathroom for half an hour, Lewis. We’re all packed and ready to leave. Are you coming or not?

Lewis: Not yet, Mom - but I’m breathing hard!

CREAM.

Îáû÷íî ñîñòàâíàÿ ÷àñòü èäèîìû CREAM ONE’S JEANS, ÷òî õàðàêòåðèçóåò ïðîöåññ èçëèÿíèÿ â ñîáñòâåííûå øòàíû. (ñì. ñòèõ POUND íèæå.).

GET OFF.

Òî æå ñàìîå, ÷òî è COME OFF. Èíîãäà òâîð÷åñêè ìîäèôèöèðóåòñÿ êàê GET YOUR NUTS OFF èëè GET YOU ROCKS OFF.

SHOOT A WAD.

Ñì. WAD âûøå.

Îðãàçìû êðåàòèâíî ñîçäàþòñÿ è äîñòèãàþòñÿ ïîä âîçäåéñòâèåì ïðèìåíåíèÿ ðàçëè÷íûõ ñðåäñòâ, ìíîãèå èç êîòîðûõ âêëþ÷àþò ôðèêöèè ðàçëè÷íîãî âèäà. Íåêîòîðûå îðãàçìû, îäíàêî, áûâàþò ñïîíòàííûìè, GIFTS FROM THE CODS, òàê ñêàçàòü. Îïÿòü è ñíîâà, ìû îáðàùàåìñÿ ê ïîýçèè, ÷òîáû îáåñïå÷èòü ïîëíîå ïîíèìàíèå è óñâîåíèå ìàòåðèàëà, îïèñûâàþùåãî òàêèå ôåíîìåíû ïðèðîäû. Õîòÿ ýòè ñòèõè íå ïîäïèñàíû, ñòèëü âûäà¸ò ðàííåãî Ýçðó Ïàóíäà (Ezra Pound).

There once was a lady from France Who got on a train in a trance. Everyone fucked her, Except the conductor, And he came off in his pants.

* ÄÅËÀ ÂÊÓÑÀ.

Q: How does a Frenchwoman hold her liquor? A: By the ears.

Íèêòî íå çíàåò, êîãäà ýòà ìèñòåðèÿ áûëà âïåðâûå íàïå÷àòàíà. Òåì íå ìåíåå, íåñêîëüêî õèòðîâàòûõ ÷ëåíîâ íàøåãî Ó÷¸íîãî Ñîâåòà îòðûëè å¸ êàê äîêàçàòåëüñòâî ñòàðîé îðàëüíîé òðàäèöèè, ñóùåñòâóþùåé â àíãëî-ãîâîðÿùèõ çåìëÿõ.

Ôðàíöóçîâ îáû÷íî ñ÷èòàþò ìàñòåðàìè, êîòîðûå ïðåâçîøëè âåñü ìèð â èñêóññòâå îðàëüíîãî ñåêñà. Ýòî ìàñòåðñòâî, âêóïå ñ èõ îïûòîì è çíàíèåì ñàâàòà SAVATE - êèêáîêñèíãà, ñòàëè ëåãåíäàìè. Ýòè âåëèêîëåïíûå íàâûêè îáåññìåðòèëè â ñëåäóþùèõ ïîýòè÷åñêèõ èçûñêàõ:

The French they are a funny race; They fight with their feet and fuck with their face.

Àíãëèéñêèé òåðìèí FRENCHING èñòîðè÷åñêè îòíîñèòñÿ ê ëþáîìó àêòó îðàëüíîãî ñåêñà. Çàñëóæèëè ëè ôðàíöóçû ñâîþ âûñîêóþ ðåïóòàöèþ â ýòîé îáëàñòè? Íà ýòîò ñ÷¸ò íåò íè ñòàòèñòèêè, íè ìàòåìàòè÷åñêèõ äîêàçàòåëüñòâ, ïîýòîìó ìû íå ìîæåì ïîäâåðãàòü Âàñ ðèñêó íåîáîñíîâàííî âûðàæàòü ñåáÿ òàêèìè ñëîâàìè. Íî ìû äîëæíû îòìåòèòü, ÷òî èìåííî ôðàíöóçû ïîäàðèëè ìèðó òåðìèí SOIXANTE-NEUF - 69.

Ïîñêîëüêó ïîçèöèîííî 6 è 9 ñîîòíîñÿòñÿ äðóã ñ äðóãîì, SOIXANTE-NEUF ñòàë ìåæäóíàðîäíî-ïðèçíàííûì ìàòåìàòè÷åñêèì ýêâèâàëåíòîì âçàèìíîãî îðàëüíîãî ñåêñà. Ýòî ïðèâîäèò íàñ ê åù¸ îäíîé ìèñòåðèè:

Q: What’s the square root of 69?

A: Eight something.

È ñíîâà ðàçãàäêà íàõîäèòñÿ â ðàìêàõ ñêîðåå îðàëüíûõ, à íå ãðàììàòè÷åñêèõ òðàäèöèé.

Íî õâàòèò ïîäîáíûõ ðàçìûøëåíèé. Ïîðà îáðàùàòüñÿ ê ñóòè âåùåé, THE MEAT OF THE MATTER.

* COCK-SUCKING.

You call a guy a cock-sucker, that’s an insult. You call a lady a cock-sucker - hey, that’s a nice lady. Lenny Bruce 1926-1966

Òåõíè÷åñêèé òåðìèí äëÿ ýòîãî äåéñòâà FELLATIO, ãëóïåéøåå ñëîâî, êîòîðîå òîëüêî ìîæíî áûëî ïðèäóìàòü. Ïîëàãàéòåñü íà COCK-SUCKING, ýòî äîñòóïíî äëÿ âîñïðèÿòèÿ.

BLOW.

Ñàìûé îáùåóïîòðåáèòåëüíûé, íî ñëåãêà ââîäÿùèé â çàáëóæäåíèå òåðìèí. Èìåííî åãî íåïîíèìàíèå çàñòàâèëî îäíîãî äæåíòëüìåíà ïîïðàâèòü ëåäè: «DON’T BLOW - SUCK!».

Íåîáõîäèìî çíàòü.

BLOW.

EAT.

GIVE A BLOW JOB.

GIVE HEAD.

GO DOWN ON.

FRENCH.

SUCK.

SUCK OFF.

Áëåñíóòü â ðàçãîâîðå.

GIVE À Â.J.

GOBBLE THE GOOSE.

LICK DICK.

POLISH THE HELMET.

SUCK DICK.

TAKE A LIP LOCK ON A FUCK STICK.

Çàáóäüòå.

EAT A WEENIE.

LICK THE LOLLIPOP.

* MUFF-DIVING.

The proof that God isn’t a woman is that men’s dicks aren’t on their chins. Sappho (circa 600 e.c.)

Áóäó÷è æåíùèíîé èç Äðåâíåé Ãðåöèè, Ñàïôî íå èñïîëüçîâàëà àíãëèéñêèé òåðìèí MUFF-DIVING äëÿ îïèñàíèÿ ñâîåãî ëþáèìîãî âðåìÿïðîâîæäåíèÿ - LICKING A LADY’S LOWER LIPS. Íî Âû äîëæíû, åñëè íå ÿâëÿåòåñü äðåâíèì ãðåêîì.

Ìû ñîñòàâèëè îáøèðíûé ñïèñîê ïðèìåíèìûõ ýêâèâàëåíòîâ, íî MUFF-DIVING ñàìûé øèðîêî ðàñïðîñòðàí¸ííûé è ïîíèìàåìûé èç íèõ.

Íåîáõîäèìî çíàòü.

EAT.

EAT OUT.

EAT CUNT.

EAT PUSSY.

FRENCH.

GO DOWN ON.

MUFF DIVE.

Áëåñíóòü â ðàçãîâîðå.

EAT A BOX.

LUNCH AT THE Y.

EAT HAIR PIE.

EAT THE BEARDED CLAM.

GO LICKETY SPLIT.

MUNCH A FUR BURGER.

SUCK CUNT.

SUCK PUSSY.

Çàáóäüòå.

SLURP THE SLIT.

CANNIBALIZE THE CUNT.

* ÈÄÈÎÌÛ.

Î÷åíü òÿæåëî îáúÿñíèòü ïðîèñõîæäåíèå áîëüøèíñòâà èäèîì. Î çíà÷åíèè íåêîòîðûõ èç íèõ Âû ìîæåòå äîãàäàòüñÿ, íî ìíîãèå ïðîñòî íåïîäâëàñòíû ôîðìàëüíîé ëîãèêå.

Íå ïîçâîëÿéòå ñåìó ôàêòó áåñïîêîèòü Âàñ. Ïðîñòî âûó÷èòå è èñïîëüçóéòå èõ.

BASKET FUCK.

Äåðåâåíñêàÿ òåõíîëîãèÿ FUCKING, âêëþ÷àþùàÿ â ñåáÿ èñïîëüçîâàíèå êîðçèíû áåç äíà, ñïóñêàåìîé íà âåðåâêå ÷åðåç áëîê. Æåíùèíà ñèäèò â êîðçèíå è îïóñêàåòñÿ ON ÒÎ THE DICK ìóæ÷èíû âíèçó. Êàê òîëüêî THE FUCK ïðîèñõîäèò, îíà äåðãàåò çà âåðåâêó ïîäíèìàÿñü è îïóñêàÿñü â óâåëè÷èâàþùåìñÿ ALLEGRO. Îí âðàùàåò êîðçèíó.

Ïðèìåð:

Lawrence: That Mabel is the dizziest blonde I’ve ever seen.

Antoine: A result of too much basket fucking.

BUILT LIKE A BRICK SHITHOUSE.

Îáû÷íî îïèñûâàåò ôèãóðèñòóþ æåíùèíó. Íàâåðíîå, ìîæåò îïèñûâàòü ôèãóðèñòîãî ìóæ÷èíó, õîòÿ íè îäèí èç ×ëåíîâ íàøåãî Ó÷åíîãî Ñîâåòà íèêîãäà íå ñëûøàë íè÷åãî ïîäîáíîãî.

A SHITHOUSE - òåðìèí, îáîçíà÷àþùèé äîìèê íà âîçäóõå, îáû÷íî äåðåâÿííûé, ãäå ëþäè CAN SHIT AND PISS. Ïî÷åìó ôèãóðèñòàÿ æåíùèíà íàïîìèíàåò òàêîé äîìèøêî - òàéíà, ïîêðûòàÿ ìðàêîì. Òî, ÷òî îí ñäåëàí èç êèðïè÷à, ëèøü óñóãóáëÿåò òàèíñòâåííîñòü.

Ïðèìåð:

Lenny: Look at that shapely woman.

Vince: Yeah. She’s built like a brick shithouse.

COMING AIR.

Ýòîò òåðìèí îáúÿñíÿåò îðãàçìè÷åñêîå ñîñòîÿíèå ìóæ÷èíû, êîòîðûé FUCKED OUT. Îí ÑÎÌÅ [âõîäèë â ïèêå] òàê ìíîãî ðàç, ÷òî èñòîùèë ñâîé çàïàñ JISM. Äàííàÿ ïåðåãðóçêà èíîãäà ìîæåò èìåòü ëåòàëüíûé èñõîä. Ñòèëèñòû ïîõîðîííûõ áþðî íåíàâèäÿò ïîäîáíûå ñëó÷àè, òàê êàê óñòðàíåíèå óëûáêè ñ ëèöà óìåðøåãî òðåáóåò êèëîãðàììîâ ìàêèÿæà è ÷àñîâ óñèëèé.

Ïðèìåð:

George: Alonzo, you look plum worn out. Didn’t you get any sleep last night?

Alonzo: Hell no. Janet and I had an all-night fuck test. By the time the sun came up I was coming air.

EAT SHIT!

Èäåàëüíîå âûðàæåíèå, êîãäà ïðîñòî ñêàçàòü «íåò» - ýòî íè÷åãî íå ñêàçàòü.

Ïðèìåð:

Wally: Íîðå Ididn’t wake you. I’m doing an insurance needs assessment and I wonder if you’d mind answering a few questions about your family’s current security umbrella.

Jack: Eat shit!

THE FUCK.

Ýòîò ôðàãìåíò íå îòíîñèòñÿ ê êàêîé ëèáî îñîáåííîé ÷àñòè àêòà OF FUCKING. Íà ñàìîì äåëå îí òàê æå äàë¸ê îò A FUCK, êàê è Âû, åñëè ïðèìåòå îáåò öåëèáàòà.

Ïðîñòî ìàëåíüêîå ìåæäîìåòèå, èñïîëüçóåìîå äëÿ ïîâûøåíèÿ ñëîâàðíîé íàñûùåííîñòè ôðàçû è óâåëè÷åíèÿ òåìïà ðèòìà.

Ïðèìåð:

Ralph: What the fuck did you do to my bowling ball?

Wilbur: You think I tampered with your bowling ball, Ralph? The fuck I did!

Ralph: Ah, get the fuck out of here!

Íèêòî íå çíàåò, WHY THE FUCK «THE FUCK» IS USED. Äîñòàòî÷íî è òîãî, ÷òî ýòî ïîëåçíîå ñëîâî.

FUCKING THE DOG.

Old Mother Hubbard Went to the cupboard To get her poor dog a bone. When she bent over Rover took over, For he had a bone of his own. Percy Bysshe Shelley

Èäèîìà FUCKING THE DOG íå îòíîñèòñÿ ê óêàçàííîé ïîýìå. Áîëåå òîãî, Ïåðñè Øåëëè, â îòëè÷èå îò âñåõ îñòàëüíûõ ïîýòîâ, ïðîöèòèðîâàííûõ â íàøåé êíèãå, àáñîëþòíî íåêîíêðåòåí.

Ó÷¸íûé Ñîâåò âêëþ÷èë îòðûâîê èç ïîýìû â êíèãó òîëüêî ïî ýñòåòè÷åñêèì ïðè÷èíàì.

 ðåàëüíîñòè, â ïðîöåññ FUCKING THE DOG íå âîâëå÷åíî íèêàêèõ ïðåäñòàâèòåëåé ñåìåéñòâà ñîáà÷üèõ. Âûðàæåíèå îòíîñèòñÿ ê áîëåå èëè ìåíåå ÷àñòî âñòðå÷àþùåìóñÿ ïîâåäåíèþ, êîòîðîå ñîñåäñòâóåò ñ ïðàçäíîñòüþ èëè ëåíüþ.

Ïðèìåð:

Judge: You’ve been out on the street six months now, Lamar, and you still haven’t found a job. What the hell have you been doing with your time?

Lamar: Oh, not much – just fucking the dog I guess.

LIP LOCK ON A FUCK STICK.

Ýòà ìåëîäè÷íàÿ ôðàçà îïèñûâàåò çàâîðàæèâàþùóþ ïðåëåñòü BLOW JOB. Ïîýòè÷íî, íî ïðèåìëåìî.

LIVER BOX.

Îñîáåííîñòü àðìåéñêîãî áûòà. LIVER BOX - ýòî êîðîáêà îò îáóâè ñ ïðîðåçàííîé íà îäíîì êîíöå äûðêîé. Êîðîáêà çàïîëíÿåòñÿ òåïëîé ïå÷åíüþ, êîòîðàÿ ïîêðûâàåòñÿ öåëëîôàíîì. Ïîòîì îíà FUCKED.

MOTHER-FUCKER.

Çâó÷èò îïèñàòåëüíîé ÷àñòüþ ïðèãîâîðà ïðèäóðêó ñ Ýäèïîâûì êîìïëåêñîì. Íà ñàìîì äåëå, ìîæåò îïèñûâàòü âñ¸ - íà÷èíàÿ ñî çëîáíîãî ìåðçàâöà äî áîáîâ. (Ñîëäàòû âî Âüåòíàìå íàçûâàëè áîåâûå ðàöèîíû (C-RATS) ÍÀÌ AND MOTHERFUCKERS.) Êîãäà-òî óæàñíîå ïðîêëÿòüå, ñåãîäíÿ â îäíîì ñëîâàðíîì ñòðîþ ñ THINGAMABOB è WHATCHAMACALLIT.

Ïðèìåð:

Billy: Mr. Rogers, give me three of those red jelly beans and four of those green mother-fuckers, please.

Rogers: My, Billy, you’re a polite little mother-fucker.

Billy: That’s cause Mom is strict as a mother-fucker about politeness.

NOONER.

Êëàññè÷åñêèé FUCK âî âðåìÿ ëàí÷à. ×àñòî A QUICKIE, õîòÿ, ïðè òùàòåëüíîì ïëàíèðîâàíèè ìîæåò áûòü ðàñøèðåí äî ïîëíûõ øåñòèäåñÿòè ìèíóò, ïëþñ-ìèíóñ íåñêîëüêî ñåêóíä íà ðàññò¸ãèâàíèå è çàñòåãèâàíèå øèðèíêè [FLY ZIPPING AND UNZIPPING] è çàäèðàíèå þáêè ñ ïîñëåäóþùèì å¸ îïóñêàíèåì. Õîòÿ òðàäèöèîííî èìååò ìåñòî áûòü ìåæäó ïîëóäíåì è ÷àñîì äíÿ, â ïðîäâèíóòûõ è ïðîñâåòë¸ííûõ îôèñàõ ÿâëÿåòñÿ îñíîâíîé ÷åðòîé óòðåííèõ è äíåâíûõ ïåðåðûâîâ íà êîôå.

Ïðèìåð:

Josie: How has working the graveyard shift affected your love life?

Sam: Not much, except now I get my nooners at 4 in the morning.

PIECE OF ASS.

Ýòî íå êóñîê çàäíèöû. Îäíî çíà÷åíèå ýòîãî òåðìèíà - A FUCK.

Ïðèìåð:

Mavis: Why so sad, Roy? You look like you need a hug.

Roy: Hug? What I need is a good piece of ass.

Ýòî âûðàæåíèå ìîæåò òàê æå áûòü èñïîëüçîâàíî äëÿ îïèñàíèÿ òîãî, êòî ñòàë ìàñòåðîì AT FUCKING. Ëþáîïûòíî, íî â òî æå âðåìÿ ýòî ñëîâî îïèñûâàåò êîãî-ëèáî, êòî ÿâëÿåòñÿ ïîñðåäñòâåííûì, RUN-OF-THE-MILL FUCKER.

Ïðèìåð:

Arlo: That was a swell-looking gal I saw you with last night. She looked like a real piece of ass!

Lamont: Nah. She was just some piece of ass I picked up at the diner.

QUICKIE.

Ëþáîâü íà áåãó. Êëàññè÷åñêèé FAST FUCK. Íàìåðåííî áûñòðûé. A FUCK, êîãäà THE GUY SHOT HIS WAD TOO SOON, íå åñòü a QUICKIE. Ýòî ïðîñòî A LOUSY FUCK.

R.C.H.

Ýòî èíèöèàëû äëÿ RED CUNT HAIR. Òåðìèí âîñõîäèò ê ìàñòåðàì-ñòîëÿðàì íà ìûñå CAPE COD, íî ñåé÷àñ èñïîëüçóåòñÿ ïî âñåìó ìèðó. AN R.C.H. - ìåëü÷àéøèé, íå ìèêðîñêîïè÷åñêèé ýêâèâàëåíò èçìåðåíèÿ, èçâåñòíûé ÷åëîâåêó.

Ïðèìåð:

Asa: Hondo, this board don’t fit just right. Looks to me like it ain’t got enough littleness.

Hondo: Well, don’t force it, you goddamned moron! Just take an R.C.H. off the end.

SHIT A BRICK.

Ýòî îçíà÷àåò ÷ðåçìåðíî àäåêâàòíóþ ðåàêöèþ ïðè óäèâëåíèè èëè â ñîñòîÿíèè îçàäà÷åííîñòè. Ìîæåò áûòü èñïîëüçîâàíî â íåãàòèâíîì è ïîçèòèâíîì ñìûñëå.

Ïðèìåð:

Alice: When my mom won the lottery, my dad damn near shit a brick.

Bernie: Yeah, and when she took off to Hawaii with the Sears delivery man he damn near shit another one.

SHIT HAPPENS.

Ýòî ôàòàëèñòè÷åñêîå óòâåðæäåíèå ÷àñòî ìîæíî óâèäåòü íàêëååííûì íà áàìïåð àâòîìîáèëÿ.  ýòîé èäèîìå, SHIT îòíîñèòñÿ ê ñîáûòèÿì èëè îáñòîÿòåëüñòâàì âíå íàøåãî êîíòðîëÿ. Îáû÷íî îòíîñèòñÿ ê ñîáûòèÿì æèçíè, êîòîðûå íàì íå íðàâÿòñÿ, íî èç êîòîðûõ ìû äîëæíû èçâëå÷ü óðîê.

Ïðèìåð:

John: After the pitbull bit me I headed for the hospital on my motorcycle, but I got hit by a bus and knocked into a briar patch. That’s when the hornets nest fell on me.

Mary: Shit happens.

SHOOTING BEAVER.

Ñòðåëÿòü áîáðîâ. Çàãëÿäûâàòü ïîä ïëàòüå, ÷òîáû ïðîâåðèòü, åñòü ëè òàì òðóñèêè. Òå, êòî äîñòàòî÷íî óäà÷ëèâ, ÷òîáû âìåñòî èãðû ïðîâîäèòü âðåìÿ íà ñêàìüå çàïàñíûõ, ïðîâîäÿò ìàññó âðåìåíè, ñêàíèðóÿ ïîõîæèå êàðòèíêè.

Ïðèìåð:

Rip: Boy! what a great game I had today.

Òó: Great game!? You struck out four times, made three errors, and allowed the winning run to score from first base on a routine pop fly.

Rip: Yeah, but I shot seven beavers, two of them natural blondes!

STOP JERKING ME OFF.

Çâó÷èò êàê ñòðàííàÿ ïðîñüáà. Åñëè Âû ïîçâîëèëè êîìó-íèáóäü íà÷àòü JERKING Âàñ OFF, çà÷åì ïðîñèòü ïðåêðàùàòü? Íà ñàìîì äåëå, â äàííîì êîíòåêñòå JERKING OFF îçíà÷àåò ãðóáóþ, íåïðèêðûòóþ ëåñòü, èñïîëüçóåìóþ äëÿ òîãî, ÷òîáû ïîëó÷èòü êàêóþ-ëèáî ìèëîñòü.

Ïðèìåð:

Clyde: Gee, Mr. Fenton, that’s one of the smoothest golf swings I’ve seen since the company golf tournament started.

Fenton: Stop jerking me off, Clyde! Not only did I miss the ball, but the club slipped out of my hand and flew about fifty fucking yards.

Clyde: That’s true, Mr. Fenton, but it landed right in the middle of the fairway in great position.

Fenton: A point well taken, Clyde. By the way, you’re fired.

YOU BET YOUR ASS.

Òåðìèí óñèëèâàåò óòâåðæäåíèå, äåëàÿ åãî àáñîëþòíûì. Îí êîíêðåòåí è ïîçèòèâåí, êàê è ëþáîé ïðåäëàãàåìûé âîêàòèâ â àðñåíàëå ðóãàòåëüñòâ. Êòî çàõî÷åò ïîñòàâèòü íà êîí òàêóþ ïðåëåñòíóþ ÷àñòü òåëà, íå áóäó÷è àáñîëþòíî óâåðåííûì â ðåçóëüòàòå?

Ïðèìåð:

Mary: Do you think we ought to fuck?

John: You bet your ass I do.

* ÂÛÏÓÑÊÍÎÉ F*CKING ÝÊÇÀÌÅÍ.

Ïðèøëî âðåìÿ ïðîâåðèòü Âàøè ìàòåðùèííûå íàâûêè.

Îáâåäèòå êàðàíäàøîì áóêâó, ñëåäóþùóþ çà ëó÷øèì îòâåòîì íà êàæäûé èç ïðåäñòàâëåííûõ âîïðîñîâ. Íà ýêçàìåíàöèîííûé òåñò Âàì äà¸òñÿ ïÿòíàäöàòü ìèíóò. Âïðî÷åì, åñëè Âàì íóæíî áîëüøå âðåìåíè, ïîëüçóéòåñü.

ÍÀ×ÀËÎ:

1. Âàø áîññ çàäâèãàåò äàâíî îáåùàííîå êàðüåðíîå ïðîäâèæåíèå. Âû â áåøåíñòâå è ðåøàåòå óéòè çäåñü è ñåé÷àñ. Îí óìîëÿåò Âàñ îñòàòüñÿ äî çàâåðøåíèÿ âàæíîãî ïðîåêòà. Áîññ óòâåðæäàåò, ÷òî Âû åäèíñòâåííûé ÷åëîâåê â êîìïàíèè, êîòîðûé ñïîñîáåí ðåøàòü òàêèå ïðîáëåìû. Âû îòâå÷àåòå:

A. «No way - you’ve bastarded me long enough!».

B. «Tough pussy! I’m leaving now».

Ñ. «Fuck you!».

2. Ôèãóðèñòàÿ äåâóøêà ïðîõîäèò ìèìî ñòðîéêè, â òî âðåìÿ êàê ðàáî÷èå îáåäàþò. Îíà â îáòÿãèâàþùåé êðàñíîé ìèíè-þáêå. Ÿ áåäðà çàâîðàæèâàþùå ïîêà÷èâàþòñÿ, êîãäà îíà ïðîõîäèò ìèìî. Îäèí ïðîëåòàðèé îáàëîâûâàþùå è îáîëüñòèòåëüíî ñòðîèò åé ãëàçêè, çàòåì îáîðà÷èâàåòñÿ ê òîâàðèùó è ãîâîðèò:

A. «Wow! Look at the sternum on that babe!».

B. «Gee! That gal is built like a brick cocksucker!».

C. «Nice ass».

3. Âû óæèíàåòå â ïÿòèçâ¸çäî÷íîì ðåñòîðàíå è çàêàçûâàåòå ôèðìåííîå áëþäî - æàðåíîãî ðÿá÷èêà, ôàðøèðîâàííîãî òðþôåëÿìè è ìèíäàë¸ì. ×åðåç äâàäöàòü ïÿòü ìèíóò ïîñëå ïðè¸ìà çàêàçà îôèöèàíò âîçâðàùàåòñÿ ê Âàøåìó ñòîëó. Îí ãîâîðèò, ÷òî íà êóõíå êîí÷èëèñü ðÿá÷èêè è ïðåäëàãàåò Âàì öûïë¸íêà èëè ÷òî-íèáóäü åù¸. Âû âñòàåòå èç-çà ñòîëà è ãîâîðèòå:

A. «What a big fart this turned out to be!».

Â. «This place is a cunt».

Ñ. «Fuck it - I’m grabbing a burger at McDonald’s».

4. Òîðíàäî ðàçðóøèë äîì Âàøåãî ñîñåäà.  òî âðåìÿ êàê ñîñåä îöåíèâàåò óùåðá, ïðîõîäÿùèé ìèìî æóëèê îáðàáàòûâàåò åãî ïî ïîëíîé ïðîãðàììå. Êîãäà îí ïðèõîäèò â ñåáÿ, âûÿñíÿåòñÿ, ÷òî åãî áóìàæíèê, êëþ÷è îò ìàøèíû è ñàìà ìàøèíà èñ÷åçëè. Ïîñëå òîãî, êàê îí äåëèòñÿ ñ Âàìè ñâîèìè áåäàìè, Âû ãîâîðèòå:

A. «You must feel like a real prick».

Â. «You poor bitch».

Ñ. «Shit happens».

5. Âû ïîêóïàåòå ïÿòü ëîòåðåéíûõ áèëåòîâ ïî äîëëàðó êàæäûé. Îäèí ïðèíîñèò Äæåê-ïîò â 3.6 ìèëëèîíà. ×åòûðå äðóãèõ âñåãî ëèøü áóìàãà. Íî Âû íå æàëóåòåñü. Ïðîñòî ïîæèìàåòå ïëå÷àìè è ôèëîñîôñêè ãîâîðèòå:

A. «What a pain in the uvula».

Â. «Well, at least one of them jerked off the dog».

C. «What the fuck - you can’t win ‘em all».

6. Äæîí è åãî ïîäðóãà ïðîâîäÿò óèêåíä, íàïîëíåííûé äèêèì è âäîõíîâëÿþùèì ñåêñîì.  ïîíåäåëüíèê êîëëåãà Äæîíà ïîäøó÷èâàåò íàä åãî âíåøíèì âèäîì. Äæîí, îïèñûâàÿ ñâîþ áóðíóþ äåÿòåëüíîñòü, äîáàâëÿåò ñëåäóþùåå:

A. «We fucked so much I was finally climbing into the air».

B. «We fucked so much I finally combed my hair».

C. «We fucked so much I was finally coming air».

7. Ïîñëå îñóøåíèÿ ÷åòûð¸õ áóòûëîê ïèâà âñåãî ëèøü çà ïÿòíàäöàòü ìèíóò Àðòóð íàïðàâëÿåòñÿ â òóàëåò, ÷òîáû:

A. peel his eyes.

Â. skin his cat.

Ñ. bleed his lizard.

8. Äæèì îðãàíèçóåò âå÷åðèíêó, ïîñâÿùåííóþ 4 èþëÿ, â ñâîåì äîìå.  äâà ÷àñà íî÷è ïîÿâëÿåòñÿ ñîñåä è íà÷èíàåò æàëîâàòüñÿ íà ãðîìêóþ ìóçûêó è øóìíûå âçðûâû ôåéåðâåðêîâ. Îí ìåíüøå Äæèìà è áåç îðóæèÿ. Äæèì îòâå÷àåò åìó:

A. «Talk to me in stilted fucking lingo».

Â. «Take a fucking lug-wrench to your flag staff».

C. «Take a flying lip-lock on my fuck stick».

9. Âàì ñêàçàëè, ÷òî íåêàÿ æåíùèíà ìîæåò «ñëèçàòü õðîì ñ áàìïåðà òðåéëåðà» «suck the chrome off a trailer hitch». Ýòî äîëæíî íàâåñòè Âàñ íà ìûñëü, ÷òî:

A. she is good-hearted.

Â. she gives her heart away.

C. she gives good head.

10. Ìýðè èä¸ò íà ñâèäàíèå âñëåïóþ ñ òåõàññêèì òóçîì, êîòîðûé ïðåäïîëîæèòåëüíî ëþáèò øâûðÿòüñÿ äåíüãàìè. Îíà îæèäàåò, ÷òî îí ïîäàðèò åé íåçàáûâàåìî ðîñêîøíóþ íî÷ü â ãîðîäå. Âìåñòî ýòîãî îí çàòàñêèâàåò å¸ â ïîëóðàçâàëåííûé êîâáîéñêèé áàð è ïðîâîäèò âå÷åð, ïûòàÿñü ïðîäàòü åé òàéìøåð â êîíäîìèíèìóìå Ãîðèçîíò-Ñèòè. Ïîçæå îíà îïèñûâàåò åãî êàê:

A. a fucking realist with a lasso.

Â. a fucking Realtor from El Paso.

C. a real fucking asshole.

ÍÀ×ÈÑËÅÍÈÅ ÁÀËËÎÂ:

10 áàëëîâ çà êàæäûé îòâåò Ñ.;

0 áàëëîâ çà êàæäûé îòâåò À.;

0 áàëëîâ çà êàæäûé îòâåò Â.;

×òîáû ñäàòü ýêçàìåí, Âû äîëæíû íàáðàòü 100 áàëëîâ. Åñëè ýêçàìåí çàâàëåí, ïðîéäèòå òåñò åù¸ ðàç. Ïîâòîðÿéòå äî òåõ ïîð, ïîêà íå ñäàäèòå.

Çàïîìíèòå - IF A FUCKING THING’S WORTH DOING, IT’S WORTH DOING FUCKING WELL - åñëè äåëî ñòîèò òîãî, ÷òîáû èì çàíèìàëèñü, îíî ñòîèò òîãî, ÷òîáû èì çàíèìàëèñü õîðîøî.

* ÏÐÈ×ÀÑÒÍÎÑÒÜ.

Õîòèòå ñòàòü ×ëåíîì-Êîððåñïîíäåíòîì Ó÷¸íîãî Ñîâåòà? Óâèäåòü â ïå÷àòè âàøå ëþáèìîå ðóãàòåëüñòâî èëè âûðàæåíèå?

Ïèøèòå:

HONORABLE PROFESSOR STERLING JOHNSON.

E-mail:

STERLING.JOHNSON@ETCPUBLISHING.NET.

Ìû ñîæàëååì, ÷òî íå ñìîæåì óïîìÿíóòü Âàñ â ñëåäóþùåì èçäàíèè. Íàì äåéñòâèòåëüíî âàæíî çíàòü ìíåíèå ÷èòàòåëåé è ðàçäåëÿòü ñ íèìè íàøó ñòðàñòü ê ÿçûêó.

* ÂÅÐÁÀËÜÍÀß ÊÎËËÅÊÖÈß.

Ñèíîíèìû, çàñëóæèâàþùèå âíèìàíèÿ è ïðèñëàííûå äåéñòâèòåëüíûìè ÷ëåíàìè-êîððåñïîíäåíòàìè â ìîñêîâñêèé ôèëèàë English as a Second F*cking Language Institute, à òàêæå íàâåÿííûå âîñïîìèíàíèÿìè ïðîôåññóðû íàøåé êàôåäðû.

Àëôàâèòíûé ïîðÿäîê íàðóøåí, ÷òîáû ñîõðàíèòü ïðèíöèï «first come, first served», ïðîñòèòå çà äâóñìûñëåííîñòü.

Áóäó÷è óâåðåííûìè, ÷òî ê ýòîìó ìîìåíòó Âû óæå ñ áëåñêîì ñäàëè Final F*cking Exam, ìû äà¸ì ëèøü ë¸ãêèå êîììåíòàðèè êóëüòóðîëîãà ê ñëîâàì, ÷üÿ ýòèìîëîãèÿ ñâÿçàíà ñ îïðåäåë¸ííûìè àëëþçèÿìè ê êóëüòîâûì ôèëüìàì, êíèãàì, ôîëüêëîðó. Åñëè ïåðåâîä ïîíàäîáèòñÿ, ìû èñïðàâèì ñèòóàöèþ â ñëåäóþùåì èçäàíèè.

Êàê Ó÷¸íûé Ñîâåò ïðèçíàííûõ ýêñïåðòîâ-ëèíãâèñòîâ, ìû çíàåì îñíîâû ìîðôîëîãèè è ýòèìîëîãèè. Åñëè íàì óäàñòñÿ ïðèâëå÷ü èñòîðèêîâ è êóëüòóðîëîãîâ, ìû ñìîæåì äàòü áîëåå ïîäðîáíóþ èñòîðè÷åñêóþ ñïðàâêó ïî âñåì ñòîëïàì íåöåíçóðíîé ëèíãâèñòèêè.

ÝÒÈÌÎËÎÃÈß ÈËÈ DICK-SHUN-ARY.

Ñëîâî FUCK ïðîèçîøëî èç ñòàðîàíãëèéñêîãî FOKKEN, ÷òî îçíà÷àåò - TO BEAT AGAINST - áèòüñÿ ïðîòèâ. Îíî íå ñ÷èòàëîñü ãðóáûì äî íîðìàíñêîãî çàâîåâàíèÿ Àíãëèè. Ñ÷èòàÿ ñåáÿ âûøå ñàêñîâ, ïðàâÿùèå íîðìàííû îáîñîáèëè àíãëî-ñàêñîíñêèå ôðàçû è îïðåäåëèëè èõ â ðóãàòåëüñòâà. FORNICATE ñòàëî âåæëèâîé çàìåíîé FUCK. Ýòèìîëîãèÿ FORNICATE âîñõîäèò ê ëàòèíñêîìó FORNIX, îçíà÷àþùåìó ïîäâàëüíîå ïîìåùåíèå ñ âûñîêèì ïîòîëêîì.  êëàññè÷åñêîì ñëó÷àå îãëàãîëèâàíèÿ ñóùåñòâèòåëüíîãî ïðîñòèòóòêè çàíèìàëèñü ñâîèì ðåìåñëîì â ïîäâàëå, A FORNIX - ñëîâî, êîòîðîå ñòàëî êëàññè÷åñêèì îáîçíà÷åíèåì àêòà.

FUCK-×ÅÌÏÈÎÍ.

×åìïèîí è áåçóñëîâíûé ïîáåäèòåëü â êàòåãîðèè FUCK, õîòÿ è îòíîñÿùèéñÿ ê àäþëüòåðó è äîñëîâíî ïåðåâîäÿùèéñÿ êàê îôôøîðíîå áóðåíèå - OFFSHORE DRILLING.

À ÂÎÒ ÍÎÂÛÅ ÇÀÁÀÂÍÛÅ ÔÎÐÌÛ.

BUMPING UGLIES.

CHECKING INTO A WOMB AT PARADISE MOTEL (â ñëåäóþùåì èçäàíèè ìû çàìåíèì íàçâàíèå ìîòåëÿ íà èìÿ ñåòè ñïîíñîðà, product placement îáÿçûâàåò).

DISOBEYING THE POPE.

DOING THE NASTY.

EVICTING THE TESTICULAR SQUATTERS.

GETTING POUNDED WITH A LOVE TRUNCHEON.

GETTING SOME STINKY ON YOUR HANG-DOWN.

GIVING HER A LITTLEPICKLE TICKLE.

HIDING THE SALAMI.

HITTING A HOME RUN.

LETTING THE EEL SWIM UPSTREAM.

MEETING THE STAFF.

POLISH TORPEDO.

RIDING THE BALONEY PONY.

SENDING IN THE PURPLE-HELMETED WARRIOR.

SENDING THE LITTLE SAILOR TO SEA.

SHARPENING THE PENCIL.

SINKING IN THE PINK.

SKINNY DIPPING IN THE LOVE POND.

MASTURBATION.

Ôîìà Àêâèíñêèé [Thomas Aquinas], âûäàþùèéñÿ òåîðåòèê è ôèëîñîô Ñðåäíåâåêîâüÿ, ïåðâûì ïîñâÿòèë ñåìó äåéñòâó ñâîé òðàêòàò SUMMA THEOLOGIAE. Ñ òåõ ïîð, íåñìîòðÿ íà òàêèå ïåðëîâûå òåêñòû êàê ONANIA: THE HEINOUS SIN OF SELF-POLLUTION (àíîíèìíûé àâòîð, 1716) è ONANIA: A TREATISE UPON THE DISORDERS PRODUCED BY MASTURBATION (Òèññî [Tissot], 1758) (äà ïðîñòèò íàñ çà èìÿ âñóå ÷àñîâàÿ ôàáðèêà), áèáëåéñêèé ïðîöåññ æèâ¸ò è ïðîöâåòàåò.

Âîò áåñïîëåçíûå, íà íàø âçãëÿä, íî, óâû, îäîáðåííûå õàíæàìè ñèíîíèìû:

AUTOEROTISM.

GENITAL POLLUTION.

GREAT SIN OF YOUTH.

ORIGINAL SIN SECRET.

SELFISH SIN.

SECRET VICE.

SELF-POLLUTION.

SOLITARY VICE.

SOLITARY SIN.

SELF-PLEASURING (ñàìûé ïîëèòêîððåêòíûé òåðìèí íàøèõ äíåé, íî ðàçâå áîêàë âèíà, øîïïèíã-òåðàïèÿ èëè ëþáèìàÿ ìóçûêà â îäèíî÷åñòâå íå îáîçíà÷àþòñÿ òåìè æå ñëîâàìè? Èëè äåéñòâî â ïðèñóòñòâèè äðóçåé, íî áåç èõ ó÷àñòèÿ?).

Èòàê, îáà ïîëà (ìû íà íàøåé êàôåäðå óâåðåíû â òîì, ÷òî èõ òîëüêî äâà, áåç òðàíñãðåññèé) çàíèìàþòñÿ:

Âñå âìåñòå.

CIRCLE JERK (òî åñòü ãðóïïîé è ïî êðóãó).

Èëè â îäèíî÷åñòâå:

ARMSWING.

BACHELOR’S FARE.

DISHONORABLE DISCHARGE (àëëþçèÿ ñ óâîëüíåíèåì èç èõ ñèëîâûõ ñòðóêòóð).

FIST FUCK.

FIVE AGAINST ONE (à Ôàíòîööè ïðîòèâ âñåõ!!!).

FIVE-ON-ONE (ñòðàííî, íî ýòî ñóïåðñîâðåìåííîå âûðàæåíèå îò÷åêàíåíî ôðàíöóçñêèì êëèøå äåâÿòíàäöàòîãî âåêà. Îïÿòü ïåðâåíñòâî Ôðàíöèè?).

FIVE-FINGERED ANNIE HAND GALLOP (ðó÷íîé ãàëîï).

HAND GAME (õîòèòå - èãðà ðóêè, õîòèòå - îõîòà íà ðóêó (èëè ñ ðóêîé?), õîòèòå - îõîòà â ðóêó).

HAND GIG.

HAND JIVE.

HAND JOB.

INFANTICIDE (ïóñòü íå îáèæàåòñÿ íà íàñ Îñàìà Áåí Ëàäåí, ïðîñòî îò ìàñòóðáàöèè íå ïðîèñõîäèò äåòåé).

JERK JOB.

MANUAL EXERCISES.

MALTHUSIANISM ÈËÈ HIGHER MALTHUSIANISM (â ÷åñòü Ôîìû Ìàëüòóñà, àäâîêàòà, ÷åëîâåêà (íå ïàðîõîäà) è ïðîïàãàíäèñòà - Äæîðäàíî Áðóíî êîíòðîëÿ çà ðîæäàåìîñòüþ 19 âåêà).

OLD LADY FIVE FINGERS.

PORTUGUESE PUMP.

SOLDIER’S JOY.

WRIST JOB.

Äàëåå ïî àëôàâèòó.

BALL OFF.

BANG THE BANJO.

BANG YER WANGER.

BASH THE BISHOP (ïåðâàÿ èç íåñêîëüêèõ àíòèöåðêîâíûõ àëëþçèé).

BEAT MEAT.

BEAT OFF.

BEAT THE BISHOP.

BEAT THE DUMMY.

BEAT THE PUP.

BOB.

BRING DOWN BY HAND.

BRING OFF BY HAND.

BRING UP BY HAND.

CHOKE YOUR CHICKEN (äà ïðîñòèò Ãðèíïèñ òîãî, êòî ýòî ïðèäóìàë. Âïðî÷åì, æåñòîêîñòü ê æèâîòíûì ïðîñìàòðèâàåòñÿ â êàæäîì ÷åòâ¸ðòîì âûðàæåíèè).

CHUFF CHURN.

ÑÎÌÅ YOUR TURKEY.

CRANK.

CRANK THE CREAM.

DASH YOUR DOODLE.

DEAL WITH MADAM PALM AND HER FIVE DAUGHTERS.

DO YOURSELF OFF.

DROP YOUR LOAD.

FIRE YOUR WAD.

FIST IT OFF.

FLIP IT OFF.

FLOG THE BISHOP.

FLOG THE DOLPHIN.

FLOG THE DONKEY.

FLOG THE LIZARD.

FLOG THE LOG.

FLOG THE MEAT.

FLOG THE MUTTON.

FLOG THE PORK.

FLOG THE PUP.

FLUB.

FRIG.

FRIG OFF.

FUCK THE FIST.

GALLOP THE ANTELOPE.

GO ON A HAND DIET.

GRIND OFF.

GRIP IT.

HAUL YOUR OWN ASHES.

HOT ROD IT.

HUSK IT.

JERK THE GHERKIN (èìåííî êîðíèøîí, íå îãóðåö).

JERK YOUR JEWELS (Âñïîìíèòå family jewels â îñíîâíîì òåêñòå).

KEEP DOWN THE CENSUS.

KNOB.

LOPE YOUR MULE.

MAKE A MILK SHAKE.

MAKE LOVE WITH MOTHER THUMB AND HER FOUR DAUGHTERS.

MAKE LOVE WITH ROSY PALM AND HER FIVE SISTERS.

MILK (÷òî äåëàåò a masturbator - a milkman).

MOUNT A CORPORAL AND FOUR.

NIGHTCLUB.

ONE-TWO.

PADDLE THE PICKLE.

PLAY SOLITAIRE.

PLAY WITH YOURSELF.

POUND OFF.

POUND PUD.

POUND YOUR PORK.

POUND YOUR PUD.

PRIME YOUR PUMP.

PULL OFF.

PULL PUTZ.

PULL YOUR PUD.

PULL YOUR WIRE.

PUMP OFF.

PUMP YOUR PICKLE.

PUMP YOUR PYTHON.

PUNISH PERCY IN THE PALM.

RUB IT OFF.

RUB YOUR RADISH.

RUN OFF BY HAND.

SEE [Madam Thumb and her four daughters].

SEW (ãëàãîë, îáðàçîâàííûé èç âûðàæåíèÿ sewing circle äëÿ a circle jerk).

SHAG.

SHAKE HANDS WITH THE WIFE’S BEST FRIEND.

SHAKE HANDS WITH THE GUY THAT STOOD UP WHEN I GOT MARRIED.

SHOOT THE CAT.

SMASH THE STAKE.

SPANK THE BISHOP.

SPANK THE MONKEY.

SQUEEZE IT OFF.

SQUIRT SEED.

STIR YOUR STEW.

STRAIN THE VEIN.

STRAIN THE MAIN VEIN.

STRANGLE THE STOGIE (çàòóøèòü áû÷îê).

SWEEP OFF.

TAKE MATTERS INTO YOUR OWN HANDS.

TAP-DANCE.

TCB (take care of business. Âûðàæåíèå, êîòîðîå ìàôèîçî èñïîëüçóþò äëÿ îáîçíà÷åíèÿ ðåøåíèÿ ïðîáëåì, à îñòàëüíûå íà óëèöå - äëÿ îáîçíà÷åíèÿ íåíàâèäèìîãî íàøèì Ó÷¸íûì Ñîâåòîì to copulate.).

ÒÎ HAVE A DATE WITH A HANDKERCHIEF.

TOSS OFF.

WAVE THE WAND (ìàõíóòü âîëøåáíîé ïàëî÷êîé; èäèîìà, äîñòîéíàÿ Ãàððè Ïîòòåðà è Õîãâàðòñà.).

WHACK OFF.

WHACK SILLY.

WÍÀNÊ (Îò ýòîãî òåðìèíà îòïî÷êîâàëîñü ìàëåíüêîå ñåìåéñòâî ðèôìîâàííîãî ñëýíãà êîêíè, êîòîðîå îêàçàëî âëèÿíèå íà ëèìåðèêè òàêèõ âûäàþùèõñÿ ëþäåé, êàê Äæåé Àðòóð Ðýíê (J Arthur Rank), Äæîäðåëë Áýíê (Jodrell Bank), è êîìèêîâ Ëåâè è Ôðýíêà (Levy and Frank)).

WÍÀNÊ OFF.

WHIP IT.

WHIP THE CAT.

WHIP YOUR DUMMY.

WHIP YOUR WIRE.

WORK IT OFF.

WORK OFF.

WRENCH OFF (âûâåðíóòüñÿ, ïðÿìî êàê äóøà â «Ñâàäüáå â Ìàëèíîâêå»).

YANK YOUR DOODLE (àëëþçèÿ ñ Yankee Doodle Dandy, ïîïóëÿðíîé àðìåéñêîé ïåñíåé).

YANK YOUR STRAP.

Ïî ïðè÷èíàì, íåïîíÿòíûì íàøåìó Ó÷¸íîìó Ñîâåòó, ñëîâàðü æåíñêîé ìàñòóðáàöèè áëåäíååò ïî ñðàâíåíèþ ñ ëåêñèêîíîì ñèëüíîãî ïîëà. Êàê äåëèêàòíî è ñêðîìíî çâó÷àò: TOUCH YOURSELF;

Êàê ëèòåðàòóðíî è çàèìñòâîâàííî îò ìàëü÷èøåê: JILL OFF èëè JOYCE OFF, ïðàêòè÷åñêè ðàñêðûâàÿ ïðîèñõîæäåíèå îò JACK OFF è åãî áðàòüåâ.

Èòàê, ïîäðóãè âûøåñêàçàííîãî:

CATCH A BUZZ (æóææàùèé âèáðàòîð íåîáõîäèì).

DIDDLE (ïðèñëàíî ñòàðóøêàìè èç 1930-ûõ).

DIGITATE (ïðÿìî ãîëîñàìè Ñè÷êèíà è Ìèëëÿðà [ïðåñòè]äèæèòàöèÿ).

DO A ONE-FINGER EXERCISE.

FINGER.

FINGER FUCK.

MAKE SCISSORS.

RUB OFF.

×ðåçìåðíîå æå óâëå÷åíèå ïðîöåññîì ñ èñïîëüçîâàíèåì A BUZZER èëè A DILDO, ïðèâîäÿùåå ê ïîâðåæäåíèþ ñëèçèñòîé, ñ óõìûëêîé íàçûâàåòñÿ ìåäèêàìè PICKET FENCE INJURY.

THE BOY IS JERKING OFF.

ËÈÄÅÐÛ ÏÎ ÎÐÈÃÈÍÀËÜÍÎÑÒÈ.

Êîãäà ýòèì çàíèìàþòñÿ ìàëü÷èøêè, ðàçãëÿäûâàÿ ïîñëåäíèé âûïóñê Ìóðçèëêè, à ÷àùå Âåñåëûõ Êàðòèíîê, îíè COLOR IN THE COLORING BOOK.

À åñëè îíè äóìàþò î êîì-òî îñîáåííîì, THE SESSION IS IN HONOR OF THAT SOMEONE. Ðóêó, èñïîëüçóåìóþ ïðè ýòîì, íàçûâàþò HIS WIFE.

ÀÍÒÓÐÀÆ.

 ïÿòèäåñÿòûå íàäóâíîé èñêóññòâåííûé îðãàí æåíùèíû íàçûâàëè A DUTCH SEA WIFE, åù¸ îäèí ïðèìåð ñëåãêà ïðåçðèòåëüíîãî îòíîøåíèÿ àìåðèêàíöåâ ê ãîëëàíäñêèì ïóðèòàíàì, îïîñðåäîâàííîãî ÷åðåç ÿçûê; âî ôðàíöóçñêîì íàðå÷èè Ëóèçèàíû THE INFLATABLE FEMALE áûëà èçâåñòíà êàê A DAME DE VOYAGE.  òþðüìå èñïîëüçóåìûé êîíòåéíåð íàçûâàþò A FIFI BAG. Èç-çà íåïîíÿòíîé íàì ÷àñòîòû ïðîöåññà âî âðåìÿ ïîëóäåííîãî îòäûõà MIDAFTERNOON ÷àñòî íàçûâàþò THE HOUSEWIFE’S HOUR.

Èòàê:

A DATE WITH DIPALMA.

ADDRESS CONGRESS (õîðîøî, ÷òî íå ê Ãîñóäàðñòâåííîé Äóìå).

ADJUST YOUR SET.

APPLY THE HAND BRAKE.

AUDITION THE FINGER PUPPETS.

BASH THE CANDLE.

BE YOUR OWN BEST FRIEND.

BEAT THE BALD-HEADED BANDIT.

BEEF STROKIN’ OFF.

BIFF OFF.

BLAST OFF TO BAYWATCH (T and A (Tits and Ass) øîó â÷åðàøíåãî òûñÿ÷åëåòèÿ).

BLEED THE WEED.

BLOW THE LOAD.

BLOW YOUR OWN HORN.

BLUDGEON THE BEEFSTEAK.

BOB YOUR BOLOGNA.

BOP RICHARD.

BOP THE BISHOP.

BOX THE BALD CHAMP.

BOX THE JESUIT.

BOX WITH RICHARD.

BUFF THE BISHOP.

BUFF YOUR HELMET.

BUFF THE BANANA.

BURP THE BABY.

BURP THE WORM.

BUTTER THE CORN.

CALL YOUR PARENTS.

CATCH UP WITH POPEYE (ïîéìàòü ìîðÿêà Ïàïàÿ, àëëþçèÿ ñ ïîïóëÿðíûì ìóëüòôèëüìîì).

CHARM THE SNAKE (î÷àðîâàòü ãàäþêó, âûäðåññèðîâàòü çìåþ, âèäèìî, â ñòèëå èíäèéñêèõ ôàêèðîâ).

CHOKE KOJAK (çàäóøèòü ÷óê÷ó).

CHOKE THE BAD GUY (ãóñÿ çà øåþ, ìåäóçó â âàííóþ).

CHOKE THE SHERIFF AND WAIT FOR THE POSSE TO COME.

CHURN YOUR BUTTER.

CLEAN OUT YOUR ROPE.

CLEAN YOUR RIFLE.

CLEANING THE TUBE.

CLEAR THE SNORKEL.

CLIMB MOUNT BALDY.

COCK YOUR SHOTGUN.

COME TO GRIPS WITH YOURSELF.

CRANK THE LOVE PUMP.

CRANK THE MONKEY.

CRANK THE SHANK.

CRIMP THE WIRE.

CROWN THE KING.

DANCE WITH JOHNNY ONE-EYE.

DEFROST THE FRIDGE.

DIG FOR CHANGE.

DO IT YOUR WAY.

DO THE FIVE-FINGER KNUCKLE SHUFFLE.

DO THE FIVE-KNUCKLE OLYMPICS.

DO THE HAN SOLO (àëëþçèÿ ñî Çâåçäíûìè Âîéíàìè).

DRIVE THE SKIN BUS.

DUNDER THE DEVIL.

EXPRESS YOURSELF.

FAX JIMMY DEAN.

FAX THE POPE (ñíîâà ïðîòåñòàíòñêàÿ êóëüòóðà âûñòóïàåò ïðîòèâ êàòîëèêîâ).

FEED THE DUCKS.

FIST YOUR MISTER.

FIVE AGAINST WILLIE.

FIVE-FINGER SOLO.

FLAY THE EMPEROR.

FLIP THE BISHOP.

FLOG THE FROG.

FLOG THE HOG.

FLOG YOUR CUMBER BROTHER.

FLOGGING THE BISHOP.

FLOGGING THE INFIDEL.

FREE WILLY.

FROST THE PASTRIES.

FUCK PALMALA.

GALLOP THE OLD LIZARD.

GET A GRIP ON THINGS.

GET A STIFFY.

GET THE GERMAN SOLDIER MARCHING.

GET TO KNOW YOURSELF.

GET YOUR PALM READ BY MISTER SOFTY.

GIVE IT A ONE-GUN SALUTE.

GIVE IT A TUG.

GIVE YOURSELF A LOW FIVE.

GO A COUPLE OF ROUNDS WITH OL’ JOSH.

GO ON PEEWEE’S LITTLE ADVENTURE.

GOING BLIND.

GREASE THE PIPE.

GRIP THE GORILLA.

GRIP THE PENCIL.

HANDY WORK.

HARD LABOR.

HAVE A BIG DATE WITH ROSY PALMS.

HAVE A LITTLE STROKE.

HAVE A RENDEZVOUS WITH MRS. HAND.

HITCHHIKE TO HEAVEN.

HITCHHIKE UNDER THE BIGTOP.

HONE THE CONE.

HONE YOUR BONE.

HUG THE HOG.

HUMP THE HOSE.

IRON SOME WRINKLES.

JACK F HAMMER.

JACK THE BEANSTALK.

JACKIN’ THE BEANSTALK (àëëþçèÿ ñî ñêàçêîé è ñîâðåìåííûì äåòñêèì ôèëüìîì).

JELLY ROLL.

JERK JAMBY.

JERK THE TURKEY.

KICK SEAMEN.

KILL IT.

KNEAD YOUR DOUGH.

KNEADING THE NOODLE.

LAUNCH THE HAND SHUTTLE.

LUBE THE TUBE.

MAKE FIST-KABOBS.

MAKE THE BALD MAN PUKE.

MAKE THE SCENE WITH A MAGAZINE.

MAN THE COCKPIT.

MANGLE THE MIDGET.

MASSAGE YOUR MUSCLE.

MILK THE LIZARD.

MOLEST THE MOLE.

OIL THE GLOVE.

PACK YOUR PALM.

PAINT THE CEILING.

PAINT THE WALLS.

PAT THE ROBERTSON.

PEEL SOME CHILIES.

PEEL THE BANANA.

PHONE THE CZAR.

PICKLE PARTY.

PLAY THE ORGAN.

PLAY TUG OF WAR WITH THE CYCLOPS.

PLAY UNO.

PLAY WITH YOUR LIGHT SABER (àëëþçèÿ ñî Çâ¸çäíûìè Âîéíàìè).

PLAY WITH YOUR TURTLE.

PLAYING POCKET POOL (à Âû ãîâîðèòå, ÷òî ëþäè ïî äâå ñòîðîíû îêåàíà ðàçíûå).

PLEASE YOUR PISSER.

PLUNK YOUR TWANGER.

POLE VAULT.

POLISH THE PORK SWORD.

POLISH THE ROCKET.

POLISH YOUR HELMET.

POP A NUT.

POP THE CORK.

POUND THE BALD-HEADED MOOSE.

PUD PULLING.

PUD.

PULL A PUDDING.

PULL RANK.

PULL YOUR OWN WEIGHT.

PUMMEL THE PRIEST.

PUMP CREAM.

PUMP THE STUMP.

PUNCH THE CLOWN.

PUNISH THE POPE.

R2 YOUR D2 (àëëþçèÿ ñî Çâ¸çäíûìè Âîéíàìè).

RAISE THE MAINSAIL.

RAM THE HAM.

READ POETRY.

RELIEVE TENSION.

ROMANCE THE BONE.

ROPE THE POPE.

ROUGH UP THE SUSPECT.

RUB THE MAGIC LAMP.

SAND WOOD.

SECRET HANDSHAKE.

SHAKE HANDS WITH THE GOVERNOR.

SHAKE HANDS WITH THE UNEMPLOYED.

SHAKE THE SNAKE.

SHIFT GEARS.

SHINE YOUR HELMET.

SHOOT FOR THE MOON.

SHOOT PUTTY AT THE MOON.

SHOOT SKEET.

SHUCK THE CORN.

SHUFFLE THE PALM TREE.

SING WITH ROSIE.

SLAM THE HAM.

SLAM THE SALAMI.

SLAP PAPPY.

SLIDE THE SHAFT.

SMACK THE SALAMI.

SPANK THE FRANK.

SPANK THE WANK.

SPANKING THE MONKEY.

SPUNK.

SQUEEZE THE CHEESE (íå ïóòàòü ñ CUT THE CHEESE).

STRANGLE THE SERPENT.

STRANGLE YODA (àëëþçèÿ ñî Çâ¸çäíûìè Âîéíàìè).

STROKE IT.

STROKE THE BLOKE.

STROKE THE DOG.

STROKE YOUR POKER.

STRUM THE OL’ BANJO.

SUMMON THE GENIE.

TAKE A NAP.

TAKE A SHAKE BREAK.

TAKE HERMAN TO THE CIRCUS.

TAKE THE MONSTER FOR A ONE-ARMED RIDE.

TAME THE BEEF WEASEL.

TAME THE SHREW.

TEACH OUR CHILDREN TO FLY.

TEASE THE PYTHON.

TEASE THE WEASEL.

TEST THE TESTICLES.

TEST YOUR BATTERIES.

THUMP THE PUMP.

TICKLE THE IVORY.

TICKLE THE PICKLE.

TICKLE YOUR FANCY.

TORQUE THE FORK.

TORTURE THE TENTACLE.

TOSS IT.

TOSS THE SALAD.

TRANSFER DATA.

TUG THE SLUG.

TUG YOUR TAPIOCA TUBE.

TUG YOUR TUBE SNAKE.

TUG YOUR TUBE STEAK.

TWANG YOUR WIRE.

TWEAK YOUR TWINKIE.

TWIST YOUR TOOL.

UNSTABLE THE STALLION.

UPGRADE YOUR HARDWARE.

VARNISH YOUR POLE.

WALK THE DOG.

WALK THE PLANK (ïèðàòû Ñòèâåíñîíà õîäèëè ïî äîñêå êàê-òî ïî äðóãîìó).

WALTZ WITH WILLY.

WANKER THE ANCHOR.

WANKING THE WILLIE.

WASTING BABIES.

WAX THE DOLPHIN.

WAX YOUR WILLY.

WAXING THE CARROT.

WAXING THE WEEZER.

WHIP THE BOLOGNA PONY.

WHIP THE DRIPPER.

WHIPPIN’ UP ON SKIPPY (NOT THE BUSH, BUT KANGAROO!!!).

WHITE-WATER WRISTING.

WINDSURF ON MOUNT BALDY.

WORK A CRAMP OUT OF YOUR MUSCLE.

WRESTLE THE EEL.

WRESTLE WITH YOUR EMOTIONS.

WRIST AEROBICS.

YANK THE PLANK.

THE GIRL IS MASTURBATING.

A NIGHT WITH THE GIRLS.

AIR THE ORCHID.

BASTE THE TUNA.

BEAT THE BEAVER.

BEAT THE BUSH.

BEATING AROUND THE BUSH.

BRUSH THE BEAVER.

BUFF THE BEAVER.

BURY THE KNUCKLE.

BUTTER THE BEAD.

BUTTER THE MUFFIN.

BUTTER THE POTATO.

BUZZ.

CARESS THE KITTY.

CHECK THE FOXHOLE.

CHECK YOUR OIL.

CIRCLE THE KNOLL.

CLAP WITH ONE HAND.

CLEAN YOUR FINGERS.

CLEANING THE CARPET.

CREAM THE PIE.

CUNT CUDDLING.

DIG FOR YOUR KEYS.

DIGITAL MANIPULATION.

DIGITIZE.

DO YOUR NAILS.

DOUSE THE DIGITS.

DROWN THE MAN IN THE BOAT.

DUNK THE BEAVER.

DUST THE END TABLE.

ERASE THE PROBLEM.

EXPLORE THE DEEP SOUTH.

FAN THE FUR.

FAN THE FURNACE.

FEED THE BEARDED CLAM.

FEED THE FISH.

FINGER BLAST.

FINGER DANCE.

FINGER FUN.

FINGER PAINT.

FLICK THE BEAN.

FLICK THE SWITCH.

FLIP THE FLAPS.

FLIP THROUGH THE PAGES.

FLIT YOUR CLIT.

FLOSS THE CAT.

FLY AUTOMATIC (èñïîëüçóÿ âèáðàòîð).

FLY MANUALLY.

GET A DATE WITH SLICK MITTENS.

GET A FAT LIP.

GET A LUBE JOB.

GET A STAIN OUT OF YOUR CARPET.

GET TO KNOW YOURSELF.

GLEAMING THE TUBE.

GO MINING.

GOING TO WORK WITHOUT A STAFF.

GRAB THE GOATEE.

GREASE THE SKILLET.

GREASE YOUR HIPS.

GROPE THE GROTTO.

ITCH THE DITCH.

JUICE IT UP.

JUMP START THE RIVER.

LEGLOCK THE PILLOW.

LET YOUR FINGERS DO THE WALKING.

LUBE YOUR GOOB.

MAKE BUMPS.

MAKE BUTTER.

MAKE SOUP.

MAKE THE KITTY PURR.

MAKE WAVES.

MAN OVERBOARD.

MANUAL OVERRIDE.

MISTRESSBATE.

NULL THE VOID.

ONE-WOMAN SHOW.

PADDLE THE PINK CANOE.

PART THE PETALS.

PERFORM FOR MR. SWAGGART (òåëååâàíãåëèñò, êîòîðûé ïëàòèë äåâèöàì ë¸ãêîãî ïîâåäåíèÿ çà òî, ÷òî îíè ïðîäåëûâàëè ýòî ïåðåä íèì).

PET SNOOPY.

PET THE BUNNY.

PET THE PUSSY.

PITCH IN THE BUSH LEAGUE.

PLAY FIDDLE.

PLAY PIANO.

PLAY THE CLITAR (àëëþçèÿ ñ ñèòàðîì èëè ãèòàðîé).

POKE THE PUCKER.

POKE THE PUSSY.

POLISH THE PEARL.

POLISH THE WEDDING RING.

PREHEAT THE OVEN.

PUSH THE BUTTON.

PUSH THE PETAL.

READ BRAILLE.

RIDE SLIDESADDLE.

RIDE THE CURL.

RIDE THE TUBESPOUT.

RIDE THE UNICYCLE.

RIDE THE WILD HAND.

RING FOR THE MAID.

RING SOUTHERN BELLS (çàìåòüòå, åù¸ îäíî îáîçíà÷åíèå PUSSY - DOWN SOUTH).

ROLL THE MINK.

ROW THE LITTLE MAN IN THE BOAT.

RUB THE NUBBIN.

RUBBING THE NUBBIN.

RUFF THE MUFF.

SCRATCH THE PATCH.

SCUFF THE MUFF.

SEARCH FOR SPOCK.

SHELL THE BEAN.

SHOOT HOOPS.

SHOOT THE RAPIDS.

SHUCK THE OYSTER.

SILK ABUSE.

SKIM THE CREAM.

SLICK ABUSE.

SOAK IN PALMOLIVE (ýòî äåéñòâèòåëüíî ÿðêèé è êîíêðåòíûé ïðèìåð íàðîäíîãî product placement).

SORT THE OYSTERS SPELUNK (òåõíè÷åñêè, SPELUNKING - ýòî õîááè, áëèçêîå ê ñïåëåîëîãèè - èçó÷åíèþ è èññëåäîâàíèþ ïåùåð).

SPELUNKING WITHOUT A PARTNER.

STIFFEN YOUR UPPER LIP.

STINKY PINKY.

STIR IT UP.

STIR THE CAULDRON.

STIR THE YOGURT.

STROKE THE FURNACE.

STROKING THE PELT.

STRUM.

STUFF THE TACO.

SURF AT FINGER BEACH.

SURF THE CHANNEL.

SURF THE WET.

TAKE A DIP.

TAKE A FINGER RIDE.

TAKE A TRIP SOUTH.

TAKING HER OWN TEMPERATURE.

TEST THE PLUMBING.

THE VIRGIN’S RELEASE.

THUMB THE BUTTON.

TICKLE THE MUSTACHE.

TICKLE THE TACO.

TICKLE YOUR FANCY.

TIPTOE THROUGH THE TWO LIPS.

TOGGLE THE BIT.

TOUCH TYPE.

TWEAK THE TWIG.

TWIT THE CLIT.

VISIT FATHER FINGERS.

WAKE THE BUTTERFLY.

WASH YOUR FINGERS.

WATER THE HOT SPOT.

WORK IN THE GARDEN (àíòóðàæ FUCKERWARE PARTY. Âèòðèíà â ìàãàçèíå, ãäå ïðîäàþòñÿ èãðóøêè äëÿ æåíùèí).

DICK.

BONING TOOL.

BUSH BLASTER.

CAPTAIN’S LOG.

ELEVEN INCHES OF DANGLING DEATH.

JOHNSON.

JOYSTICK.

LOVE SAUSAGE.

MR. HAPPY.

ONE-EYED MONSTER.

PETER AND HIS FUZZY PALS.

POCKET POLE.

SCHLONG.

SEED SPITTER TALLYWACKER.

THE BOSS.

THE BRAIN.

THE LITTLE GUY WITH THE HELMET.

THE MAIN VEIN.

TROUSER TROUT.

WONDER WAND.

PUSSY.

BEARDED CLAM.

CAMEL TOE.

FUR BURGER.

FURRY FOLDS.

GATE TO HEAVEN.

HOLIEST OF HOLIES.

HOTHOUSE.

JADE GATE.

JUNGLE KOOCHIE.

LITTLE MAN IN A BOAT (clitoris).

LOVE MUSSEL.

LOVE NEST.

PETER POCKET.

PINK SNAPPER.

QUIM.

THE HOODED NUB.

TUNNEL OF LOVE.

WILLIE’S FAVORITE PARKING SPACE.

BLOWJOB.

BLOWIN’ THE LOVE TRUMPET.

ENJOYING A TUBE STEAK.

GIVING MR. WINKY AN ORAL REPORT.

GIVING THE SOLDIER A GOOD TONGUE LASHING.

MARINATING THE MONKEY.

PLAYING A TUNE ON THE FLESHY FLUTE.

PROPERLY SALUTING THE FLAGPOLE.

PUFF THE DRAGON.

SPIT SHINING THE WEAPON.

TALKING WITH THE BALD MAN.

WETTING DOWN THE WORM.

WHISPERING TO WILLIE.

MUFF-DIVING.

CANOE LICKING.

CARPET MUNCHING.

GIVING HER A MOUSTACHE RIDE.

HAVING A BITE AT BEAVER CREEK.

HAVING A BOXED LUNCH AT THE Y.

JUICING THE G-SPOT.

LICKING THE CAT.

LICKING THE DEW OFF HER LILY.

SLURPING THE SIDEWAYS SMILE.

TUNA SNUFFLING.

WEARING THIGHS ON YOUR EARS.

WHISTLING THROUGH THE WHEATFIELD.

BIRTH CONTROL.

He òîëüêî áðèëëèàíòû è DIAMOND CUTTERS, íî è êîíòðàöåïòèâû íàçûâàþòñÿ LADY’S FRIENDS.

VATICAN ROULETTE (ñìåøëèâîå îáîçíà÷åíèå öèêëè÷åñêîãî èëè êàëåíäàðíîãî ìåòîäà).

Èñïîëüçîâàíèå äèàôðàãìû îáðàçîâûâàåò CATCHER’S MITT (ïóñòü ïðîñòÿò íàñ ôàíàòû áåéñáîëà, êîòîðûõ ïîêà íåìíîãî â ýòîé ñòðàíå).

THE CONDOM ëèäèðóåò âïåðåäè âñåõ ñâîèõ êóçåíîâ è ïîòîìó:

FUCK áåç íåãî - to have sex A CAPPELLA, have sex MEAT-TO-MEAT, èëè RIDE BAREBACK, îí ïðîäàåòñÿ èç A BUBBLE GUM MACHINE, â íóæíûé ìîìåíò CLOAK THE CAPTAIN, êîòîðûé ãåðîè÷åñêè FIGHT IN ARMOR.

Èçâåñòíîå âñåì ñóùåñòâèòåëüíîå A RUBBER, ïðåâîñõîäíûé ñèíîíèì òåõíè÷åñêîãî òåðìèíà A PROFILACTIC, êîòîðûé ââîäèò âñåõ â çàáëóæäåíèå, èìååò ñëåäóþùèå ñèíîíèìû:

AN ANTI.

A BISHOP (äà ïðîñòèò íàøèõ êîððåñïîíäåíòîâ êàòîëè÷åñêàÿ öåðêîâü).

CHEATER (íå ïóòàòü ñ pinkie cheater, ëàòåêñíîé ïåð÷àòêîé, êîòîðàÿ èñïîëüçóåòñÿ äëÿ îñìîòðà).

COME BALLOON.

CUM DRUM (î, ðèòìû ýòîãî áàðàáàíà!!!).

DIVING SUIT.

FRENCH LETTER.

GLOVE (îò ñóùåñòâèòåëüíîãî îáðàçîâàí ñëîãàí - No glove, no love!).

HEAD GASKET.

JO-BAG.

LATEX.

NIGHTCAP.

OVERCOAT.

PARTY HAT (íîâîå ïðîèçâîäíîå [coining] credits hip-hop generation).

PORT SAID GARTER (çàèìñòâîâàíèå èç âîåííî-ìîðñêîãî ñëýíãà áðèòàíñêèõ ìîðÿêîâ âðåì¸í Âòîðîé Ìèðîâîé Âîéíû [WW II], îáðàçîâàííîå îò íàçâàíèÿ ïîðòà íà Ñóýöêîì Êàíàëå).

PROPHO.

PROTECTION.

PROTECTIVE.

RAINCOAT.

SADDLE.

SAFE (ïðèëàãàòåëüíîå áûëî îáðàçîâàíî îò ñóùåñòâèòåëüíîãî â äåâÿòíàäöàòîì âåêå).

SAFETY.

SHOWER CAP.

WASHER.

* ÁÈÁËÈÎÃÐÀÔÈß.

ESFL Èíñòèòóò è íàø Ó÷¸íûé Ñîâåò ñàìîñòîÿòåëüíî èçó÷àåò ïðîáëåìó ñàìîâûðàæåíèÿ è ë¸ãêîñòè ðå÷è. Òåì íå ìåíåå, ìû íàäååìñÿ, ÷òî Âû ñìîæåòå îáîãàòèòü ñâîè çíàíèÿ ñ ïîìîùüþ ýòèõ êíèã:

A Dictionary of Sexual Slang by Alan Richter (New York: Wiley, 1993);

A Glossary of Sexual Terms by Robert Pelligrini (Chicago: Novel, 1965);

American Encyclopedia of Sex by Adolph F. Niemoeller (New York Panurge, 1935);

An ABZ of Love by Inge & Sten Hegeler (New York Alexicon Corp., 1967);

An Intelligent Woman’s Guide to Dirty Words: English Words and Phrases Reflecting Sexist Attitudes Toward Women in Patriarchal Society by Ruth Todasco (Chicago: Loop Center YWCA, 1973);

And Adam Knew Eve: A Dictionary of Sex in the Bible by Ronald L. Ecker (Palatka, Fla.: Hodge and Braddock, 1995);

Dangerous English by Elizabeth Claire (Dundee: Delta Systems, Co, 1990);

Gay (S)language by H. Max (Austin: Banned, 1988);

Historical Dictionary of American Slang by J.E. Lighter (New York Random House, 1994);

Literary Foreplay: A Lexicographer’s Guide to Sex by J.E Schmidt (Washington-Eastern Market, 1983);

Making Sense of English in Sex by Lee McOwan (Edinburgh: Cambers Harrap, 1993);

Playboy’s Book of Forbidden Words by Robert A. Wilson (Chicago: Playboy, 1972);

Prostitutes and Criminal Argot by David Maurer in Language of the Underworld (Lexington: University Press of Kentucky, 1981; originally published in American Journal of Sociology, January 1939);

Self-Love by David Cold Gordon (New York Verity House, 1968);

Sexual Slang by Leonard R.N. Ashley in Maledicta, Vol.9 (1986-87);

SexWork: Writings by Women in the Sex Industry by Frederique Delacoste and Priscilla Alexander (San Francisco: Cleis, 1987);

Slang and Its Analogues J.S. Farmer and W.E. Henley, 1896;

Smut: American Sex Slang by Jim Norris (Los Olivos, Calif.: Olive, 1992);

Some Thoughts on the Science of Onanism by Mark Twain (privately printed «for the trade» in 1879; reprinted 1964);

The Erotic Tongue: A Sexual Lexicon by Lawrence Paros (New York: Henry Holt, 1984);

The Language of Sex from A to Z by Robert Goldenson and Kenneth Anderson (New York: World Almanac, 1986);

The Queen’s Vernacular: A Gay Lexicon by Bruce Rodgers (San Francisco: Straight Arrow, 1972);

The Slang of Sin by Tom Dalzell (Springfield: Merriam - Webster, 1998);

The Slanguage of Sex: A Dictionary of Modern Sexual Terms by Bridgid McConville and John Shearlaw (London: Macdonald, 1984).

CREDITS.

ÏÐÎÅÊÒ. THE FIFTH & THE FIRST. ÏÐÎÄÞÑÅÐ ÏÐÎÅÊÒÀ THE FIFTH & THE FIRST. Äìèòðèé Ãàìîëèí. ÀÂÒÎÐ. Çàñëóæåííûé Äåÿòåëü Íàóêè Ïðîôåññîð Ñòåðëèíã Äæîíñîí. ÄÈÇÀÉÍ. Þðèé Àóãóëèñ. Þðèé Áîðçåíêî. Êñåíèÿ Ïàíòåëååâà. Falco Design Studios LLC. ÏÅÐÅÂÎÄ. Retired Capos Non-Profit Association. ÎÐÈÃÈÍÀËÜÍÀß ÈÄÅß ÏÐÎÅÊÒÀ. Crisis Management Group of Gamolin Quinn Vyzhlov LLP. CREATIVE MANAGEMENT. Àííà Àëåêñååâà. Èðèíà Áîðçåíêî. Íèíà Ðåíñêîâà. EFFORT MANAGEMENT. Äìèòðèé Âàñèëüåâ. Äàðüÿ Íåâñêàÿ. Ìàðèíà Ðàçóâàåâà. Ñâåòëàíà Ñóõîðóêîâà. Àëåêñàíäð Òèòîâ. Íèíà Õèáèíà.

Ïðèìå÷àíèÿ.

1.

A fuck-by-fuck àíàëèç «Âå÷åðà â îïåðå» ðàñïîëîæåí â êîíöå ðàçäåëà FUCK.

2.

Ïðåäïîëîæèòåëüíî, Henry Wadsworth Longfellow áûëî íå ëèòåðàòóðíûì ïñåâäîíèìîì ðåàëüíîãî ïîýòà, íàïèñàâøåãî ñåé ñòèõ, à åãî ðåàëüíûì èìåíåì. Äëÿ íàøåãî Ó÷åíîãî Ñîâåòà î÷åíü ïîäîçðèòåëüíû è äâóñìûñëåííû ôàìèëèÿ è îò÷åñòâî òâîðöà, äîñëîâíî ïåðåâîäèìûå êàê «Äëèíà, äîñòîéíàÿ ïó÷êà». Åñëè áû èìÿ áûëî Peter èëè Dick, ìû áûëè áû óâåðåíû íà ñòî ïðîöåíòîâ, ÷òî ýòî èìÿ ïîääåëêà. Íî íèêòî èç íàñ íå ñëûøàë, ÷òîáû êòî-íèáóäü íàçûâàë ñâîé prick a Henry. Ïîýòîìó â íàñòîÿùèé ìîìåíò ìû ïðèíèìàåì èìÿ ïîýòà êàê èñòèíó.

Ñòåðëèíã Äæîíñîí.