Библиография к главам.

Книги обычно указываются здесь в той же последовательности, в какой в каждой из глав рассмотрено творчество художников и другие вопросы, подробнее анализируемые в данных книгах.

1 ЗАГАДОЧНЫЕ ИСТОКИ.

Anthony Forge. Primitive Art and Society (London: Oxford U.P., 1973).

Douglas Fraser. Primitive Art. (London: Thames and Hudson, 1962).

Franz Boas. Primitive Art. (New York: Peter Smith, 1962).

2 ИСКУССТВО ДЛЯ ВЕЧНОСТИ.

Heinrich Schafer. Von agyptischer Kunst. Ein Grundlage (Wiesbaden: Harrassowitz, 1963).

Kurt Lang, Max Hitmer. Aegypten. Architektur, Plastik, Malerei in drei Jahrtausenden (Munchen: Hirmer, 1955; 2-е изд., Munchen: Deutscher Taschenbuch, 1976).

Henri Frankfort. The Art and Architecture of the Ancient Orient (Harmondsworth: Penguin, 1954; 4-е изд., 1970).

3 ВЕЛИКОЕ ПРОБУЖДЕНИЕ.

Gisela M.A. Richter. A Handbook of Greek Art (London: Phaidon, 1959; 9-е изд., Oxford, 1987; переизд. London, 1994).

Martin Robertson. A History of Greek Art (2 vols., Cambridge U.P., 1975).

Andrew Stewart. Greek Sculpture (2 vols., New Haven-London: Yale U.P., 1990).

John Boardman. The Parthenon and its Sculptures (London: Thames and Hudson, 1985).

Bernard Ashmole. Architect and Sculptor in Classical Greece J.J. Pollitt. Art and Experience in Classical Greece (Cambridge U.P., 1972).

R.V. Cook. Greek Painted Pottery (London: Methuen, 1960; 2-е изд., 1972).

Claude Rolley. Greek Bronzes (London: Sotheby's, 1986).

4 ЦАРСТВО ПРЕКРАСНОГО.

Margarete Bieber. Sculpture of the Hellenistic Age (New York: Columbia U.P., 1955; переработ. изд., 1961).

J. Onians. Art and Thought in the Hellenistic Age (London: Thames and Hudson, 1979).

J.J. Pollitt. Art in the Hellenistic Age (Cambridge U.P., 1986).

5 ПОКОРИТЕЛИ МИРА.

Ranuccio Bianchi Bandinelli. Rome: the Centre of Power (London: Thames and Hudson, 1970).

Он же. Rome: the Late Empire (London: Thames and Hudson, 1971).

Richard Brilliant. Roman Art: From the Republic to Constantine (London: Phaidon, 1974).

William Macdonald. The Pantheon (Harmondsworth: Penguin, 1976).

Diana E.E. Kleiner. Roman Sculpture (New Haven-London: Yale U.P., 1993).

Roger Ling. Roman Painting (Cambridge U.P., 1991).

6 РАСХОЖДЕНИЕ ПУТЕЙ.

Richard Krautheimer. Rome, Profile of a City, 312-1308 (Princeton U.P., 1980).

Otto Demus. Byzantine Art and the West (London: Weidenfeld and Nicolson, 1970).

Ernst Kitzinger. Byzantine Art in the Making (London: Faber, 1977).

Он же. Early Medieval Art in the British Museum (London: British Museum, 1940; John Beckwith. The Art of Constantinople (London: Phaidon, 1961; 2-е изд., 1968).

Richard Krautheimer. Early Christian and Byzantine Art and Architecture (Harmondsworth: Penguin, 1965; 4-е изд., 1986).

7 ВЗГЛЯД НА ВОСТОК.

Jerrilyn D. Dodds, ed. Al-Andalus. The Art of Islamic Spain (New York: Metropolitan Museum of Art, 1992).

Oleg Grabar. The Alhambra (London: Allen Lane, 1978).

Он же. The Formation of Islamic Art (New Haven-London: Yale U.P., 1973; переработ. изд. 1987).

Godfrey Goodwin. History of Ottoman Architecture (London: Thames and Hudson, 1971; переизд. 1987).

Basil Gray. Persian Painting (London: Batsford, 1947; переизд. 1961).

R.W. Ferrier, ed. The Arts of Persia (New Haven-London: Yale U.P., 1989).

J.C. Harle. Art and Architecture of the Indian Subcontinent (Harmondsworth: Penguin, 1986).

T. Richard Burton. Hindu Art (London: British Museum, 1992).

James Cahill. Chinese Painting (Geneva: Skira, 1960; переизд. New York: Skira/Rizzoli, 1977).

W. Willtees. Foundations of Chinese Art (London: Thames and Hudson, 1965).

William Watson. Style in the Arts of China (Harmondsworth: Penguin, 1974).

Michael Sullivan. Symbols of Eternity (Oxford U.P., 1980).

Он же. The Arts of China (Berkeley: California U.P., 1967; 3-е изд., 1984).

Wen C. Fong. Beyond Representation (New Haven-London: Yale U.P., 1992).

8 ИСКУССТВО В ПЛАВИЛЬНОМ КОТЛЕ.

David Wilson. Anglo-Saxon Art (London: Thames and Hudson, 1984).

Он же. The Bayeux Tapestry (London: Thames and Hudson, 1985).

Janet Backhouse. The Lindisfarne Gospels (Oxford: Phaidon, 1981; переизд. London, 1994).

Jean Hubert et al. L'Empire Carolingien. (Paris: Gallimard, 1968).

9 ЦЕРКОВЬ ВОИНСТВУЮЩАЯ.

Meyer Schapiro. Romanesque Art (London: Chatto and Windus, 1977).

George Zarnecki, ed. English Romanesque Art 1066–1200 (London: Royal Academy, 1984).

Hanns Swarzenski. Monuments of Romanesque Art: the Art of Church Treasures in North-Western Europe (London: Faber, 1954; 2-е изд., 1967).

Otto Pacht. Book Illumination in the Middle Ages (London: Harvey Miller, 1986).

Christopher de Hamel. A History of Illuminated Manuscripts (Oxford: Phaidon, 1986; 2-е изд., London, 1994).

J.J.G. Alexander. Medieval Illuminators and their Methods (New Haven-London: Yale U.P., 1992).

10 ЦЕРКОВЬ ТОРЖЕСТВУЮЩАЯ.

Henri Focillon. L'Art d'Occident. Le moyen age roman et gothique. (Paris: Colin, 1947).

Joan Evans. Art in Medieval France (London: Oxford U.P., 1948).

Robert Branner. Chartres Cathedral (London: Thames and Hudson, 1969; переизд. New York: W.W. Norton, 1980).

Max Hirmer, Willibald Sauerlander. Gotische Skulptur in Frankreich. 1140–1270 (Munchen: Hirmer, 1970).

Jean Bony. Cathedrals gothiques en France (Paris: Braun, 1954).

James H. Stubblebine. Giotto, the Arena Chapel Frescoes (London: Thames and Hudson, 1966; 2-е изд., 1993).

Jonathan Alexander, Paul Binski, ed. Age of Chivalry: Art in Plantagenet England 1200–1400 (London: Royal Academy, 1987).

11 ПРИДВОРНЫЕ И ГОРОЖАНЕ.

Jean Bony. The English Decorated Style (Oxford: Phaidon, 1979).

Andrew Martindale. Simone Martini (Oxford: Phaidon, 1988).

Millard Meiss. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries (2 vols., New York: Braziller, 1974).

Jean Longnon et al. The Tres Riches Heures of the Duc de Berry (London: Thames and Hudson, 1969; переизд. 1989).

12 ЗАВОЕВАНИЕ РЕАЛЬНОСТИ.

Eugenio Battisti. Brunelleschi: the Complete Work (London: Thames and Hudson, 1981).

Bruce Cole. Masaccio and the Art of Early Renaissance Florence (Bloomington: Indiana U.P., 1980).

Umberto Baldini, Ornella Casazza. La Capella Brancacci (Milano: Olivetti; Electa, 1990).

Paul Joannides. Masaccio and Masolino (London: Phaidon, 1993).

H.W. Janson. The Sculpture of Donatello (Princeton U.P., 1957).

Bonnie A. Bennett, David G. Wilkins. Donatello (Oxford: Phaidon, 1984).

Kathleen Morand. Claus Sluter: Artist of the Court of Burgundy (London: Harvey Miller, 1991).

Elizabeth Dhanens. Hubert and Jan van Eyck (Antwerp: Fonds Mercator, 1980).

Erwin Panofsky. Early Netherlandish Painting: Its Origin and Character (2 vols., Cambridge, Mass.: Harvard U.P., 1953; переизд. New York: Harper and Row, 1971).

13 ТРАДИЦИЯ И НОВАТОРСТВО: I.

Franco Borsi. L.B. Alberti: L'opera completa (Milano: Electa, 1980).

Richard Krautheimer. Lorenzo Ghiberti (Princeton U.P., 1956; пересмотр. изд., 1970).

John Pope-Hennessy. Fra Angelico (London: Phaidon, 1952; 2-е изд., 1974). Русск. перев.:

Джон Поуп-Хеннесси. Фра Анджелико (М.: Слово/Slоvо, 1995).

Он же. Uccello (London: Phaidon, 1950; 2-е изд., 1969).

Ronald Lightbown. Mantegna (Oxford: Phaidon-Christie's, 1986).

Jane Martineau, ed. Andrea Mantegna (London: Thames and Hudson, 1992).

Kenneth Clark. Piero della Francesca (London: Phaidon, 1951; 2-е изд., 1969).

Ronald Lightbown. Piero della Francesca (New York: Abbeville, 1992).

L.D. Ettlinger. Antonio and Piero Pollaiuolo (Oxford: Phaidon, 1978).

H. Horne. Botticelli: Painter of Florence (London: Bell, 1908; переработ. изд.: Sandro Botticelli: Life and Work. London: Thames and Hudson, 1989).

О картинах Весна и Рождение Венеры см. мою статью Botticelli's Mythologies — Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995).

14 ТРАДИЦИЯ И НОВАТОРСТВО: II.

John Harvey. The Perpendicular Style (London: Batsford, 1978).

Martin Davies. Rogier van der Weyden: An Essay, with a Critical Catalogue of Paintings ascribed to him and to Robert Campin (London: Phaidon, 1972).

Michael Baxandall. The Limewood Sculptors of Renaissance Germany (New Haven — London: Yale U.P., 1980).

Jan Bialostocki. The Art of the Renaissance in Eastern Europe (Oxford: Phaidon, 1976).

15 ДОСТИГНУТАЯ ГАРМОНИЯ.

Arnaldo Bruschi. Bramante. Bari: Laterza, 1973 Kenneth Clark. Leonardo da Vinci (Cambridge U.P., 1939; переработ. изд., Harmondsworth: Penguin, 1988).

A.E. Popham, ed. Leonardo da Vinci: Drawings (London: Cape, 1946; переработ. изд., 1973).

Martin Kemp. Leonardo da Vinci: The Marvellous Works of Nature and Man (London: Dent, 1981).

См. также эссе в моих книгах: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 39–56, и New Light on Old Masters (Oxford: Phaidon, 1986; переизд. London, 1993), pp. 32–88.

Herbert von Einem. Michelangelo. Bildhauer, Maler, Baumeister (Berlin: Mann, 1973).

Howard Hibbard. Michelangelo (Harmondsworth: Penguin, 1975; 2-е изд., 1985).

См. особенно введения здесь и в предыдущей книге. Johannes Wilde. Michelangelo: Six Lectures (Oxford U.P., 1978).

Ludwig Goldscheider. Michelangelo: Paintings, Sculpture, Architecture (London: Phaidon, 1953; 6-е изд., 1995).

Michael Hirst. Michelangelo and his Drawings (New Haven-London: Yale U.P., 1988).

Полные каталоги произведений Микеланджело см.: Frederick Hartt. The Paintings of Michelangelo (New York: Abrams, 1964).

Он же. Michelangelo: The Complete Sculpture (New York: Abrams, 1970).

Он же. Michelangelo Drawings (New York: Abrams, 1970).

О Сикстинской капелле см.: Charles Seymour, ed. Michelangelo: the Sistine Ceiling (New York: W.W. Norton, 1972).

Carlo Pietrangeli, ed. The Sistine Chapel: Michelangelo Rediscovered (London: Muller, Blond and White, 1986).

John Pope-Hennessy. Raphael (London: Phaidon, 1970).

Roger Jones, Nicholas Penny. Raphael (New Haven-London: Yale U.P., 1983).

Luitpold Dussler. Raphael: Kritisches Verzeichnis der Gemalde, Wandbilder und Bildteppiche (Munchen, 1966).

Paul Joannides. The Drawings of Raphael with a Complete Catalogue (Oxford: Phaidon, 1983).

О Станца делла Сеньятура см. статью в моей книге: Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995), pp. 85-101;

О Мадонне в кресле см. статью в моей книге: Norm and Form (London: Phaidon, 1966; 4-е изд., Oxford, 1985; переизд. London, 1995), pp. 64–80.

16 СВЕТ И ЦВЕТ.

Deborah Howard. Jacopo Sansovino (New Haven-London: Yale U.P., 1975).

Bruce Boucher. The Sculpture of Jacopo Sansovino (2 vols., New Haven-London: Yale U.P., 1992).

Johannes Wilde. Venetian Art from Bellini to Titian (Oxford U.P., 1974).

Giles Robertson. Giovanni Bellini (Oxford U.P., 1968).

Terisio Pignatti. Giorgione: Complete Edition (London: Phaidon, 1971).

Harold Wethey. The Paintings of Titian (3 vols., London: Phaidon, 1969–1975).

Charles Hope. Titian (London: Jupiter, 1980).

Cecil Gould. The Paintings of Correggio (London: Faber, 1976).

A.T. Popham. Correggio's Drawings (London: British Academy, 1957).

17 РАСПРОСТРАНЕНИЕ НОВОГО СТИЛЯ.

Erwin Panofsky. The Life and Art of Albrecht Durer (Princeton U.P., 1943; 4-е изд., 1955; переизд. 1971).

Nikolaus Pevsner, Michael Veier. Grunewald (London: Thames and Hudson, 1948).

G. Scheja. The Isenheim Altarpiece (Cologne: DuMont; New York: Abrams, 1969).

Max J. Friedlander. Die Gemalde von Lucas Cranach (Berlin: Deutscher Verein fur Kunstwissenschaft, 1932).

Walter S. Gibson. Hieronymus Bosch (London: Thames and Hudson, 1973) — см. также статью в моей книге: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 79–90.

R.H. Marijnissen. Hieronymus Bosch: The Complete Works (Antwerp: Tatard, 1987).

18 КРИЗИС ИСКУССТВА.

James Ackerman. Palladio (Harmondsworth: Penguin, 1966).

John Sherman. Mannerism (Harmondsworth: Penguin, 1967).

John Pope-Hennessy. Cellini (London: Macmillan, 1985).

Sydney J. Freedberg. Parmigianino: His Works in Painting (2 vols., Cambridge, Mass.: Harvard U.P., 1950).

A.T. Popham. Catalogue of the Drawings of Parmigianino (3 vols., New Haven-London: Yale U.P., 1971).

Charles Avery. Giambologna (Oxford: Phaidon-Christie's, 1987; переизд. London: Phaidon, 1993).

Hans Tietze. Tintoretto: The Paintings and Drawings (London: Phaidon, 1948).

Harold E. Wethey. El Greco and his School (2 vols., Princeton U.P., 1962).

John Rowlands. Holbein: The Paintings of Hans Holbein the Younger (Oxford: Phaidon, 1985).

Roy Strong. The English Renaissance Miniature (London: Thames and Hudson, 1983) — статьи о Николасе Хильярде и Исааке Оливере.

Fritz Grossmann. Peeter Brueghel. Die Gemalde (Koln: Phaidon, 1955).

Ludwig Munz. Brueghel: The Drawings. Transl. from the German manuscript (London: Phaidon, 1961).

19 ВИДЕНИЕ И ВИДЕНИЯ.

Rudolf Wittkower. Art and Architecture in Italy 1600–1750 (Harmondsworth: Penguin, 1958; 3-е изд., 1973).

Ellis Waterhouse. Italian Baroque Painting (London: Phaidon, 1962; 2-е изд., 1969).

Donald Posner. Annibale Carracci: A Study in the Reform of Italian Painting around 1590 (2 vols., London: Phaidon, 1971).

Walter Friedlander. Caravaggio Studies (Princeton U.P., 1955).

Howard Hibbard. Caravaggio (London: Thames and Hudson, 1983).

D. Stephen Pepper. Guido Reni: A Complete Catalogue of his Works with an Introductory Text (Oxford: Phaidon, 1984).

Anthony Blunt. The Paintings of Poussin (3 vols., London: Phaidon, 1966–1967).

Marcel Rothlisberger. Claude Lorrain: The Paintings (2 vols., New Haven-London: Yale U.P., 1961).

Julius S. Held. Rubens: Selected Drawings (3 vols., London: Phaidon, 1959; 2-е изд. в одном томе, Oxford, 1986).

Он же. The Oil Sketches of Peter Paul Rubens: A Critical Catalogue (2 vols., Princeton U.P., 1980).

Corpus Rubenianum Ludwig Burchard (London: Phaidon; London: Harvey Miller, 1968 — планируется 27 томов, 15 из которых уже изданы).

Michael Jaffe. Rubens and Italy (Oxford: Phaidon, 1977).

Christopher White. Peter Paul Rubens: Man and Artist (New Haven-London: Yale U.P., 1987).

Christopher Brown. Van Dyck (Oxford: Phaidon, 1982).

Jonathan Brown. Velazquez (New Haven-London: Yale U.P., 1986).

Enriqueta Harris. Velazquez (Oxford: Phaidon, 1982).

Jonathan Brown. The Golden Age of Painting in Spain (New Haven-London: Yale U.P., 1991).

20 ЗЕРКАЛО ПРИРОДЫ.

Katharine Fremantle. The Baroque Town Hall of Amsterdam (Utrecht: Dekker and Gumbert, 1959).

Seymour Slive. Trans Hals (3 vols., London: Phaidon, 1970-4).

Он же. Jacob van Ruisdael (New York: Abbeville, 1981).

Gary Schwarz. Rembrandt: His Life, his Paintings (Harmondsworth: Penguin, 1985).

Jakob Rosenberg. Rembrandt: Life and Work (2 vols., Cambridge, Mass.: Harvard U.P., 1948; 4-е изд., Oxford: Phaidon, 1980).

A. Bredius. Rembrandt: Complete Edition of the Paintings (Vienna: Phaidon, 1935; 4-е, переработ. изд., London: Phaidon, 1971).

Otto Benesch. The Drawings of Rembrandt (6 vols., London: Phaidon, 1954-7; переработ. изд., 1973).

Christopher White, K.G. Boon. Rembrandt's Etchings: An Illustrated Critical Catalogue (2 vols., Amsterdam: Van Ghendt, 1969).

Christopher Brown, Jan Kelch, Pieter van Thiel. Rembrandt: The Master and his Workshop (2 vols., New Haven-London: Yale U.P., 1991).

Baruch D. Kirschenbaum. The Religious and Historical Paintings of Jan Steen (Oxford: Phaidon, 1977).

Wolfgang Stechow. Dutch Landscape Painting of the Seventeenth Century (London: Phaidon, 1966; 3-е изд., Oxford, 1981).

Svetlana Alpers. The Art of Describing: Dutch Art in the Seventeenth Century (London: John Murray, 1983).

Lawrence Gowing. Vermeer (London: Faber, 1952).

Albert Blankert. Vermeer of Delft: Complete Edition of the Paintings (Oxford: Phaidon, 1978).

John Michael Montias. Vermeer and his Milieu (Princeton U.P., 1989).

21 ВЛАСТЬ И СЛАВА: I.

Anthony Blunt, ed. Baroque and Rococo Architecture and Decoration (London: Elek, 1978).

Он же. Borromini (Harmondsworth: Penguin, 1979; нов. изд. Cambridge, Mass.: Harvard U.P., 1990).

Rudolf Wittkower. Gian Lorenzo Bernini (London: Phaidon, 1955; 3-е изд., Oxford, 1981).

Robert Enggass. The Paintings of Baciccio: Giovanni Battista Gaulli 1639–1709 (University Park: Pennsylvania State U.P., 1964).

Michael Levey. Giambattista Tiepolo (New Haven-London: Yale U.P., 1986).

Он же. Painting in Eighteenth Century Venice (London: Phaidon, 1959; 3-е изд., New Haven-London: Yale U.P., 1994).

Julius S. Held, Donald Posner. Seventeenth and Eighteenth Century Art (NewYork-London: Abrams, 1972).

22 ВЛАСТЬ И СЛАВА: II.

G. Walton. Louis XIV and Versailles (Harmondsworth: Penguin, 1986).

Anthony Blunt. Art and Architecture in France 1500–1700 (Harmondsworth: Penguin, 1953; 4-е изд., 1980).

Henry-Russell Hitchcock. Rococo Architecture in Southern Germany (London: Phaidon, 1968).

Eberhard Hempel. Baroque Art and Architecture in Central Europe (Harmondsworth: Penguin, 1965).

Marianne Roland Michel. Watteau: Un artiste au XVIII-e siecle (Paris: Flammarion, 1984).

Donald Posner. Antoine Watteau (London: Weidenfeld and Nicolson, 1984).

23 ВЕК РАЗУМА.

Kerry Downes. Sir Christopher Wren (London: Granada, 1982).

Ronald Paulson. Hogarth: His Life, Art and Times (2 vols., New Haven-London: Yale U.P., 1971; сокращен. изд. в одном томе, 1974).

David Blindman. Hogarth (London: Thames and Hudson, 1981).

Ellis Waterhouse. Reynolds (London: Phaidon, 1973).

Nicolas Penny, ed. Reynolds (London: Royal Academy, 1986).

John Hayes. Gainsborough: Paintings and Drawings (London: Phaidon, 1975; переизд. Oxford, 1978).

Он же. The Landscape Paintings of Thomas Gainsborough: A Critical Text and Catalogue Raisonne (2 vols., London: Sotheby's, 1982).

Он же. The Drawings of Thomas Gainsborough (2 vols., London: Zwemmer, 1970).

Он же. Thomas Gainsborough (London: Tate Gallery, 1980).

Georges Wildenstein. Chardin, a Catalogue Raisonne (Oxford: Cassirer, 1969).

Philip Conisbee. Chardin (Oxford: Phaidon, 1986).

H.H. Arnason. The Sculptures of Houdon (London: Phaidon, 1975).

Jean-Pierre Cuzin. Jean-Honore Fragonard: Vie et oeuvre; catalogue complet des peintures (Fribourg: Suisse, 1987).

Oliver Millar. Zoffany and his Tribuna (London: Routledge and Kegan Paul, 1967).

24 РАЗРЫВ ТРАДИЦИИ.

J. Mordaunt Crook. The Dilemma of Style (London: John Murray, 1987).

J.D. Prown. John Singleton Copley (2 vols., Cambridge, Mass.: Harvard U.P., 1966).

Anita Brookner. Jacques-Louis David (London: Chatto and Windus, 1980).

Paul Gassier, Juliet Wilson. The Life and Complete Work of Francisco Goya (New York: Reynal, 1971; переработ. изд., 1981).

Janis Tomlinson. Goya (London: Phaidon, 1994).

David Bindman. Blake as an Artist (Oxford: Phaidon, 1977).

Martin Butlin. The Paintings and Drawings of William Blake (2 vols., New Haven-London: Yale U.P., 1981).

Martin Butlin, Evelyn Joll. The Paintings of J.M.W. Turner, a Catalogue (2 vols., New Haven-London: Yale U.P., 1977; переработ. изд., 1984).

Andrew Wilton. The Life and Work of J.V.W. Turner (London: Academy, 1979).

Graham Reynolds. The Late Paintings and Drawings of John Constable (2 vols., New Haven-London: Yale U.P., 1984).

Malcolm Cormack. Constable (Oxford: Phaidon, 1986).

Walter Friedlander. From David to Delacroix (Cambridge, Mass.: Harvard U.P., 1952).

William Vaughan. German Romantic Painting (New Haven-London: Yale U.P., 1980).

Helmut Borsch-Supan. Caspar David Friedrich (London: Thames and Hudson, 1974; 4-е изд., Munich: Prestel, 1990).

Hugh Honour. Neo-classicism (Harmondsworth: Penguin, 1968).

Он же. Romanticism (Harmondsworth: Penguin, 1981).

Kenneth Clark. The Romantic Rebellion (London: Sotheby's, 1986).

25 ПЕРМАНЕНТНАЯ РЕВОЛЮЦИЯ.

Robert Rosenblum. Ingres (London: Thames and Hudson, 1967).

Robert Rosenblum, H.W. Janson. The Art of the Nineteenth Century (London: Thames and Hudson, 1984).

Lee Johnson. The Paintings of Eugene Delacroix (6 vols., Oxford U.P., 1981–1989).

Michael Clarke. Corot and the Art of Landscape (London: British Museum, 1991).

Peter Galassi. Corot in Italy: Open-Air Painting and the Classical Landscape Tradition (New Haven-London: Yale U.P., 1991).

Robert Herbert. Millet (Paris: Grand Palais; London: Hayward Gallery, 1975).

Courbet (Paris: Grand Palais; London: Royal Academy, 1977).

Linda Nochkin. Realism (Harmondsworth: Penguin, 1971).

Virginia Surtees. The Paintings and Drawings of Dante Gabriel Rossetti (Oxford U.P., 1971).

Albert Boime. The Academy and French Painting in the Nineteenth Century (London: Phaidon, 1971; переизд. New Haven-London: Yale U.P., 1986).

Manet (Paris: Grand Palais; New York: Metropolitan Museum of Art, 1983) John House. Monet (Oxford: Phaidon, 1977; 3-е изд., London, 1991).

Paul Hayes Tucker. Monet in the 90s: The Series Paintings (New Haven — London: Yale U.P., 1989).

Renoir (Paris: Grand Palais; London: Hayward Gallery; Boston: Museum of Fine Arts, 1985).

Pissarro (London: Hayward Gallery; Paris: Grand Palais; Boston: Museum of Fine Arts, 1981).

J. Hillier. The Japanese Print: A New Approach (London: Bell, 1960).

Richard Lane. Hokusai: Life and Word (London: Barrie and Jenkins, 1989).

Jean Sutherland Boggs et al. Degas (Paris: Grand Palais; Ottawa: National Gallery of Canada; New York: Metropolitan Museum of Art, 1988).

John Rewald. The History of Impressionism (New York: Museum of Modern Art, 1946; 4-е изд., London: Secker and Warburg, 1973).

Русск. перевод: Джон Ревалд. История импрессионизма. Перев. А.Н. Изергиной (Л.-М.: Искусство, 1959; 2-е изд.: перев. П.В. Мелковой под ред. М.А. Бессоновой; М.: Республика, 1995).

Robert L. Herbert. Impressionism: Art, Leisure and Parisian Society (New Haven-London: Yale U.P., 1988).

Albert Elsen. Rodin (New York: Metropolitan Museum of Art, 1963).

Catherine Lampert. Rodin: Sculptures and Drawings (London: Hayward Gallery, 1986).

Andrew Maclaren Young, ed. The Paintings of James McNeill Whistler (New Haven-London: Yale U.P., 1980).

K.E. Maison. Honore Daumier: Catalogue of the paintings, Watercolours and Drawings (2 vols., London: Thames and Hudson, 1968).

Quentin Bell. Victorian Artists (London: Routledge and Kegan Paul, 1967) Graham Reynolds. Victorian Painting (London: Studio Vista, 1966).

26 В ПОИСКАХ НОВЫХ НОРМ.

Robert Schmutzler. Art Nouveau — Jugendstil (Teufen: Niggli, 1962).

Roger Fry. Cezanne: A Study of his Development (London: Hogarth Press, 1927; нов. изд., Chicago U.P., 1989).

William Rubin, ed. Cezanne. The Late Work (London: Thames and Hudson, 1978).

John Rewald. Cezanne: The Watercolours (London: Thames and Hudson, 1983).

John Russell. Seurat (London: Thames and Hudson, 1965).

Richard Thomson. Seurat (Oxford: Phaidon, 1985; переизд. 1990).

Ronald Pickvance. Van Gogh in Aries (New York: Metropolitan Museum of Art, 1984).

Он же. Van Gogh in Saint Remy and Auvers (New York: Metropolitan Museum of Art, 1986).

Michel Hoog. Gauguin (London: Thames and Hudson, 1987).

Gauguin (Paris: Grand Palais; Chicago: Art Institute; Washington: National Gallery of Art, 1988).

Nicolas Watkins. Bonnard (London: Phaidon, 1994).

Gotz Adriani. Toulouse-Lautrec (London: Thames and Hudson, 1987).

Он же. Post-Impressionism: From Van Gogh to Gauguin (New York: Museum of Modern Art, 1956; 3-е изд., London: Secker and Warburg, 1978).

27 ЭКСПЕРИМЕНТАЛЬНОЕ ИСКУССТВО.

Robert Rosenblum. Cubism and Twentieth-Century Art (London: Thames and Hudson, 1960; переработ. изд., New York: Abrams, 1992).

John Golding. Cubism: A History and an Analysis, 1907–1914 (London: Faber, 1959; 3-е изд., 1988).

Bernard S. Myers. Expressionism (London: Thames and Hudson, 1963).

Walter Grosskamp, ed. German Art in the Twentieth Century: Painting and Sculpture 1905–1985 (London: Royal Academy, 1985).

Hans Maria Wingler. The Bauhaus (Cambridge, Mass.: MIT Press, 1969).

H. Bayer, W. Gropius, I. Gropius, Hrsg. Bauhaus 1919–1928 (Teufen: Niggli, 1959).

William J.R. Curtis. Modern Architecture since 1900 (Oxford: Phaidon, 1980; 2-е изд., 1989; переизд. London, 1994).

Robert Hughes. The Shock of the New: Art and the Century of Change (London: BBC, 1980; переработ. и расширен. изд., 1991).

William Rubin, ed. «Primitivism» in 20th Century Art: Affinity of the tribal and the Modern (2 vols., New York: Museum of Modern Art, 1984).

Reinhold Heller. Munch: His Life and Work (London: John Murray, 1984).

C.D. Zigrosser. Prints and Drawings of Kathe Kollwitz (London: Constable; New York: Dover, 1969).

Werner Haftmann. Emil Nolde. (5 Aufl., Koln: Du Mont Schauberg, 1966).

Richard Calvocoressi, ed. Oskar Kokoschka 1886–1980 (London: Tate Gallery, 1987).

Peter Vergo. Art in Vienna 1898–1918: Klimt, Kokoschka, Schiele and their Contemporaries (London: Phaidon, 1975; 3-е изд., 1993, переизд. 1994).

Paul Overy. Kandinsky: The Language of the Eye (London: Elek, 1969).

Hans Kroethel, Joan K. Benjamin. Kandinsky: Catalogue Raisonne of the Oil Paintings (2 vol., London: Sotheby's, 1982-4).

Will Grohmann. Wassily Kandinsky: Life and Work (New York: Abrams, 1958).

Sixten Ringbom. The Sounding Cosmos (Abo: Academia, 1970).

Jack Flam. Matisse: The Man and his Art, 1869–1918 (London: Thames and Hudson, 1986).

John Elderfield, ed. Henri Matisse (New York: Museum of Modern Art, 1992).

Pablo Picasso: A Retrospective (New York: Museum of Modern Art, 1980).

Timothy Hilton. Picasso (London: Thames and Hudson, 1975).

Richard Verdi. Klee and Nature (London: Zwemmer, 1984).

Margaret Plant. Paul Klee: Figures and Faces (London: Thames and Hudson, 1978).

Ulrich Luckhardt. Lyonel Feininger (Munchen: Prextel, 1989).

Pontus Hulten, Natalia Dumitresco, Alexandre Istrati. Brancusi (London: Faber, 1988).

John Milner. Mondrian (London: Phaidon, 1992).

Norbert Lynton. Ben Nicholson (London: Phaidon, 1993).

Le Douanier Rousseau (New York: Museum of Modern Art, 1985).

Susan Compton, ed. British Art in the Twentieth Century: The Modern Movement (London: Royal Academy, 1987).

Joan M. Marter. Alexander Calder, 1898–1976 (Cambridge U.P., 1991).

Alan Bowness, ed. Henry Moore: Sculptures and Drawings (6 vols., London: Lund Humphries, 1965-7).

Susan Compton, ed. Chagall (London: Royal Academy, 1985).

David Sylvester, ed. Rene Magritte, Catalogue Raisonne (2 vols., Houston: The Menil Foundation; London: Philip Wilson, 1992–1993).

Yves Bonnefoy. Giacometti (New York: Abbeville, 1991).

Robert Descharnes. Dali de Gala: Le monde de Salvador Dali (Paris: Bibliotheque de arts, 1962); русск. перевод: Р. Дешарн, Н. Дешарн.

Сальвадор Дали. Лозанна: Эдита, 1996) Dawn Ades. Salvador Dali (London: Thames and Hudson, 1982).

28 ИСТОРИЯ БЕЗ КОНЦА.

John Elderfield. Kurt Schwitters (London: Thames and Hudson, 1985).

Irving Sandler. Abstract Expressionism: The Triumph of American Painting (London: Pall Mall, 1970).

Ellen G. Landau. Jackson Pollock (London: Thames and Hudson, 1989).

James Johnson Sweeney. Pierre Soulages (Neuchatel: Ides et Calendes, 1972).

Douglas Cooper. Nicolas de Stael (London: Weidenfeld and Nicolson, 1962).

Patrick Waldburg, Herbert Read, Giovanni de San Luzzaro, eds. Complete Works of Marino Marini (New York: Tudor Publishing, 1971).

Marilena Pasquali, ed. Giorgio Morandi 1890–1964 (London: Electa, 1989).

Hugh Adams. Art of the Sixties (Oxford: Phaidon, 1978).

Charles Jencks, Maggie Keswick. Architecture Today (London: Academy, 1988).

Lawrence Gowing. Lucian Freud (London: Thames and Hudson, 1982).

Naomi Rosenblum. A World History of Photography (New York: Abbeville, 1989).

Henri Cartier-Bresson, photographe (Paris: Delpire, 1980).

Hockney on Photography: Conversations with Paul Joyce (London: Jonathan Cape, 1988).

Maurice Tuchman, Stephanie Barron, eds. David Hockney: A Retrospective (Los Angeles: Los Angeles County Museum of Art; London: Thames and Hudson, 1988).